A Chronological Listing of Musical Works
on American indian Subjects,
Composed Since 1608
Michael V. Pisani, Vassar College, 2006
[This page
designed in Microsoft Word and functions best in Internet Explorer]
This document is meant to accompany the book Imagining Native
America in Music (New Haven: Yale University Press, 2005). This list, begun in 1993, should be
understood as a work in progress.
It includes principally those works that have taken Indian subjects from
the areas that are now the United States and Canada and, to some degree,
musical portraits of Middle- and South-American native peoples such as the
Aztecs or Incas. Works have been
entered by year of composition or by year of first performance. Therefore, some composers names are likely
to occur several times. To find
all entries by any single composer, you may wish to refer to the index at the
end of this list. Composers
dates, when known, are given at the first citation only. A bullet () within an entry serves
one of two functions: 1) it indicates more than one work by that composer in
the same year, or 2) it identifies undated (and unperformed) works. In the latter case, such works are
included with the composers first entries. A year in brackets ([ ]) indicates an estimated date of
composition.
While I may not be able to attend to a regular updating, I am
interested in glaring omissions or any relevant new works. So please feel free to send them to me
at mipisani@vassar.edu,
and Ill see what I can do about including them.
What This List Does Not
Contain
This
list does not include the many musical settings of Percy Bysshe Shelleys poem Indian
Serenade,
which is an East Indian subject.
Also, it does not contain Apache dances or songs associated with the
French artistic Socit des Apaches in the early 20th century, for example, Ccile
Chaminades Apache Dance or Richard Rodgerss The Poor Apache (from the 1932 film
musical Love Me Tonight). A study of that
genre demonstrates that the Apaches in this case have lost any meaningful
connection to the North American tribe. Furthermore, this list does not include folk tunes of unknown
and untraceable origin, such as Lost Indian. Finally, it does not contain musical references to native
America in film, which could easily constitute yet another list this size and
would still be woefully incomplete.
Abbreviations to library sigla used in
the list:
AAS = American Antiquarian
Society, Worcester, Massachusetts
BL = British Library,
London
BN = Bibliothque
Nationale, Paris
DEVINCENT = Sam DeVincent
Collection at Indiana University (online). Web address: http://www.indiana.edu/~liblilly/devincent.shtml
DUKE = American Memory
Project (online). Duke
University. Web address: http://memory.loc.gov/ammem/award97/ncdhtml/hasmhome.html
HTC = Harvard Theatre
Collection, Houghton Library, Harvard University (Sheet music depository)
KEFFER = Keffer Collection
of Sheet Music, ca. 1790-1895, Dept. of Special Collection, University of
Pennsylvania Library
LC = Library of Congress,
Washington, D.C.
LEVY = Lester S. Levy Sheet
Music Collection, Milton S. Eisenhower Library of The Johns Hopkins University.
Web address: http://levysheetmusic.mse.jhu.edu/
MN = Music for the Nation
series. Library of Congress. Wed address: http://rs6.loc.gov/ammem/mussmhtml/mussmhome.html
NBC Archive = National
Broadcasting Corporation Library Archive, Eastman School of Music.
NYPL = New York Public
Library, Research Collections, Lincoln Center
SIBLEY = Sibley Music Library, Eastman School
of Music
UAZ = University of
Arizona, Tempe, University Library
WFAA Collection =
University of North Texas; Music Collection of WFAA Radio Station, Dallas (ca.
1920s to 1950s; received 1960)
Please note: While I have used the above sources in the
preparation of this listas well as many others not cited herethe list itself
is not meant to be a complete reference to locations. Hence, the citation of sources is inconsistent. Some works can be found in many
libraries. When the source is a
manuscript, I have made every effort to indicate its location, if known. Other major library collections
consulted were the Bancroft Library (Berkeley, CA), the Newberry Library
(Chicago), and the Boston Public Library, as well as the Minnesota, Iowa,
Oklahoma, Missouri, and Wyoming Historical Societies.
I wish to thank James Kimball of Geneseo, New York, whose
private sheet music collection of Indian Songs inspired this list, and Paul
Charosh for sharing of his great knowledge of American popular song. I would also like to thank Eli Spindel
for his assistance in the editing process.
Indian
List
An
alphabetical list of composers can be found at the end of this list.
Anon. |
1608 |
Anonymous,
Ballet des Indiens. Performed at the Court of Henry
IV. Music manuscript, BN
|
Anon. |
1609 |
Anonymous,
Entry No. 1 in Ballet de la Reine. Performed at the Court of Louis XIII. No source known.
|
Anon. |
1614 |
Anonymous,
Mascarade de Sauvages. Performed at the Court of Louis
XIII. Music is believed lost.
|
Anon. |
1620 |
Anonymous,
Ballet de Lamour de ce temps reprsent par les enfans sans soucy.
No source known.
|
Coffin |
1621 |
Anonymous,
Ballet des Indiens. Excerpt of music by Coffin (Favoris
des dieux et du jour) in Airs de diffrents autheurs. Paris: P. Ballard, 1621.
|
Anon. |
1626 |
Anonymous,
No. 1 in Grand Bal de la Douairire de Billebahaut.
Louvre. February, 1626
|
Anon. |
1641 |
Anonymous,
Entry No. 26 in Ballet De M. Le Cardinal de Richelieu.
Danced by Americans
|
Lully |
1657 |
Jean-Baptiste
Lully (1632-1687), Les Indiens, No. 8 in Les plaisirs troubls masqurade Dance deuant Le
Roy Par Monsieur Le duc de Guize lan 1657, an evening of ballet given for Louix XIV at
the Louvre, Paris. Score is
unpublished but is at the Paris Bibliothque nationale (Coll. Philidor, Vm
micr 534 [36], p. 39) |
Lully |
1658 |
Jean-Baptiste
Lully (1632-1687), Music for Prince Zelmatide and the Peruvians in the
ballet Alcidiane.
|
Anon. |
1658 |
Anonymous,
incidental music to W. Davenants play Cruelty of the Spaniards in Peru.
Music for pictorial-ballet with six entres. Music is lost.
|
Anon. |
1659 |
Anonymous,
incidental music to W. Davenants operatic History of Sir Francis Drake.
Only a Simerons Dance by Matthew Locke survives.
|
Cesti |
1667 |
Marc
Antonio Cesti (1623-69), Il pomo doro. Arioso in the prologue for an American, a black tenor
in feathers. First Performed:
Vienna, 1667.
|
Lully |
1669 |
Jean-Baptiste
Lully, Flore. Ballet de cours presented at the
Louvre for King Louis XIV, 1669. No. 15 represents The Fourth Quarter Of The
World, America.
|
Playford |
1670 |
The
Indians Dance. Violin
solo. In Playfords Apollos
Banquet: Selected Tunes and Jiggs for the Treble Violin, p. 96. London. |
Humphrey |
1675 |
Pelham
Humphrey, Ah, Fading Joy from his music to John Drydens The Indian
Emperour; or, The Conquest of Mexico by the Spaniards. Being the Sequel of
the Indian Queen (1667). Music
unpublished. |
Lully |
1685 |
Lully,
Le temple de la paix. Ballet de
cours. Paris: C. Ballard,
1685. Many reprints. |
Pasquini |
1690 |
Bernardo
Pasquini (1637-1710), music to Pietro Ottobones libretto, Il Colombo
ovvero lIndia scoperta. Performed Rome,
Teatro di Tordinona, 1690. Score
in the BL. The ballet des
nations,
now lost, was in the last act. |
Purcell |
1695 |
Henry
Purcell (1659-95), The Songs in The Indian Queen: as it is now Compos'd
into an Opera, etc. Adapted from the play by Sir R. Howard and J. Dryden. |
Gay |
1729 |
John
Gay (1685-1732), Polly. This was a
ballad opera set in the West Indies and, featuring the character of Macheath,
was intended to be a sequel to The Beggars Opera. The opera features Cawwawkee, the son
of the Indian-king and a noble savage, who, unlike the crooked Macheath and
the other English, is actually an honest person (and who speak and sings in
flawless English). The Lord
Chamberlain banned production of the play, and it wasnt produced until 1777,
by which time it was long out of fashion. But the libretto was published immediately in 1729 and
enjoyed some notoriety, especially among the aristocracy. |
Vivaldi |
1733 |
Antonio
Vivaldi (1675-1741), Montezuma. Dramma per
musicia. Performed Teatro di
SantAngelo, Venice. Score was
believed lost until 2004. |
Rameau |
1735 |
Jean-Philippe
Rameau (1683-1764), Les Indes galantes, opra-ballet in a prologue and four
entres with libretto by Louis Fuzelier First performed: Paris, 23 August
1735. CONTENTS: 1. Les Incas du Prou, 2. Le turc gnreux, 3.
Le fleurs, 4. Les sauvages.
[Note: Les sauvages was added the following year, 1736] |
Rousseau |
1741 |
Jean-Jacques
Rousseau (1712-78), La Dcouverte du Nouveau Monde. Tragdie Lyrique in 3 acts. Text also by Rousseau. Text published Lyons, 1741. Acc. to
Arthur Pougin (Jean-Jacque Rousseau, p. 140), Rousseau only ever completed music
for the first act. |
Blaise |
1751 |
Adolphe
Blaise (after Rameau), Les Amours champestres, pastorale, parodie de
l'acte des sauvages, quatrime entre des Indes galantes [libretto by L.
Fuzelier, music by J. P. Rameau], avec les airs nots. a burlesque on Les
sauvage. |
Graun |
1755 |
Carl
Heinrich Graun (1704-57), Montezuma, a tragedia per music in three acts First
performed: Berlin, 1755 |
Howard
|
1762 |
Henry
Howard (d. 1766), A New Humorous Song on the Cherokee Chiefs. Broadside. Published
London, [1762]. |
Boyce |
1765 |
Samuel
Boyce (d. 1775), A New Song on the Arrival of the Cherokee King & His
Chiefs. For voice and continuo (figured
bass). Words by the
composer. Published London,
1765. First line: From regions
wild and drear we come, Britannias isle to see. |
Majo |
1765 |
Gian
Francesco de Majo (1732-70), Motezuma. Opera in three acts. First of many settings of a libretto
by V. A. Cigna-Santi. (See also
1771, 1772, 1780, and 1781.)
Performed Torino, Teatro Regio.
(Also produced as La Conquista del Messico) |
Grtry |
1768 |
Andre
E. M. Grtry (1741-1799), Le Huron.
Comdie en deux actes at en vers by J. F. Marmontel. In two acts based on Lingnu, a
story by Voltaire. Performed
Paris, 1768. Published at the 14th
Liraison
in Oeuvres de Grtry Published Leipzig and Bruxelles: Breitkopf and Hrtel,
n.d. |
Grtry |
1770 |
Andr-Ernest-Modeste
Grtry, LAmitie lՃpreuve. Opera in two acts. Libretto by C. Favart and C.
Fuse. Performed Fontainebleau,
1770 and at Paris, Comdie Italien, 1771. Enlarged to three acts for Fontainebleau, 1786.
|
Mysliveczek |
1771 |
Josef
Mysliveczek (1737-81), Motezuma. Opera in three acts.
A resetting of Cigna-Santis libretto for Majo. Performed Florence, Teatro della
Pergola. |
Galuppi
|
1772 |
Baldassare
Galuppi (1706-85), Motezuma. Opera in three acts.
A resetting of Cigna-Santis libretto for Majo. Performed Venice, Teatro San
Benedetto. |
Paisiello |
1772 |
Giovanni
Paisiello (1740-1816), Motezuma. Performed
Teatro delle Dame, Rome. |
Piccini |
1772 |
Nicola
Piccini (1728-1800), LAmericano ingentilito. Intermezzo in 2 acts. Performed Rome, 1772. [Acc. to Loewenbergs Annals of
Opera,
contains Indian characters] |
Bach |
1776 |
Johann
Christoph Friedrich Bach (1732-95), Die Amerikanerin. Monologue with text by H. W. von
Gerstenberg. First perf. Riga,
1776. For soprano with
orchestra. Score edited G. A.
Walter (Berlin, 1919). [Unclear
if subject is indigenous American.
Likely not.] |
Anon.
|
1777 |
Anonymous,
Polly. Production at the Haymarket, London
of John Gays 1729 ballad opera set in the West Indies. [Act III included a Dance of
Indians.] |
Insanguine
|
1780 |
Giacomo
Insanguine (1740-95), Motezuma. Opera in three acts.
A resetting of Cigna-Santis libretto for Majo. Performed Torino, Teatro Regio. |
Anon. |
1780 |
Anonymous,
The Death Song of the Cherokee Indians
An original Air, brought from America by a Gentleman. . . conversant
with the Indian Tribes. The
Words adapted to the Air by a Lady [i.e. Anne Hunter Home]. [Copy in Morrocco
and Gleasons Music in America.] First line: The Sun sets in night. Also called The Indian
Chief and The Indian Warrior in various printed and manuscript sources. |
Naumann |
1780 |
Johann
Gottlieb Naumann (1741-1801), Cora och Alonzo. Libretto in Swedish
(1779) by by G. J. Adlerbeth after Jean Franois Marmontel, Les Incas. German libretto by Naumann in
1780. Published Leipzig: Dkischen
Buch Handlung, 1780. First
performed Stockholm, 1782. |
Winter
|
1780 |
Peter
von Winter (1754-1825), Kora und Alonzo.
Melodrama in two acts.
Libretto in German by J. M. von Babo after Marmontel. Performed Munich, 1780/1781,
Regensburg, 1781, and Prag, 1788. |
Linley |
1781 |
Thomas
Linley (1733-95), Robinson Crusoe. Harlequin
pantomime. Performed London,
Drury Lane. Published London: S. A. and P. Thompson, 1781. [Includes No. 9:
Savages Landing and No. 10: Dance of Savages.] |
Zingarelli
|
1781 |
Nicola
Antonio Zingarelli (1752-1837), Motezuma.
Opera in three acts. A
resetting of Cigna-Santis libretto for Majo. Performed Naples, Teatro San Carlo. |
Arne |
1782 |
Michael
Arne (1740-1786), The Overture, Songs, Duetts, Catch, Choruses &
Comic-Tunes, with the Marches, and Dances in the Procession of the New
Pantomime called The Choice of Harlequin or the Indian Chief, adapted for the
Harpsichord, and a Violin Accompanyment added to the Overture and some of the
Tunes. London. Longman & Broderip. [1782]. Performed: Covent Garden. |
Krtzinger
|
1782 |
P. I.
Krzinger, music to Inkle und Jariko. Melodrama
by Wilhelm Rothammer. Performed
Regensburg, Princes Theater, 1782.
|
Giordani |
1783 |
|
Pelissier
|
1783 |
Victor
Pelissier (ca. 1845-1820) Columbus, or The Discovery of America, with
Harlequins Revels. Pantomime. Performed Baltimore, New Theatre, 1783.
|
Candeille |
1785 |
|
Dalayrac |
1786 |
|
Hook
|
1786 |
James
Hook (1756-1827), Overture and New Music for The Peruvian.
Burletta in three acts.
Libretto by a lady. For
a play called The Peruvian, an adaptation of Favart and de Voisenons LAmiti a lՃpreuve, the libretto for Grtrys 1770
opra-comique. Performed London,
Covent Garden, 1787. [Score
published as The Fair Peruvian, 1786.]
|
Arnold |
1787 |
Samuel
Arnold (1740-1802), Inkle and Yarico.
Opera in 3 acts, performed London, Haymarket Theatre, 1787. Story is
derived from Steele The Spectator, no. 11 (1711) which is itself retold from
Ligons True Exact History of the Island of Barbados. [Acc. to Loewenbergs Annals
of Opera,
contains Indian characters] |
Bianchi
|
1787 |
Francesco
Bianchi (1752-1810), Pizzarro [sic]. Opera in three
acts. Librettist unknown. Performed Venice, Teatro San
Samuele. Ms. |
Dibdin |
1788 |
Charles
Dibdin (1745-1814), Arm'd with Jav'lin. The Celebrated Indian Battle. Written, composed &
sung by Mr Dibdin at the Lyceum Theatre in The Whim of the Moment. |
Cambini
|
1789 |
Giuseppe
Cambini (1746-1825), Cora, ou La Prtresse du soleil. Opera comique in three acts. Performed Paris, Thtre Beaujolais,
1787. |
Dibdin |
1789 |
Charles
Dibdin, Dear Yanko Say. The Indian Song, written and composed by
Mr. Dibdin. In The Oddities, or Man and No Wife, a table entertainment
performed by Dibdin at the Lyceum Theatre, London. |
Dutillieu
|
1789 |
Pierre
Dutillieu (1754-97), Pizzarro, o La conquista del Per. Ballet with scenario by Sebastien
Gallet. Based on Marmontels The
Incas of Peru. Performed
Naples. |
Teyber
|
1789 |
Franz
Teyber, music for Fernando und Jariko, oder Die Indianer [Die Wilden und
Gesitteten]. Singspiel after Chamfort with
libretto by K. Eckartshausen.
Performed Vienna, Freihau Theater, 1789.
|
Zumsteeg
|
1789 |
Johann
Rudolf Zumsteeg (1760-1802), Grablied, text after Kotzebue, Die
Sonnenjungfrau, act 4, scene 1.
|
Arnold |
1790 |
Samuel
Arnold. New Spain, or Love in
Mexico. Burletta in three acts. Libretto by J. Scawen. Performed London, Haymarket.
[Includes two principal American Indian characters, the chief Zempoalla and
the noble Cherokee Alknomook. No. 17 in the opera is Alknomooks famous
Death Song of the Cherokee Indians.] |
Dibdin |
1790 |
Charles
Didbin, The Indian Death Song. As sung in The
Wags, a
table entertainment performed by Dibdin at the Lyceum Theatre, London. London: Printed & sold by the author, at
his music warehouse 411 Strand, opposite the Adelphi, 1790. |
Seyfried
|
1790 |
Ignaz
von Seyfried (1776-1841), Kora, Die Sonnenjungfrau.
Musical play in five acts.
Text by A. Kotzebue. Music
by Seyfried and M. Stegmayer.
Performed Vienna, Fasanth Theater, 1790, and at the Burgtheater, 1791.
|
Bernardini
|
1791 |
Marcello
Bernardini (aka Marcello di Capua, 1740-ca. 1799), Pizarro nelle Indie. Opera in two acts. Performed Naples, Teatro San Carlo. |
Cimarosa
|
1791 |
Domenico
Cimarosa (1749-1801), La vergine del sole. Opera based on
Marmontels The Incas of Peru. St. Petersburg,
1791. |
Gram |
1791 |
Hans
Gram (1754-1804), The Death Song of an Indian Chief. For voice and keyboard
accompaniment. The title page
reads: Taken from Ouabi, an Indian Tale, in Four Cantos by Philenia, a Lady of Boston
[= Sarah Wentworth Morton].
First appeared in the March, 1791 issue of the Massachusetts
Magazine. Later published Boston: Thomas and
Andrews, 1793. [In Morrocco and Gleasons Music in America.] |
Mhul |
1791 |
tienne
Nicolas Mhul (1763-1817). Cora. Opera in four acts based on
Marmontels The Incas of Peru. Libretto by
Valladier. Performed Paris
Opera, 1791. |
Anon.
|
1792 |
Anonymous,
Music to Columbus, or The Discovery of America.
Melodrama by Thomas Morton.
Performed London, Covent Garden, December, 1792.
|
Hewitt |
1794 |
James
Hewitt (1770-1827), Tammany (America Discovered); or The Indian Chief. Ballad opera in 3 acts, also called a
serious opera. Libretto by
Anne Julia Hatton. First
performed in New York by the Old American Company on 3 March 1794 and ran
through April. Both score and
libretto are lost, although the text of the songs were published (New York:
Harrison, 1794). [The cast
included Columbus and other Spanish characters as well as Indian characters,
including an Indian chorus. The
play featured the song Alknomook: The Death Song of the Cherokee Indians, thought to be by an
anonymous composer. (See 1780,
Anon.). The playbill (reprinted
in Vernon Grenville, Yandee Doodle-Doo) notes the inclusion of a Indian Dance
performed by Misters [John] Durang and Miller, both actors.] |
Anon. |
1794 |
Anonymous,
Yarrimore. An Indian Ballad.
Published Philadelphia: Carr & Cos. Musical Repository, n.d. Song for voice and piano. Also for guitar. First Line of Chorus: You shall see
never again your "Yarrimore" [text varies with each verse] |
Pelissier
|
1794 |
Victor
Pelissier, music to Inkle and Yarico. Performed Boston, 1794. |
Storace |
1794 |
Stephen
Storace (1762-1796), The Cherokee. Opera in 3 acts.
Words by James Cobb. Text
reproduced in F. Longe Collection of plays, v. 233. The music principally by Stephen Storace. Performed London, Theatre
Royal, Drury Lane, 20 Dec 1794. Vocal score published, 83 pp, London: J.
Dale, 1795. Reproduction: Photocopy.
San Rafael, Calif.: American Music Research Center, [1970s]. Score reprinted in 1977 by Belwin
Mills, Kalmus vocal series; 9069 |
Dittersdorf |
1795 |
Carl
Ditters von Dittersdorf (1739-1799), The Fields their Wonted Hues
Resume. Air sung by Mrs. Bland
in the opera of The Cherokee, the words by Peter Pindar. London: Printed for G. Goulding, 1795. |
Giordani |
1795 |
Tommaso
Giordani (ca. 1733-1806), The Dart Of Izdabel Prevails: The Celebrated Death
Song of the Cherokee Indian.
Text by Dr. Warton. First line: The dart of Izdabel prevails Performed London, 1856) |
Gerl
|
1796 |
Thaddus
Gerl (1766-1844), music to Die Spanier in Peru. Singspiel in German by the composer
after Kotzebue. Performed Brno,
1795. A Trauergesang was published
separately. Performed in (The
Spanish in Peru, or) Rollas Death. Brnn,
Austria. 28 Feb. 1796. |
Anon. |
1796 |
Anonymous,
The Indian Princess. In
Thompson's Twenty-four Country Dances for the Year 1796, p. 89. Published: London. Also found in the American Ladies
Pocketbook, 1797, p. 145-46. |
Weigl
|
1796 |
Joseph
Weigl (1766-1846), Alonso and Cora.
Ballet-pantomime after Marmontel. Scenario by L. Traffieri. Performed Vienna, Krntnertor Theater, 1796. |
Winter
|
1796 |
Peter
Winter, Das unterbrochene Opferfest: Eine heroisch-komische Opera in two acts. Libretto by Franz Xaver Huber. Performed Vienna, Krtnertor Theater,
1796. After Marmontels Les Incas (1777). Takes
place in Cuzco, shortly after 1532. |
Hewitt |
1797 |
James
Hewitt, The Wampum Belt. Song
for voice and keyboard. New
York: Printed from James Hewitt and Frederich Rausch, [1797]. Reprinted in John W Wagner, ed. James
Hewitt: Selected Compositions in Recent Researches in American Music, vol. XII (1980), p. 43. |
Jadin |
1797 |
Louis
Emmanuel Jadin (1768-1853), Candos, ou Les Sauvages du Canada.
Opra-comique in three acts.
Libretto by E. Delrieu.
Performed Paris, Thtre Feydeau, 1797.
|
Mazzinghi |
1797 |
Joseph
Mazzinghi (1765-1844), Pizarro. Ballett with
scenario by Sebastien Gallet (see also Dutillieu, 1789 and Rolla, 1807). Performed London. |
Anon. |
1797 |
Anonymous,
music to Indian War Feast: The American Heroine (pantomime). Libretto by Burk.
First performed Boston, 10 May 1797. |
Reinagle |
1797 |
Alexander
Reinagle (1756-1809), Indian March from Columbus, or The Discovery of
America. Play in five acts by Thomas Morton.
First performed London, Covent Garden, 1792. No music for the London production is known to survive. Music for three different American productions
is cited by Reinagle (Philadelphia), James Hewitt (New York), and Peter A.
van Hagen (Boston). Published as
a broadside by Philadelphia: C. Hupfeld, 1799. |
Kauer |
1798 |
Ferdinand
Kauer (1751-1831), Inkle and Yariko.
Opera in 1 act, based on S. Arnolds 1787 British opera (see 1787
Arnold above). Performed New
York, 1798. |
Portugal |
1798 |
Marcos
Antnio Portugal (1762-1830), Fernando nel Messico. Opera in three acts. Libretto by F. Tarducci. Performed Venice, Teatro San
Benedetto. |
Berton
|
1799 |
Henri
Montan Berton (1767-1844), Cora et Alonzo. Opera in three acts. |
Kelly |
1799 |
Michael
Kelly (1762-1826), The Music of Pizarro as performed at the Theatre Royal Drury
Lane, 1799. Published Dublin:
Hime, 1799. This includes a number of pieces by composers other than Kelly
(including Gluck). Grand March in the Temple of the Sun is by Kelly. |
Anon. |
1799 |
Indian
Dance. For clarinet. Manuscript of John Williams, pp.
39-40. |
Sanderson
|
1799 |
James
Sanderson (1769-1841), Cora. Burletta. Text by Richard Cross. Performed London, Surrey Theatre,
1799. Overture and one song were
published. |
Weigl
|
1799 |
Joseph
Weigl, Rollas Death, or The Spaniards in Peru. Ballet-pantomime after
Marmontel. Scenario by L.
Traffieri. Performed Vienna,
Krntnertor Theater, 1799. |
Kelly |
1800 |
Michael
Kelly, The Indian. London, 1800. |
Pelissier |
1800 |
Victor
Pelissier, The Virgin of the Sun. Also titled Alzuma, or The Death of Pizarro. Drama with music after Kotzebue. Text by
Arthur Murphy. Performed New
York, 1800.
|
Sanderson |
1800 |
James
Sanderson, Talacoy. An Indian Ballad as sung by Mrs. Herbert in The
Algerine Corsairat the Royal Circus. Written by Mr. Cross for The Algerine
[sic] Corsair. London: E. Riley, ca. 1800. |
Lasser
|
1801 |
Johann
Baptist Lasser (1751-1805), Cora und Alonzo. Opera after Marmontel. Performed Munich, Hoftheater, 1801. |
Zumsteeg |
1801 |
Johann
Rudolf Zumsteeg (1760-1802), Nadowessische Todtenklage (Sioux Death
Song). Lied for voice and
keyboard. From Schillers poem
of the same name, inspired by the text of a Death Song in John Longs Voyages
and Travels
(1791). Music in Zumsteeg, Lieder
und Balladen,
vol. 3. |
Darondeau |
1802 |
Henri
Darondeau (1779-1865) and Gerardin-Lacour, music to Pixrcourts melodrame
historique of Kotzebues Pizarro entitled Pizarre, ou, La conqute du Prou. Produced at the Thtre de la Porte
St.-Martin, Paris. |
Moorehead |
1802 |
John
Moorehead (1760-1804), The Favorite Indian Ballad in La Perouse. The poetry by George
Colman. Music composed and arranged for the harp or pianoforte. First Line:
My name be Umba. |
Tholl
|
1802 |
Thomas
Tholl (1757-1823), Atala. Opera in two acts. Performed Paris, Thtre Jeunes
Artistes, 1802.
|
Thorley |
1802 |
Thomas
Thorley, Poor Eliza, or the Indian Captive. Song. Arranged for the piano forte with an accompaniment
for a violin, harp or flute. The words & music by Mr. Thorley. |
Mayr
|
1803 |
Johann
Simon Mayr (1763-1845), Alonso e Cora.
Opera buffa in two acts.
Libretto by G. Bernardoni.
Performed Milan, Theatro alla Scala. Also produced as Cora in Naples, Teatre San Carlo, 1815 and as Isalide,
ossia La Vergine del sole, location unknown. |
Seyfried |
1804 |
Ignaz
von Seyfried, Montezuma oder Tippo Saib.
Melodrama in 3 acts by Joseph von Seyfried. Performed Vienna, Theater an der Wien, 1804. Music is lost. |
Blewitt
|
1805 |
Jonas
Blewitt, Alonso and Cora.
Song. Text by W.
Hare. Based on an episode from
Marmontel. London: Clementi and
Co., 1805 ca. |
Rolla
|
1807 |
Allessandro
Rolla (1757-1841), Pizarro, o la conquista del Per. Pizarro. Ballett with scenario by Sebastien
Gallet (see also Dutillieu, 1789 and Mazzinghi, 1797). Performed Milan, La Scala. |
Bray |
1808 |
John
Bray (1782-1822), The Indian Princess or La Belle sauvage. An operatic melo-drame in 3 acts.
Text by James Nelson Barker.
Performed Philadelpha, 1808.
Facsimile of the libretto and vocal score published in 1972 with a new
introduction by H. Wiley Hitchcock.
[Based on the Pocahontas story.] |
Spontini |
1809 |
Gaspare
Spontini (1774-1851), Fernando Cortez, ou La Conqute du Mexique. Tragdie lyrique in 3 acts. Text by E. Jouy and J. Emenard. First performance at the Thtre de
l'Acadmie Impriale de Musique in November, 1809. Published Paris: Erard, 1809 and in the same year in
Vienna. Reprint New York:
Garland, 1980. |
Wber |
1809 |
Wber,
music to Columbus. Play in four acts by Klingemann. Produced Berlin, Knigliche Theater, 1809. Music is lost. |
Venua |
1810 |
Frdric
Marc Antoine Venua, Constance and Almanzor. A favorite grand Indian
ballet. Arranged for the piano forte. Op: 8. London: Printed by Goulding, Phipps, DAlmaine, & Co.,
1810. |
King |
1811 |
Matthew
Peter King (1773-1823), The Americans. London, 1811. |
Bishop
|
1812 |
Henry
Rowley Bishop (1786-1855), The Virgin of the Sun. Burletta in three
acts. Text by F. Reynolds after
Kotzebues The Spaniards in Peru. Performed
London, Covent Garden, 1812. [Ms. at BL] |
Darondeau |
1815 |
Henry
Darondeau, Music to Guilbert de Pixrcourt, Christophe Colomb, ou la
Dcouverte du nouveau monde. Mlodrame
historique in 3 acts. Performed
Paris, Thtre de la Gait, 1815.
Text published in Thtre Choisi, vol. 3, Paris, 1842. [Ms. at Paris Opra Library] |
Horsley |
1815 |
|
Schubert
|
1815 |
Franz
Schubert (1797-1828). Cora an
die Sonne, D.236. Lied with text
by Gabriele von Baumberg. |
Yaniewicz |
1815 |
Felix
Yaniewicz (1762-1848), Indian War Hoop, a rondo for the pianoforte. London, Liverpool. [ca. 1815] |
Rimbault |
1816 |
Stephen
Francis Rimbault (1773--1837), A Sonata for the Piano Forte in which is
introduced the Cherokee Indian Death Song, with an accompaniment
for the flute. Op. 12. London,
1816. |
Lefolle |
1817 |
War
Dance in the play The Armourers Escape, or Three Years at Nootka Sound (a melodrama by James
Nelson Barker performed at Philadelphias Chestnut Street Theatre). Music for the play was compiled and
arranged by a violinist and music director by the name of Mr. Lefolle. Music is lost. |
Wrede |
1817 |
J.
P. Wrede, The Celebrated Indian Rondo for the Piano Forte or Harp, with an
accompaniment for flute or violin.
Bath (England), 1817. |
Pacini |
1818 |
Giovanni
Pacini (1796-1867), Atala. Opera in three
acts. Libretto by Antonio
Peracchi. Performed Padua,
Teatro Nuovo, 1818.
|
Anon. |
1820 |
Anonymous,
The Indian Chief's March (General Gate's March). New York: Firth and Hall, 1820. A one-page broadside. |
Harris |
1821 |
Joseph
Macdonald Harris, The Indian Hunters. Song for voice and piano. The poetry by J.
Finlaison. London, 1821. First Line: "O maiden leave" |
Bishop |
Henry
Rowley Bishop, Yes! tis the Indian Drum! The admired Round for four voices from Cortez, or The
Conquest of Mexico. Burletta in three acts.
Text by J. R. Planch.
Performed London, Covent Garden.
Score published London: Goulding, D'Almaine & Co., 30 Soho Square,
n.d. |
|
Cramer |
1824 |
John
Baptist Cramer (1771-1858), Fantasia for pianoforte in which is introduced the
round Yes 'tis the Indian Drum' from the opera Cortez by Sir H. R. Bishop. |
Hummel |
1825 |
Johann
Nepomuk Hummel, (1778-1837), Indian Rondo for the Piano Forte Paul
et Virginie.
Ballet music. Op. 41. London:
Royal Harmonic Institution, [1825?]. Rpnt. London: Leader & Cock, Addison
& Hollier, [1852.] |
Maddison |
1825 |
George
W. Maddison, The American Lake Song, with variations for the pianoforte. London, 1825. Republished in 1827 as
The American Lake Song, known by the name of the Canadian Boat Song, a celebrated
Indian air, arranged with variations, for the piano forte and an
accompaniment for the flute (ad lib). London: G. Walker, [WM 1827], 12 pp. |
Puzzi |
1825 |
Giovanni
Puzzi, When Your Beauty Appears. Indian air, words by Thomas Parnell, arranged as a duet,
for soprano and tenor. London:
Printed by J. Willis & Co. for the Author, 1825. |
Bayly |
1830 |
Thomas
Haynes Bayly, When First We Met.
Ballad. London: Goulding
& DAlmaine, 1830. |
Gladstanes |
1830 |
J.
C. Gladstanes, The Indian. A glee for three voices. First line: "They made her a
grave. London, 1830. |
Hummel |
1830 |
Johann
Nepomuk Hummel, Grand Characteristic Fantasia Founded Upon an Indian Air. For the piano forte with
orchestral accompaniments, etc. [Parts for P. F. and strings.] London. J. B. Cramer, Addison &
Beale. [1830]. Five parts: piano and strings. [Rpnt. ed., 1835. |
Rodwell |
1830 |
George
Herbert Rodwell, Love a Captive, sung. . .in Mr Peakes' melodramatic
Entertainment, called The Wigwam, or the Men of the Wilderness. Poetry by C. J. Davids. Published London:
Goulding & D'Almaine, [1830?] |
Machold
|
1830s |
G.
Machold, The Indian Girl.
Ballad. Words by Lois B.
Adams. Published New York: James L. Hewitt, n.d. First line: She sits beside the lonely rill, With flowers
her raven locks to twine. |
Heinrich |
1831 |
Anthony
Philip Heinrich (1781-1861). Pushmataha: A Venerable Chief of a Western
Tribe of Indians (fantasia instrumental for orchestra; London, 1831; revised
New York, 1855; unpubl.). |
Heinrich |
1834 |
Anthony
Philip Heinrich, Logan, the Mingo Chief. Grand Fantasia (one-movement orchestral work of symphonic poem proportions;
London, 1834; revised New York, 1851; unpubl.). |
Hrger |
1834 |
G.
Hrger (b. 1804), Atala. Opera in two acts. Libretto by C. G. Mller. Performed Wrzburg, Stadttheater,
1834.
|
Horn |
1835 |
Charles
E. Horn (1786-1849), The American Indian Girl. Ballad. Words
by J. M. Smith Jr. Published New
York: Dubois and Bacon, 1835. Preface to song: An American Indian Girl
residing in one of the early settlements, upon being asked in the course of
her education whether she did not think her present situation and prospects
more happy than in wandering in ignorance among the woods, replied in the
following strain of feeling and pathos: O give me back my forest shade,
etc. |
Panseron |
1835 |
Auguste
Panseron (1795-1859), Chant national des Osage. Dedicated to the Grand Kanik.
Text in Osage. For piano solo. |
Dielman |
1836 |
Dielman,
Henry. Grand March to the
National Drama Pocahontas Performed Philadephia, J. G. Osbournes Music Saloon,
1836. |
Adam |
1837 |
Adolphe
Adam (1803-56). Les Mohicans. Ballet in 2 acts; Paris, 1837. Never published.
Considered to have been a flop.
[Ms. at BN] |
Heinrich |
1837 |
Heinrich,
Anthony Philip. Pocahontas--The
Royal Maid and Heroine of Virginia, the Pride of the Wilderness: Fantasia
Romanza
(large orchestra; unpubl.); a set of free variations. |
Russell |
1837 |
Henry
Russell (1812-1900), The Indian Hunter. Song. Poetry by the young English poet Eliza Cook. [Also
editions of 1842, 1856, and 1866.] First line: "Oh! why does the white
man" Arranged in 1865 for piano solo by J. B. Duvernoy. |
Anon. |
1839 |
Anonymous,
Indian War Whoop in George P. Knauffs Virginia Reels. Baltimore: F. D.
Benteen, 1839. |
Cowell |
1840 |
Augusta
Cowell, The Indian Exile. Song. First line: "An exile in the Indian land. |
Loder |
1840 |
Edward
James Loder (1813-65), Oh! say will you dwell in my Cedar Shade, or Song of the Indian
Girl. Voice and piano. The poetry by Miss Byron. |
Moore |
1840 |
Thomas
Moore (1779-1852), The Young Indian Maid. Song for voice and piano. Words and music by Thomas Moore.
Published Philadelphia: A. Fiot, 1840. |
Anon. |
1840 |
Anonymous, The Metamora Grand March. Dedicated to Edwin Forrest. Composed for the piano by a
professor. Performed New York: Firth and Hall, 1840 |
Russell |
1840 |
Henry
Russell, Oh! Say Will You Dwell In My Cedar Shade, or Song of the Indian
Girl. The poetry by Miss Byron Loder. London: T. Prowse, 1840. |
Heinrich |
1840 |
Anthony
Philip Heinrich, Indian Fanfares.
Suite
for piano. Published Remshalden
[W. Germany]: Clavis, 1987.
Forward by Widmar Hader.
|
Baker
|
1841 |
John
C. Baker, The Indian Girl (Song). Sund by the
Bakers of New Hampshire. Published Boston: C. H. Keith, 1841. |
Russell |
1841 |
Henry
Russell, The Chieftain's Daughter. A Ballad. The
Poetry by George P. Morris. New
York: Firth & Hall, No. 1 Franklin Square, 1841. First Line: Upon the barren sand, a
single captive stood. The
subject is Pocahontas. Dedicated
to General Winfield Scott by George Morris. |
Russell |
1841 |
Henry
Russell, The Soldier and His Bride.
Song with text by George P. Morris. New York: Firth & Hall, 1841. The subject is the captivity and
murder of Jane McCrea in 1777. |
Anon. |
1843 |
Anonymous,
Roll swiftly to the spirit's land (The Indian woman's death song), a ballad;
the words by Mrs. Hemans [see
1854, Felicia Dorothea Hemans, below], the music composed by a young
friend. Published London, 1843.
|
Knight |
1843 |
Knight,
A. F. Song of the Red Man, No. 2 of 7 composed and dedicated to his friend
Anselm Lothrop, Esq. by A.F. Knight. Published Boston: Henry Prentiss,
1843. [Same as Nolcini below.] |
Nolcini |
1843 |
Nolcini
(arranged), The Indians. For piano.
Published Boston: Henry Prentiss, 1843. The titles of each of the
seven pieces (published separately) are listed on the cover: CONTENTS: 1. King Philips Quick Step -- 2. Song of the Red
Man -- 3. On Ka Hye Waltz -- 4. Osceola Quick Step -- 5. Kewkuck Quick Step
-- 6. Black Hawk Quick Step 7. Nohmookee Waltz. |
Brown |
1844 |
Francis
H. Brown (1818-1891), The Indian and His Bride. Song for medium voice and piano. Words by George P. Morris. Dedicated to Hardy de Wees, M.D. New York: Firth, Hall, and Pond,
1844. First line of text: In the days that are gone. Title page
illustration: man and woman sitting on bank by stream. |
David |
1844 |
Flicien
David (1810-1876). Danse de
sauvages (Air de ballet), Chur de sauvages, and Lullaby of an Indian Mother (La
mre indienne, Berceuse) from Part IV, The New World of Christophe
Colomb, ou La Dcouverte du nouveau monde , ode-symphonie for soloists, chorus, and
orchestra; Published Germany, ca. 1850). |
Dodworth |
1844 |
Allen
Dodworth (after Henry Russell), Indian Hunter Quick Step. Arranged from Henry Russell's Popular
Song of The Indian Hunter. Dedicated to
Henry John Sharpe. New York:
William Hall & Son, 239 Broadway, 1844. |
Romani |
1844 |
F.
Romani, The Indian Bride's Farewell. Ballad. Poetry by Edward J. Porter. Baltimore: F.D. Benteen, 137 Baltimore St., 1844. |
Saroni |
1844 |
Herrman
S. Saroni, The Pequot Brave. New York:
W. H. Geib, 1844. |
Sullivan |
1844 |
Mrs.
Marion Dix Sullivan, The Blue Juniata.
Boston: Oliver Ditson, 1844.
Voice and piano. Arranged
by Edward Little White. First line of verse: Wild rov'd an Indian girl,
Bright Alfarata, where sweep the waters of the blue Juniata. |
Baker |
1845 |
John
C. Baker, The Burial of an Indian Girl.
Song for medium voice and piano.
Poetry by Lydia Howard Sigourney (1791-1865). Boston: Keiths Publishing House,
1845. First line: A wail upon
the prairies. Sung by Sophia M. Baker.
In the series Songs & Glees of the Baker Family of New
Hampshire. |
Commuck |
1845 |
Thomas
Commuck, Indian Melodies by T. Commuck. Harmonized by T. Hastings. New York: G. Lane
& C. B. Tippett, 1845. |
Guylott |
1845 |
Robert
Guylott, The Lay of the Indian Girl. A Romance First Line: "They tell
me". Words by G. R. B. London, 1845. |
Heinrich |
1845 |
Anthony
Philip Heinrich, The Indian Carnival: or, the Indians Festival of Dreams (one-movement symphony;
completed ca. 1845; unpubl.).
Depicts an end-of-winter Bacchanale. |
Heinrich |
1845 |
Anthony
Philip Heinrich, Manitou Mysteries or the Voice of the Great Spirit. Gran Sinfonia Misteriosa Indiana (four-movement symphony
for orchestra; completed ca. 1845;
Published in The Symphony in Croatia: Three Symphonies (Garland, 1984).
Contains no program and no programmatic subtitles. |
Heinrich |
1845 |
Anthony
Philip Heinrich, The Mastodon (symphony in three movements for large orchestra; entitled
musical portraitures; unpubl.).
CONTENTS:
1. Black Thunder, the Patriarch of the Fox Tribe 2. The Elkhorn Pyramid or
the Indians Offering to the Spirit of the Prairies 3. Shenandoah, an
Oneida Chief. [The
first and the third movements are musical portraits of actual figures, the
second is a depiction of Indian customs and religions. The subject matter for the second
movement is derived from Prince Maximilian de Wieds Travels in the
Interior North America (1843), which Heinrich cites on the title page of the
movement, and describes a Blackfoot ceremony performed before a hunt. Notes from W. Maust.] |
Mellon |
1845 |
Alfred
Mellon (1820-67), melodramatic music to The Green Bushes, a play by John Buckstone,
Performed Adelphi Theatre, London. Music unpublished. Act II is set in
America and features Miami, an Indian huntress. [copy at BL in Drury Lane
manuscript collection] |
Owen |
1845 |
D.
Owen, The Grey's Polka, introducing the celebrated Indian melody, as performed by the
band of the Scots. For piano
solo. [Also 1847] |
Philips |
1845 |
Henry
Philips, The Hurons Prayer. New York, 1845. |
Wesley |
1845 |
Samuel
Wesley (1766-1837), Tobacco is an Indian Weed. A 3 Part Song. In Twelve Short Pieces for the
Organ. London, 1845. |
Baker |
1846 |
Benjamin
Franklin Baker (1811-89), The Death of Osceola, glee for four voices (STTB). Words by S. S. Steele. Published Boston: Henry Tolman, 1846
(5 pp.) Osceola was a Seminole
chief (1804-1838). |
Dempster |
1846 |
William
R. Dempster. Song of the Indian Hunter. Words by Eliza Cook. Published Boston: Oliver Ditson, 115
Washington St., 1846. First
Line: Oh! why does the white man follow my path like the hound on the tigers
track? [This song uses the same
words as Henry Russells famous songof the same yearbut is not the same
tune.] |
Heinrich |
1846 |
Anthony
Philip Heinrich, Indian War Council.
Gran Concerto Bellico. A
Grand Heroic Divertissement for 41 Instrumental Parts (unpubl.). A musical portrait of Tecumseh. First performed Boston, 1846 with an
accompanying descriptive program.
This was originally two works combined into one: Tecumseh, or The
Battle of the Thames (a Martial Overture) and The Indian War Council. |
Hutchinson |
1846 |
John
Wallace Hutchinson (1821-1908), The Indians Lament. Words and melody by Hutchinson.
Published Boston: Stephen W. Marsh, 1846. Performed by the Hutchinson Family. Illustration: American Indian
standing on a rock / Lithograph of E.W. Bouv. First line: Alas, alas said
the Indian, I once had a home.
Published later Boston: Oliver Ditson, 1853. |
Masters |
1846 |
William
J. Chalmers Masters, Introduction and Variations for the Piano Forte on H.
Russell's Melody The Indian Hunter.
London,
1846. |
Redler |
1846 |
G.
Redler, Les Sauvages, quadrille pour le Piano Forte, Solo and Duet. Performed London, 1846 |
Rodwell |
1846 |
George
Herbert Rodwell, My love's like the deer. [Song.] The poetry by C. J.
Davids. Song from The Wigwam. In The Musical Bijou, mdcccxlvi. p. 48,
Performed London, 1846. |
Russell |
1846 |
Henry
Russell, The Indians Lament. Song with text by Eliza Cook. Composed and dedicated to Henry John Sharpe, Esq. As a
mark of esteem by his friend Henry Russell. Published New York: James L. Hewitt, 1846. First Line: Alas, alas, said the
Indian; I once had a home |
Woodbury |
1846 |
Isaac
Baker Woodbury (1819-1858), The Indians Prayer. Published Boston: E. Wade, No. 197
Washington St., 1846. First
Line: Let me go to my home in the far distant west, to the scenes of my
childhood in innocence blest. [Sung from the point of view of the Indian. Wants to be buried in my home.] |
Anon. |
1846
(ca.) |
Anon.,
Indian Chiefs March. Composed and arranged for the pianoforte. Published
Boston: Oliver Ditson, n.d. This
is the same tune as the original Death Song of the Cherokee Indian. |
Berg |
1847 |
|
Heinrich |
1847 |
Anthony
Philip Heinrich, The Treaty of William Penn with the Indians. A concerto grosso in
six sections; composed in London; unpubl.; revised in New York, 1847. This
work is in six programmatically titled parts. CONTENTS: 1. The Meeting of William Penn and his Associates
with the Delaware Indians 2. The Treaty 3. Smoking of the Calumet 4.
The Presentation of the Gifts to the Indians 5. The Grand Dance of the Calumet 6. Coda Volante. The
Manitou Air Dance. |
Jacob
|
1847 |
Jacob
of the Orphean Family, The Indian Girls Lament on the Banks of the
Kennebec. Sung by the Orphean Family. Words by
C. Chauncey Burr. Published New
York: Holt, 1847. |
Lee |
1847 |
George
Alexander Lee, The Wild Free Wind, Cora, the Indian Maiden's Song. Poetry by Shirley Brooks. From the new burletta called The
Wigwam. Published London: Leoni Lee &
Coxhead, 1847. Reprinted in 1851 in New York (see below). |
Lover |
1847 |
Samuel
Lover, The Indian Summer. Written & composed by Samuel Lover Songs of America. No.
1. London: Duff & Hodgson,
1847. |
Schrder
|
1847 |
Karl
Schrder (1823-89), Pizzaro, oder Die Eroberung von Peru. Opera. Berlin. |
Dempster |
1848 |
William
R. Dempster, The Dark Eye has Left Us. Song of Indian Women, from a Poem Entitled The
Bridal of Pennacook. Poem by John G.
Whittier. Published Boston:
Oliver Ditson, 115 Washington St., 1848. First Line of Chorus: Mat wonck kunna monee! Mat wonck
kunna monee! Mat wonck kunna monee! We hear it no more. Dedicatee: Music Composed &
Dedicated to His Friends and Lovers of Song on the Beautiful Banks of the
Merrimac River. |
Howard |
1848 |
Frank
Howard and James T. Field, The Children in Exile. Song for voice and piano. |
Howard |
1848 |
Frank
Howard and W. B. Farwell. The
Indians Dream. Song dedicated
to Dr. J. F. Flagg. Published
Boston: S. W. Marsh, 1848. First
line of verse: I dream (years that passed away, a winding forest stream,
and a house in the far-off west, etc.). |
Heinrich |
1849 |
Anthony
Philip Heinrich, The Cherokees Lament, No. 4 in Presentazioni Musicali:
Four Fantasies for the Voice and Pianoforte, The Moan of the Forest,
or the Chrokees Lament (Toccata Indiana). Published privately, New York,
1849. |
Lover |
1849 |
Samuel
Lover, Give Me Arrows, and Give Me My Bow. An Indian superstition of
the Manitou Isles. Song for voice and piano. Written and composed by S. Lover. |
Holmes |
1850 |
William
Henry Holmes, Fantasia for the Pianoforte on Indian airs. Published London: D'Almaine &
Co, 1850. 7pp. |
Hosmer
|
1850 |
E.
A. Hosmer, The Indian Girls Song.
Words by J. M. Fletcher.
Published Boston: G. P. Reed, 1850. |
Martin |
1850 |
George
Martin, The Grave of Uncas. See Martin, 1857. According to Finson, inspired by the
appearance of Coopers Mohicans in a revised edition (1850). |
Pike |
1850 |
Marshall
S. Pike, The Indian Warriors Grave.
Song for voice and piano (also available for vocal quartet). Words by the composer. Arranged by J. P. Ordway. Five-p. score published Boston: A.
and J.P. Ordway and New York: Waters and Berry, 1850. Dedicated: To the Hon.
Moses H. Perley of St. John City, N.B.
First line: Green is the grave by the wild dashing river. Cover: Sung by the Harmoneons at
their popular concerts. |
Sebastiani |
1850 |
Giovanni
Sebastiani (1818-99), Atala. Opera with libretto by
the composer. Performed Rome,
Teatro Argentina, 1850.
|
White |
1850 |
Edward
L. White (1809-1851), Sachems Daughter.
Song for medium voice and piano.
Poetry by J.E.A. Smith.
Published Boston: G.P. Reed, 1850. Title page illustration: Indian
girl on shore. First line: Bright as the foam on Casco's water. |
Anon. |
Anonymous,
The Indian Hunter, A Western Ballad, adapted to a favorite melody, Published Baltimore: F.D. Benteen,
successor to J. Cole, n.d. First
Line: Let me go to my home in the far distant west, to the scenes of my
youth that I still like the best.
First Line of Chorus: White man let me go! [varies with each verse] |
|
Anon. |
1851 |
Anonymous
[one Mrs. L. L. D. J.], The Indian Student. Lament for voice and piano. Dedicated to Mrs. Mary Gentry. Published New Orleans: Wm. T. Mayo, 1851. |
Butera |
1851 |
Andrea
Butera (1818-62), Atala. Opera with libretto by
Giuseppe Sapio [see also 1869].
Performed Palermo, Teatro Carolina, 1851.
|
Lee |
1851 |
Alexander
Lee, The Indian Maidens Song. Words by
Shirley Brooks, Esq. Published New York: Firth, Pond & Co. (1 Franklin
Sq.), 1851. First Line: Oh! the
wild free wind is a spirit kind, and it loves the Indian well. |
Hewitt |
1852 |
John
Hill Hewitt (Professor of Music at the Young Ladies Collegiate Institute), The
Indian Polka.
Published Baltimore: G. Willig, Jr., 1852. Inscribed to his Pupil Miss Ann C. Jarboe. |
Miguel |
1852 |
J.
E. Miguel, Indian March. Orchestra piece,
performed at a concert in Metropolitan Hall, New York. 7 June 1852. |
Auber |
1854 |
Daniel
Auber (1782-1871), Dans ces forts sauvages, Serenade from Marco Spada. London, 1854. |
Anon. |
1854 |
Anonymous.
Thou'rt Passing from the Lake's Green Side. Indian song for voice and
piano. Words by Felicia Dorothea
Hemans. |
Magruder |
1854 |
James
E. Magruder, The Indian Captive, or, The Absent Lover. Words by D. Loughery. Published Baltimore:
J.E. Boswell, 1854. First Line: White man take me back to my home in the
West, where my innocent childhood was spent free from care. |
Root |
1854 |
George
Frederick Root (1820-95), The Pilgrim Fathers. Cantata. Words by Frances J. Crosby. [The latter half of the cantata deals
with an Indian-Pilgrim battle of 1621]. |
Clark |
1855 |
James
G. Clark, The Indian Mothers Lullaby. Lament for voice and piano. Cleveland: S. Brainard & Sons, 1855. |
Woolcott |
1855 |
Francis
Woolcott, Wenona of the Wave.
Song for voice and piano. Word by T. Ellwood Garrett . Published St.
Louis, 1855. [Wenona was a Dacota Sioux chief whos daughter threw herself
over a precipice because she was forced to marry a man she did not love.] |
Wood |
1855 |
T.
Wood, They are Gone, They are Gone; or, The Red Mans Requiem. Lament for voice and piano. Song and quartet. New York: H. Waters, 1855. |
Converse |
1856 |
Charles
Crozat Converse (1832-1918), Death of Minnehaha. Published Boston:
Oliver Ditson & Co., 115 Washington St., n.d. Oliver Ditson published (or was to have published) at least
three other Converse songs on Hiawatha texts (all in 1856): The Death of
Minnehaha, My Algonquin (from canto 12), and Onaway, Awake! |
Eaton |
1856 |
E.
K. Eaton, Hiawatha Schottische. Published Portland: J.S. Paine, 1856. Copy at the Longfellow National
Historic Site, Cambridge, Massachusetts. |
Gilbert |
1856 |
Ernest
Thomas Bennett Gilbert, Hiawatha, romance potique pour piano. Op. 12. Published, London, 1856. |
Hatton
|
1856 |
John
Liptrot Hatton (1808-1886), Music to Charles Keans production of Pizarro,
or The Spaniards in Peru. Performed
Princess Theatre, London, 1856. Note in the program: The Indian airs are
founded on melodies published in Rivero and Tschudis work on Peruvian
Antiquities
as handed down to us by Spaniards after the conquest. [Music is lost] |
Hill |
1856 |
L.
A. Hill, The Hiawatha Polka. For piano
solo. Published London, 1856. |
Pelzer |
1856 |
Anne
W. Pelzer, Hiawatha's Farewell First Line: "Farewell, farewell my Minnehaha."
Words by Longfellow. Published London, 1856. |
Peticolas |
1856 |
C.
L. Peticolas, Hiawatha Polka. Published Baltimore, Maryland: Miller and Beacham, 1856. |
Shrivall |
1856 |
Frederick
R. Shrivall, The Indian Girl's Lament First Line: "An Indian girl was
sitting". London, 1856. |
Shrivall |
1856 |
Frederick
R. Shrivall, The Indian Hunter's Serenade or "Thy bower
awaits thee dearest". London, 1856. |
Wallis |
1856 |
Louis
Wallis, Sioux March. Published St. Louis: Balmer & Weber, 1856. Lithograph by E. Robyn of mounted
U.S. troops attacking a Sioux camp. |
Blockley |
1857 |
John
J. Blockley, The Song of Hiawatha, (I am happy, I am happy) written by H. W.
Longfellow. |
Blockley |
1857 |
John
J. Blockley, Tobacco. First Line: "Tobacco is an Indian
weed". London, 1857. |
Cady |
1857 |
Chauncy
Marvin Cady, Minnehaha Glee Book, a collection of popular glees, part songs, duets, trios,
quartets and choruses, etc. |
Gregory |
1857 |
W.
Gregory, The Indian Polka. For piano
solo. Uxbridge, 1857. |
Lucas |
1857 |
Charles
Lucas, "Ah! Fading Joy."
Madrigal for 5 voices. The words from Dryden's Indian Emperor. Reprinted, 1883. |
Martin |
1857 |
George
H. Martin, The Grave of Uncas, a ballad for medium voice and piano. Published Boston: Oliver
Ditson, 1857. [The music composed and dedicated to the remnants of the
Mohecan Tribe of Indians by George H. Martin.] |
Thomas |
1857 |
Julia
P. Thomas, Metamora Quickstep. Piano. Published Boston: Henry Tolman,
1857. ["To the officers
& members of the Boston Light Infantry."] |
Wood |
1857 |
|
Gagnon |
Ernest Gagnon (1834-1915), Stadacon: Danse sauvage pour
piano. Published Montreal: John Lovell,
1858. Reprinted in The
Canadian Musical Heritage, vol. 1, ed. Elaine Keillor (1983). [Stadacon was the name of the Iroquois village on the
site of present-day Quebec City.] |
|
Karst |
1858 |
Karst,
Emile (1826-1917) and Jacques Ernest Miquel. Hiawatha: a cantata. Libretto Published St. Louis: R. P. Studley, 1858. Words by Henry
W. Longfellow; vocal music by Emile Karst; orchestral music by J. E.
Miguel. |
Lover |
1858 |
Samuel
Lover, The flower of night. Song for voice
and piano. Written and composed
by S. Lover. First Line: "There is an Indian tree they say". |
Benkert |
1859 |
George
Felix Benkert (1831-?), Das Indianer Mdchen: Ein Bild aus Pennsylvaniens
Vorzeit
= The Indian Girl: A Scene in the Early History of Pennsylvania. For orchestra. Manuscript, 1859. 43pp. "Text von L.A. Wollenweber." The name of John Philip Sousa stamped
on title page. Microfilm in the
Sousa Collection, University of Illinois, Champaign-Urbana. |
Flment |
1859 |
Argnor
Flment, Hiawatha, Valse Brillante, For piano solo. Op. 30.
London, 1859. |
Harvey |
1859 |
Richard
Frederick Harvey, Waltz, Minnehaha! (Laughing Water) for the piano
forte. London: John Shepherd,
1859. |
Heinrich |
1859 |
Anthony
Philip Heinrich, Der Felsen von Plymouth, oder Die Landung der Pilger
Vter in Neu-England A.D. 1620. For orchestra. Composed in Prague; unpubl. This work is in seven
programmatically titled parts. [The third, Baletto indico nazionale:
Freudentnze der Squaws nach erhaltenen Geschenken is as close as Heinrich
ever came, according to Maust, to the employment of native Indian music.] |
Sherwin |
1859 |
W.
F. Sherwin, Away, Away, With Hearts So Gay! Hiawatha Boat Song. Quartette for Male Voices. Poetry by H. P. Ross. Published
Albany: J.H. Hidley, 519 Broadway, 1859. |
Sobolewski |
1859 |
Edward
Sobolewski (1808-72). Mohega, die Blume des Waldes (opera). Performed Milwaukee, 1859. Unpublished score is lost. |
Stoepel |
1859 |
Robert
August Stoepel (1821-1887). Hiawatha, Indian Symphony (4 soloists, chorus, and
orchestra. Published New York: William Hall and Son, 1863. First Performed
1859, if not before. Dedicated
to his friend L[ouis] M[oreau] Gottschalk. Work in two parts and 14 sections. No 8, (Chibiabos)
Love Song, tenor and piano, was published separately in the same year. First Libe: Onaway! Awake,
beloved! The composers autograph
presentation copy to architect J. Wrey Mould is at the NYPL. |
Wallerstein |
1859 |
Ferdinand
Wallerstein, Awake, Beloved, an Indian song. First Line: "Onaway, awake
beloved". From The Song of Hiawatha by Longfellow. |
Lumbye |
1860 |
Hans
Christian Lumbye (1810-1874). Indian War Dance from the vaudeville-ballet Fjernt
fra Danmark
(1860).
Published in Folkeudgave af H.C. Lumbyes Kompositioner, Copenhagen: Wilhelm
Hansen, 1880. |
Richards |
1860 |
Henry
Brinley Richards (after Bishop), Hark! 'tis the Indian Drum. (Sir H. R. Bishop's
trio,) arranged for the Pianoforte. Reprinted 1868. |
Rubenstein |
1860 |
Anton
Rubenstein (1829-94), Sauvage et indienne, from Bal costum: suite de morceaux
caractristiques pour piano quatre mains, op. 103. Published Berlin: Bote & Bock,
1860 |
Capel |
1861 |
Charles
Capel, Minnehaha Valses. For piano solo.
London, 1861. |
Howard, W |
1861 |
William
Howard of Edinburgh, Indian Galop. For piano
solo. Published Edinburgh,
1861. [Possibly east Indian in
subject.] |
Fumi |
1862 |
Vinceslao
Fumi (1826-80), Atala.
Opera. Performed Buenos-Aires, Teatro Lirico, 1862.
|
Emery |
1863 |
A.
T. Emery and O. C. Jillson, The Indian Lover. Song for voice and piano. |
Halvy |
1863 |
Jacques
Fromenthal Halvy (1799-1862). Jacuarita lindienne. Opera comique in three
acts. Libretto by Saint-Georges
and Leuven. First performed, Theatre Lyrique, 14 May 1855. Score published Paris: Jules Heinz,
n.d. [Later served as the basis for William Vincent Wallaces opera The
Desert Flower, 1863] |
Parkhurst |
1863 |
[Mrs.]
E. A. Parkhurst, Mary Fay. Song. First Line: "By Mohawk's stream the Indian
roved" Words by J. R. Orton. |
Riddell |
1863 |
Robert
Scott Riddell, The Indian Waltzes. For piano solo.
Reprinted 1880. |
Wallace |
1863 |
William
Vincent Wallace (1812-65). The Desert Flower. Romantic Opera in Three Acts written
by Mess. Harris and Williams. Published New York: William Hall & Son,
1863. See esp. No. 19, Indian March and Chorus, vocal score pp. 168-73 and
several other numbers. |
Wood |
1863 |
Frank
Wood (1844-1919), Minnehaha, Song and Chorus.
For medium voice, chorus, and piano. Words by Captain R. H. Chittenden. Cover title: To the Memory of the
Victims of the Indian Massacre of 1862. Refers to the Dakota Indian War of
1862-65. Published New York: William A. Pond, 1863, 7 pp. |
Baumer |
1865 |
Annette
Baumer, The Indian Summer. Ballad. First Line: "They tell me of
climes". London, 1865. |
Cyr |
1866 |
Lon
Saint Cyr, Minnehaha (Laughing Water) for the Pianoforte. London, 1866. |
Jost |
1866 |
J.
W. Jost, John Ross. Composed for
the funeral of John Ross, Chief of the Cherokees. Words by Francis DeHaes Janvier. For high voice, SATB chorus, and piano. Published
Philadelphia: C.W.A. Trumpler, 1866.
Portrait of John Ross on front cover. |
Ortega
|
1867 |
Ancieto
Ortega del Villar (1825-1875), Guatimozin. Opera on an Aztec
legend. Mexico. Premired, the Gran Teatro Nacional on 13 September 1871. |
Distin |
1868 |
Theodore
Distin, the Elder, The Indian Hunter. Song. First Line: "When the summer
harvest". Words by Longfellow.
London, 1868. |
Winner
|
1868 |
Septimus
Winner (1827-1902), Ten Little Injuns. Published Boston: Oliver Ditson, 1868.
Reprinted in 1896. First Line of Chorus: One little, two little, three
little, four little, five little Injun boys. Performed by E. F. Dixey (E. Freeman), 1833-1904.
Reproduced Philadelphia: Harry Dichter, 1956; Musical Americana, no. 88. |
Work |
1868 |
Henry
Clay Work. The Song of the Red Man. Original publication unknown. In Songs of Henry Clary Work, 1884. |
Caspari |
1869 |
Theo
Caspari, The Indian Lament Polka. [sic!] For Piano solo. Published Philadelphia: G. Andr
& Co., 1869. |
Glover |
1869 |
Stephen
Glover, The Indian Hunters Bride. Ballad. First
Line: "Away, away".
Words by J. E. Carpenter.
Published London: Willey & Co., 52 Gt. Marlborough St. W., n.d. |
Hatton |
1869 |
John
Liptrot Hatton, The Indian Maid. A Four-part Song, words by Mrs. N. Crosland. Published
London: Novello & Co. Choral
Songs. No. 5. Novello's
Part-Song Book. Second Series. Vol.i. No. 60. [Edition also of 1886 and as late as 1907] |
Meneses |
1869 |
Miguel
Meneses, Atala. Opera on Giuseppe Sapios libretto
(see 1851). Performed
Guadalajara, Mexico, 1869.
|
Sydenham |
1870 |
Edwin
Augustus Sydenham, Laughing Water (Minnehaha) morceau pour le
Pianoforte. London, 1870. |
Johnson |
1871 |
James
C. Johnson, The Indian Summer. Cantata. Edited
in the Tonic Sol-Fa notation by J. Curwen. Reprinted 1882, arr. by T. Crampton. |
Wood |
1871 |
Frank
Wood, Old Betz, a song.
Respectfully dedicated to Old Betz, a Sioux squaw 120 years of age,
the oldest living Indian known."
Words by J. H. Hanson. Published St. Paul, MN: Munger Brothers and NY:
William A. Pond, 1871. |
Bristow |
1872 |
George
Frederick Bristow (1825-1898), Indian War Dance. Mvt. 3 from The Pioneer (or Arcadian): Symphonie for grand
orchestra, Op. 50.
Unpublished. Composed
1872. First three movements intended as an orchestral prelude to a proposed
cantata, never written on the same name: The Pioneer, Op. 49. Final ms. of
symphony has Opus 50. First performance: Brooklyn 8 February 1873, Philharmonic
Society. [Baker incorrectly
cited the 1st perf. date of 14 Feb. 1874. This was corrected by Barton Cantrell at the NYPL.] CONTENTS.--1. Allegro appassionato -- 2. Adagio (Motive:
Tallis' Evening Hymn) -- 3. Allegro ma non troppo (Indian War Dance) --
4.Finale. Allegro con spirito - Presto. |
Wood |
1872 |
Frank
Wood, Laughing Water, or The Enchanted Dell of Minne-ha-ha, a song. Words by J. H. Hanson. Published St.
Paul, MN: Munger Brothers and NY: William A. Pond, 1871. |
Poussard |
1873 |
Horace
Poussard, Danse de Sauvages Polka pour Piano.
Paris, 1873. |
Tivolie |
1873 |
N.
P. Tivolie, Hee-Lah-Dee! Song, with
chorus. Words by Miss Katie
Belle Wichmann. Published New York: Lee and Walker, 1873. Preface: Among the superstitions of
the Seneca Indians, was one remarkable for its singular beauty |
Grobe |
1874 |
Charles
Grobe (after Bishop), Hark! 'tis the Indian Drum, Bishop's glee, arranged
with variations for the Pianoforte. |
Whitaker |
1874 |
John
Whitaker, The Indian Maid, Ballad. First Line: "Oh! this was the cot. London, 1874. |
Clay |
1875 |
Frdric
Clay (1838-1889), Indian excerpts from Princess Toto, an operetta to a
libretto by W. S. Gilbert. 3 acts, Covent Garden, 1875. Published London:
Metzler and Co., n.d. |
Debillemont |
1875 |
Jean-Jacques
Debillemont, Round the World. Indian galop. For piano solo. Published London, 1875. |
Barker |
1876 |
George
Arthur Barker, The Scottish Blue Bells. First Line: "Let the proud Indian
boast". |
Barnett |
1876 |
John
Francis Barnett, The Indian Girl. Song. |
Gallignani |
1876 |
Giuseppe
Gallignani (1851-1923), Atala. Opera in three
acts. Libretto by Emilio
Praga. Performed Milan, Teatro
Carcano, 1876.
|
Mascall |
1876 |
Sarah
Frances Mascall, The Indian Bride. Romance. First Line: "Why comes he not" |
Saunders |
1876 |
Deshayes
Saunders, The Indian Nurse Girl's Song. Words by J. A. Crosby. First Line:
"Rest thee gentle baby". |
Schultz-B. |
1876 |
Heinrich
Schultz-Beuthen, Indian Corn Dance. Published Cincinnati: John Church, 1876. Written for (and performed
by) the Theodore Thomas Orchestra.
|
Schweitzer |
1876 |
Otto
Schweizer, Minnehaha (Laughing Water).
Valse brillante, pour le Piano. Another, possibly reprinted edition,
1885. |
Tussaud |
1876 |
Frank
Tussaud, The Indian Polka for the Pianoforte.
London, 1876. |
Satter |
1877 |
Gustav
Satter. No. 10, War Dance of
the Indians from Douze Souvenirs pour piano. Op. 94. Published
Leipzig: Fr. Kistner, 1877.
Contents: No. 1. Mount Vernon (Elgie) No. 2. Newport
(Barcarolle) No. 3. Bunker Hill (Prlude hroque) No. 4. Saratoga (Valse
noble) No. 5. Mount Tom <Vt.> (Marche matinale) No. 6. Farmington
<Conn.> (Idylle) No. 7. Lagrange <Ga.> (Fte de la Rcolte) No.
8. Easton <Pa.> (Chant d'automne) No. 9 Louisville <Ky.> (Marche
du 4 juillet) No. 10. Texas (Danse guerrire des Indiens) No. 11. Baltimore
(Les premires roses) No. 12. New York (Serenade sur le Hudson). |
Gene |
1878 |
Gene,
Franz Richard. Die letzten
Mohicaner.
Opera in 3 acts. Libretto by F. Zell after Cooper. Performed Vienna,
1878. |
Phelps |
1878 |
Ellsworth
C. Phelps (1827-1913). Hiawatha Symphony for Grand Orchestra, Op. 31. First Performed under Theodore Thomas
in New York on May 10, 1880 at the Brooklyn Academy of Music. [Ms. at NYPL.] |
Fuller |
1879 |
Charles
A. Fuller, Manitoba Bells. Song for voice and piano. Words by Fordyce H. Benedict. New York: Spear & Dehnhoff, 1879.
[Copy at MN.] |
Pridham |
1879 |
John
Pridham, General Roberts's Indian March.
For piano solo.
London, 1979. [May be east Indian.] |
Smallwood |
1879 |
William
Smallwood, The Indian March. For piano
solo. London, 1879. [May be east Indian.] |
Bennett |
1880 |
William
Sterndale Bennett (1816-1875), Indian Love, Song, etc. Six Songs. Op. 35. No. 1. London: Novello, Ewer, & Co.,
1880. |
Molloy |
1880 |
James
Lynam Molloy, Dinah Doe, The Golden Haired Darkey. Indian pastorale from My Aunt's Secret. The words by F. C.
Burnand. |
Phelps |
1880 |
Ellsworth
C. Phelps, The Last of the Mohicans (opera). Based on the novel by J. F.
Cooper. Unproduced; score not
located. |
Srosi |
1881 |
Franz
Srosi (Schauer), Atala. Opera in five acts.
Libretto by Anton Varady.
Performed Budapest, Nemzeti Szinhaz, 1881.
|
Monica |
1882 |
Monica
Monica (pseud. for Emily M. Thackwell), The Song of an Indian Waterfall.
"Gairsapa." [May be
east Indian.] |
Guglielmi |
1884 |
Filippo
Guglielmi (b. 1859), Atala. Opera. Performed Milano, Teatro Carcano, 1884.
|
Solomon |
1884 |
Edward
Solomon (1855-1895). Pocohantas, or The Great White Pearl. Comic opera produced at the Empire
Theatre (1884). Libretto by Sidney Grundy. Song: Thee Alone (Serenade) Published London: Boosey
& Co., 1884. Song: A Fashionable General also published 1885. |
Troyer |
1884 |
Carlos
Troyer (1837-1920), Song of the Sunset Land (voice and piano with
SATB chorus. Text by Richard S. White. Published San Francisco: A.
Waldteufel, 1884, 3rd edition Caption title: State national song of
California. First line: There stood upon the mountain crest. First line of chorus: Nor did they
dream in little space. [12 songs, Western themes, but no specific Indian
subjects]. |
Corder |
1885 |
Frederick
and Henrietta Corder, The Noble Savage. Operetta. Performed by the Alice Barton
Opera Co. at Brighton Aquarium, London, 1885. |
Gleason |
1885 |
Frederick
Grant Gleason (1848-1903), Montezuma (grand romantic opera in 3 acts; unpubl.;
unperformed). Libretto by the composer.
|
Prior |
1885 |
J. August
Prior, Die Spanier in Peru. Opera for two
evenings. Librettos by O.
Erichs. Performed Nordhausen,
Tivolitheater.
|
Foote |
1886 |
Arthur
William Foote (1853-1937). The Farewell of Hiawatha Op. 11, for baritone
solo, male chorus and orchestra. Published Boston: Schmidt and Co., 1886, 27
pp. Reprinted 1914. Based on Longfellows text. First performed 12 May 1886 by the Apollo Club of Boston
under B. J. Lang. |
Hendricks |
1886 |
Welland
Hendricks. Pocahontas, a burleque operetta in two acts Text published Chicago: T.
S. Denison & Co., 1886. Ballad opera with adapted familiar tunes, some
from Gilbert and Sullivan operettas. |
Troyer |
1886 |
Carlos
Troyer, Apache Chief Geronimo's Own Medicine Song. Voice and piano. Published San
Francisco: Henry Grobe, 1886. |
MacDowell |
1887 |
Edward
MacDowell (1860-1908). Sketches for a symphonic poem to be titled
Hiawatha and Minnehaha. |
Ulrich |
1887 |
John
Ulrich, Bamboula Dance for the piano.
No. 2 from West Indian Melodies. Also arranged for orchestra. |
Delius |
1888 |
Frederick
Delius (1862-34). Hiawatha (tone poem for orchestra, ms.). According to Threlfall, the work was begun in late 1887
and completed in January 1888.
Of the 90-page full score in the Archives of the Delius Trust London,
pp. 4-17 and 46-53 are missing. Delius incorporated sections of this work
into other compositions. |
Grethen |
1888 |
Adolph
Grethen, Indian War-dance, from the opera Manitou, for the piano-forte. Published
Minneapolis, A. Grethen, 1888. |
Pfennig |
1888 |
Albert
Pfennig, On the Trail. Indian War March.
For piano solo. London:
Bowerman & Co., 1888. |
Reiset
|
1888 |
Marie
Felicie Clemence de Reiset (Vicomtesse de Grandval, 1830-1907), Atala. Opera in 1 act. Libretto by Louis Gallet. Performed Paris, 1888. Music is lost. |
Maccartney |
1889 |
Robert
Hyslop Maccartney, Gill's Indian Club Exercises for use in schools, with
musical accompaniments adapted and arranged for Piano-forte or Harmonium,
etc. Musical Drill |
Fillmore |
1890 |
John
Comfort Fillmore (1843-1898). Indian Fantasia, No. 1, for full
orchestra. Based on the song
Hae-thu-ska. Composers footnote:
The song which forms the staple of this Fantasia is one of a large
number noted down from the singing of the Omaha Indians by Alice C. Fletcher
of the Peabody Museum. The words mean the affairs of men are in the hands of
the Gods. When they speak, men
obey. [12-page ms. orchestra score at LC; copy also at Loeb Library,
Harvard University.] |
Gilbert |
1890 |
Henry
Franklin Belknap Gilbert (1866-1928). Gilbert transcribed Indian music from
cylinders sent back to Boston from the Hemenway Expedition. Became involved with the photographer
Curtis at this point. |
Knapp |
1890 |
John
Knapp, Indian Love. Song, the words by Barry Cornwall. London & New York:
Novello, Ewel, & Co., 1890. |
Sousa |
1890 |
John
Philip Sousa (1854-1932), Adaptations of American Indian Melodies in his National,
Patriotic and Typical Airs of All Lands Published Philadelphia, 1890. |
Bellstedt |
1891 |
Herman
Bellstedt, Indian War Dance. Orchestra music
(with 18 parts). Published Cincinnati, Ohio: John Church, 1891. |
Bott |
1891 |
Jean
Joseph Bott, Indian Cradle Song for Violin & Piano. Op. 46. |
deKoven |
1891 |
Reginald
De Koven (1859-1920), Indian Love Song.
Voice and piano. Words by
F. E. Weatherly. London:
Chappell & Co., 1891. |
Gaggs |
1891 |
Oliver
Gaggs, The Minnehaha Lancers. For piano
solo. London: Francis, Day,
& Hunter, 1891. |
Hamilton |
1891 |
R.
H. Hamilton, arr. and ed. Cabin
and Plantation Songs, - as sung by the Hampton students. Arranged by J. P. Fenner
and F. G. Rathbun. To which are added a few Indian Songs and Songs of the
students of the Normal School, Tuskegee, Alabama. Enlarged Edition Fenner.
Thomas P 1891. |
Prescott |
1891 |
Caroline
Prescott, Indian Summer. Waltz. For piano solo. |
Thomas |
1891 |
Arthur
Thomas, Indian Serenade. Canoe Song, with violin or violoncello accompaniment ad lib.
Written and composed by A. Thomas [Edition, also of 1899] |
Baldwin |
1892 |
Ralph
Lyman Baldwin (1872-1943), Wanita, musical burlesque. Published Boston: Miles & Thompson,
c.1892. |
Cowen |
1892 |
Frederic
Hymen Cowen, Onaway, Awake, Beloved! For low voice and piano. Text from Longfellows Song of Hiawatha. Published in Longfellows Songs. Published Boston: O.
Ditson, 1892. London: E.
Ashdown, 1892. |
de Lotz |
1892 |
Paul
de Lotz, An Indian Ride. Descriptive piece for piano. Arr. in 1896 for Mandoline with
Accompaniments for Guitar or Pianoforte and Bells - ad lib. - by A. St. Clair |
Folville
|
1892 |
Juliette
Folville (b. 1870), Atala. Opera in two acts after Chateaubriand. Libretto by Paul
Collin. Performed Lille, Thtre
Municipal, 1892. Published
Lige: Vve Lop. Muraille, 1894. |
Gomes |
1892 |
Carlos
Gomes. Colombo. Vocal-Symphonic Poem. Text by Albino Falanca. Published in
Milan. |
Hewitt |
1892 |
Percy
M. Hewitt, West Indian Dance for the pianoforte. Published London: Ransford & Son,
1892. |
Schoenefeld |
1892 |
Schoenefeld,
Henry (1857-1936). Rural
Sympony
(orchestra, New York, 1892); Suite
Caractristique, op. 15. No date (n.d). Two
Indian Legends (orchestra, n.d.); a
pantomime-ballet Machicanta (the last three are cited in the 1928 Grove American Supplement, 253;
Elson calls the ballet Wachicanta [p. 377]; so does Hughes in American
Composers
[1900]); Die
drei Indianer (ode for male chorus, solo, and orchestra; unpubl.; no
known performance). |
Zllner |
1892 |
Heinrich
Zllner (1854-1941), Indianischer Liebesgesang (Indian Love Song).
Text from Longfellows Hiawatha. Composed for the 50th anniversary of the Klner
Mnnergesangverein (founded 1842); |
Bristow |
1893 |
George
Frederick Bristow (1825-1898), Niagara Symphony, op. 62 for solo voices, chorus, and
orchestra. [One source says
incomplete at his death, no publ. date, 154-page ms. score (no date) at
NYPL. Score for orchestra only,
with choral cues. Choral part
appears separately.] |
Burton |
1893 |
Frederick
Russell Burton (1861-1909). The Dance of Paupukkeewis from Hiawatha for chorus and
orchestra. [10-p. ms. score at the LC.] [Cited in the 1928 Grove American Supplement as
one of the first attempts to use Indian themes. Rupert Hughes writes (American
Composers,
1900): In this work use is made of an actual Indian theme, which was jotted
down by H. E. Krehbiel, and is worked up delightfully in the cantata, and
incessant thudding of a drum in an incommensurate rhythm giving it a deadly
barbaric tone.] |
Coerne |
1893 |
Louis
Adolphe Coerne (1870-1922). Hiawatha, Op. 18 (symphonic poem. Finished Munich,
Apr. 16, 1893. Published Boston: Miles and Thompson, 1894. Dedicated to
Seiner Excellenz Freiherrn von Perfall in Mnchen. First American perf. in
1894 by Boston Symphony Orchestra in Cambridge, Mass. under composers
direction. [Coernes autograph full score of Hiawatha is in the Boston Public
Library, Music Dept. (M.451.100).] CONTENTS.--4 Movements: 1. Hiawathas Birth and Childhood; His
Struggle with his Father Mudjekeewis, the West Wind, 2. Hiawathas Wooing
of Minnehaha, 3. Dance of Pau-Puk-Keewis and Song of Chibiabos at the
Wedding Feast, 4a. Death of Minnehaha, and 4b. The White Mans Foot. |
Dvok |
1893 |
Antonn
Dvok (1841-1904), Sketches from his proposed opera on Hiawatha; apparently these went
into his Symphony No. 9, From the New World. Theme from the slow movement
of the symphony was set to text in 1922 by Dvoks pupil William Arms
Fischer as Goin Home. Early performances of this work are numerous. First
performed at Carnegie Hall in New York, 16 Dec. 1893 by the Philharmonic
Society under Anton Seidl. |
Loehr |
1893 |
|
Nugent |
1893 |
Claude
Nugent, The Wild West Show. Song for voice
and piano. Written by George
Nugent & Arthur Waugh. Published London: Hopwood and Crew, 1893. |
Troyer |
1893 |
Carlos
Troyer, Two Zui Songs transcribed and harmonized by Carlos Troyer; to his friend
Prof. Dr. Frank Hamilton Cushing, Director of the Hemenway Archaeological
Expedition. For voice and piano. Published San Francisco: Sherman, Clay,
& Co., 1893, 7pp. Later
published with text in the Wa-Wan Press; see 1904 CONTENTS: 1. Zuian Lullaby: An Incantation Upon a Sleeping
Infant, 2. Zuian Lovers Wooing. |
Waller |
1893 |
Waller,
Henry (1864-?). Ogalalla. Opera. First performed
in Chicago by the Bostonians, Feb. 20, 1893. |
Abram |
1894 |
Edward
J. Abram, The Indian Sun Dance, etc. New York. [copy at BL] |
Conterno |
1894 |
Giovanni
E. Conterno, Aria e coro. Quadrille ("Indian). Text by G. Franco. (On Indian airs.) - Danse comique. From
Punch and Judy. E.
Boggetti. [Source unknown.] |
Dvok |
1894 |
Antonin
Dvok, Sonatina, op.
100 for violin and piano. Published Berlin: N. Simrock, 1894. [Dvoks secretary Josef Jan
Kovark indicated (in an unpublished letter, see Beckermann) that Dvok used the Minnehaha
Falls (near St. Paul, Minnesota) as an inspiration for the 2nd movement,
Larghetto, which is often called Indian canzonetta. This movement was
published separately in 1894 by Simrock as op. 100, no. 2. Transcribed in 1910 by Fritz Kreisler
as Indian Lament in G minor for violin and piano (Berlin: Simrock) and also
by Gaspar Cassado for cello & piano in 1914 (New York: Carl Fischer, 1914;
reprint, New York: International Music Co., 1947). Kreisler popularized the
piece in his recitals under that title. It was arranged by Otto Langey in
1918 (see) as one of two Indian pieces for silent film accompaniment.] |
Fillmore |
1894 |
|
Kell |
1894 |
Nelson
T. Kell, Little Papoose. Indian Lullaby.
Words by C. Warman. New
York City: Widmer-Stigler, 1894. |
Beach |
1895 |
Amy
Marcy Cheney Beach (1867-1944). An Indian Lullaby Op. 57, no. 3, for four
womens voices and piano. N.p.: Bryan, Taylor and Co., N.d. Anonymous poem. Cover portrays
countryside with wigwams. Beach
later used the music of the Lullaby as a basis for he Theme and Variations
for Flute and String Quartet, Op. 80 (1920). Reprinted in Three Centuries
of American Music, gen. ed. Martha Furman Schleifer and Sam Dennison, Vol. 8, American
Chamber Music, ed. John Graziano (N.p.: G. K. Hall, 1991), 351-55. |
Crook, J |
1895 |
John
Crook, Indian Lullaby from The New Barmaid.
London: Hopwood & Crew, 1895. |
MacDowell |
1895 |
Edward
MacDowell, Second Orchestral Suite, op. 48, Indian (orchestra, 1895). First performed in New York City by
the Boston Symphony on Jan. 23, 1896. Adapted for piano four-hands in 1897.
[Original sketch of the Dirge [1891?] is in the Special Music Collections
at the Boston Public Library.]
FIVE MOVEMENTS.--1) Legend, 2) Love Song, 3) In
War-Time, 4) Dirge, 5) Village Festival.
Arranged
by Otto Taubman for piano solo.
New York: Associated Music Publishers, 1933. |
Stone |
1895 |
Fred
S. Stone and Edward Liggett, The Indian: Two-Step. Published Detroit:
Central Music Publishing Co., 1895. |
Tipton |
1895 |
Lewis
Campbell Tipton, Powhatan, Opera. Text by William A. Baker. Composed with John A. West. First Performed Evanston,
IL. |
Coleridge-Taylor |
1896 |
Samuel
Coleridge-Taylor (1875-1912). Hiawathan Sketches, Op. 16 for violin and
piano. Published Augener, 1897. Reprinted 1908. First performed in the Salle
Erard (London) in a joint concert with the African-American poet Paul
Laurence Dunbar. [These pieces were the composers first venture into the
Hiawatha legend.] Contents: 1. A tale, 2. A song, 3. A dance. |
Goldmark |
1896 |
Rubin
Goldmark (1872-1936). Hiawatha Overture (orchestra). First performed by the Boston Symphony
Orchestra 13 Jan., 1900. [Composed while living in the Rocky Mountain
region. The composer made no
attempt to use Indian folk-tunes (Philip Hale, program notes)] |
Leonard |
1896 |
A.
E. B. Leonard, Wigwam Dance for piano solo. Published New York: Howley, Haviland &
Co. 1896. |
MacDowell |
1896 |
Edward
MacDowell, From an Indian Lodge. No. 5 from Woodland
Sketches,
Op. 51. Piano solo. Published
Boston & New York: Arthur P. Schmidt, 1899. 2 pp. Arranged by James Wehr
for brass quartet (2 trp/horn/tromb/tuba), published Winter Park, FL: Wehr's
Music House, 1995. |
Miersch |
1896 |
Paul
Friedrich Theodore Miersch (1868-?) Indian Rhapsody (orchestra, 1896) First
performed in New York at a concert of the Manuscript Society, seventh season
at Chickering Hall, 3 Dec. 1896, under the direction of Silas Pratt
(orchestra of 55). [Reviewer in The Pianist wrote: Mr. Mierschs
Indian Rhapsody made the hit of the evening and is likely to be heard
elsewhere. It is written on
motifs derived from the songs and dances of the Ute Indians, and displays
much originality and ingenuity of treatment.] Music is lost. |
Culwick |
1897 |
James
Cooksey Culwick, The War Dance. A Part-Song, unaccompanied. Words by Thomas Moore. Published
London: C. Vincent, 1897. |
Stearns |
1897 |
Theodore
Stearns (1880-1935). Before the Door of the Wigwam (suite for full
orchestra from Hiawathas Wedding; unpublished). Score is signed: Wrzburg,
Bavaria, 29 April, 1897. [Score in Fleisher Music Collection.] |
Tempest |
1897 |
Robert
Tempest, Indian Cradle-Song.
Boston: Oliver Ditson, 1897. |
Walter |
1897 |
August
Walter (1821-1896). Hiawatha Symphony. Performed Brooklyn, New York, Dec.
9, 1897. |
Woodman |
1897 |
Raymond
Huntington Woodman, Indian Cradle Song, no. 3 of Five Slumber Songs. New York: G. Schirmer,
1897. |
Boatwright |
1898 |
Thomas
Boatwright, Indian March. (The Diamond Jubilee.) For piano solo. London: Klene & Co, 1898. [Probably East Indian.] |
Burton |
1898 |
Frederick
Russell Burton, Hiawatha (dramatic cantata for
chorus and orchestra after Longfellow; expanded version of his earlier
single-movement work, q.v. 1882). Full score (303 pp.) and vocal score (170
pp.) published Boston: Ditson, 1898; the latter reprinted 1908). Includes
composers introductory notes.
Dedicated to the Yonkers Choral Society. In three parts.
Burton is also believed to have composed an Ojibway Symphony (see 1907
bibliographical entry; ms. score and parts at the LC). [also bio in the 1928 Grove
American
Supplement and Thompson, International Cyclopedia] (The finale of the cantata is printed
in Burtons posthumous American Primitive Music, 1909.) [copy at BL] |
Coleridge-Taylor |
1898 |
Samuel
Coleridge-Taylor, Scenes from the Song of Hiawatha (3 cantatas--or an oratorio in 3
parts--for soli, chorus, and orchestra). Part 1 (Op. 30, no. 1), Hiawathas Wedding Feast (first performed Royal
College of London, 1898); Part 2 (Op. 30, no. 2), The Death of Minnehaha (1899); and part 3 (Op.
30, no. 4), Hiawathas Departure (1900); First complete performance in England in 1900. In
U.S. (by the Cecilia Society): Haiwathas Wedding Feast, Boston, Mar. 14, (or
12?) 1900; Hiawathas Departure, Boston, Dec. 5, 1900; The Death of Minnehaha (together with Hiawathas
Departure)
on Dec. 2, 1902. First
official complete performance in America was in Easton, Pa. on May 5, 1903
by the Orpheus Oratorio Society under Charles Knauss. First actual performance (with two
pianos) was by an all Black chorus for a largely Black audience of some 2000
in April, 1901 at the Metropolitan African Methodist Church in Washington,
D.C. under John T. Layton. In
1904, C.-T. himself came to Washington to conduct a complete Hiawatha with the U.S. Marine
Band (expanded) in Constitution Hall, a performance which apparently made a
splash in the press. |
Hadley |
1898 |
Henry
Hadley (1871-1937), Lelawala: A Legend of Niagara, Op. 13. One of Hadleys six ballades for
mixed chorus and orchestra.
Poem by G.F.R. Anderson.
Vocal score published Boston: Arthur Schmidt, 1898. Orchestra score
and parts in mss. |
Kroeger |
1898 |
Ernest
Richard Kroeger (1862-1934). Hiawatha (symphonic overture. Performed by
the Thomas Orchestra, acc. to Elson, 1925, in Omaha for the 1898 Exposition).
Also mentioned in a St. Louis Symphony Orchestra program from the 1920s in
which Kroeger conducted. Hiawatha is supposed to have used actual Indian themes.
Ms. score (pencil, 57 pp.) at the LC; undated. CONTENTS (from Longfellow): 1. The Council of Hiawatha;
Manitous Promise of a Prophet and Teacher -- 2. Hiawathas Youth -- 3.
Hiawathas Wooing -- 4. The Hunting of Pau-Puk-Keewis -- 5. The Famine
and Death of Minnehaha -- 6. Hiawathas Departure. |
Le Brunn |
1898 |
George
Le Brunn, The Indian Prince. [Song.] Written by A. Hall. London: Francis, Day, &
Hunter, 1898. |
Ridley |
1898 |
Sebastian
Claude Ridley, The Indian Expedition. Descriptive Fantasia for the piano.
London: Evans & Co., 1898.
[May be East Indian.] |
Seidl |
1898 |
Seidl,
Anton (1850-1898). Manabozho. Unfinished opera based on the
Hiawatha legend. [Seidl Collection is at Columbia University.] |
Horrocks |
1899 |
Amy
Elise Horrocks, An Indian Lullaby. Song, words by M. Gillington. London: Houghton & Co.,
1899. [Another edition 1904] |
Slaughter |
1899 |
Walter
Slaughter (1860-1908). Incidental music to The Sioux. Drama on Western topic at the Oxford
Theatre, London. |
Castro
|
1900 |
Ricardo
Castr, Atizamba. Opera on an Aztec subject. Mexico. |
Cattelani
|
1900 |
Ferruccio
Cattelani (1867-1932), Atahualpa. Opera in four acts.
Libretto in Italian by C. F. Scotti. Performed Buenos Aires. |
Evans |
1900 |
George
Evans, Chihuahua (Cheewawa), An Indian Love Song. New York: Howley, Haviland, and Co., 1900. |
Farwell |
1900 |
Arthur
Farwell (1872-1952), Academic Overture Cornell, Op. 9. First performed
Cornell University Orchestra, Ithaca, New York; approx. 12 min.). [Score is
lost; parts survive.] |
Henschel |
1900 |
Carl
Henschel, Indian Lullaby, No. 4 of A Camp in the Woods. For piano solo. Chicago: S. Brainards Sons, 1900. CONTENTS: 1. Patrol of the Bears -- 2. Reynard the Fox -- 3.
The Meeting of the Stags -- 4. Indian Lullaby -- 5. The Chase -- 6. The Elf
Dance. |
Rodwell |
1900 |
Ernest
Hunter Rodwell, Indian Lover's Prayer. Song for voice and piano with words and
music by Rodwell. London: C. Vincent, 1900. |
Tipping |
1900 |
Frank
Tipping, Indian Dance for the Pianoforte. Published London: E. Ashdown, 1900. |
Farwell |
1901 |
Arthur
Farwell, American Indian Melodies (18 melodies harmonized from the original Indian for piano,
1900), Wa-Wan Press, 1901, vol. 1, no. 2; Also 10 of these edited and arranged
for the piano, with an introduction, by Arthur Farwell, Op. 11. Recently reprinted
Boca Raton, Flordia: Masters Music Publications, 1999. Also 13 of these arr.
(voice and piano, 1901-04, in ms.) and 1 arr. (mixed chorus and piano). |
Hadley |
1901 |
Henry
Hadley, Symphony No. 2 in F minor (The Four Seasons), third movement,
Summer. Published Boston: Arthur P. Schmidt, 190. First performance of Summer under Hadley by the
Manhattan Symphony at the Waldorf-Astoria, 16 Jan. 1900 (Hadleys conducting
debut). Performed complete in 1901, New York City and 1902, Chicago Symphony
under Theodore Thomas. |
Kaun |
1901 |
Hugo
Kaun (1863-1932), Zwei symphonische Dichtungen nach Longfellows Hiawatha:
Minnehaha & Hiawatha, Op. 43. 1.
Minnehaha. No. 2. Hiawatha. Published Hamburg und Leipzig: D. Rahter, 1902.
Minnehaha first performed Berlin, Oct. 17, 1901. First performance in the
U.S. by the Chicago Symphony, see program for Feb. 7, 1903, and the Boston
Symphony, see program for Jan. 29, 1904. Also performed again by Chicago Symphony, March 29-30,
1912. |
MacDowell |
1901 |
Edward
MacDowell, Indian Idyll. No. 6 in New
England Idyls, Op. 62. Piano
solo. Published Boston & New York: Arthur P. Schmidt, 1902. 3 pp. |
Moret |
1901 |
Neil
Moret (a.k.a. Charles N. Daniels, 1878-1943), Hiawatha, Op. 6. A Summer Idyl,
also A Romantic Love Song. Piano solo. Dedicated to Mr. Harvey Deardorff.
Published St. Louis: Daniels & Russell--Morets own company). Reprinted
Detroit: Whitney Warner Publ. Co., 1902
|
Browne |
1902 |
Raymond
A. Browne, Pocahontas. Indian Dance and Two-Step. Piano solo. New York: Mayo Music
Company, 1902. |
Burton |
1902 |
Frederick
Russell Burton, My Bark Canoe (A Song of Absence and Longing, Old Shoes,
Parting, and Hiawathas Death Song (The Lake Sheen). From Songs of the Ojibways. Translated from the
Indian Musical Play "Hiawatha" and harmonized by F. R. Burton. |
Farwell |
1902 |
Arthur
Farwell, Dawn, Op. 12, fantasy for piano on two Indian themes from
Fletchers Omaha collection. Published 1902 by the Wa-Wan Press, vol. 1, no. 4. First
performed 1903. Arranged in shorter version for orchestra (Dawn: Fantasy
on Two Indian Themes) and performed at the St. Louis Exposition in 1904 and at a
concert of the American Music Society in New York City in 1909. Arranged
(titled simply Dawn) for piano and chamber orchestra (1909) and performed by
Peoples Symphony at Carnegie Hall (first performed Pasadena, Calif., 1926). |
Farwell |
1902 |
Arthur
Farwell, Ichibuzzh, for piano. Published Wa-Wan Press, 1902. Based on a theme
from American Indian Melodies (1901). |
Farwell |
1902 |
Arthur
Farwell, The Domain of Hurakan (piano, Wa-Wan Press, 1902), the latter arr. for full orchestra
in 1910. |
Grainger |
1902 |
Percy
Grainger (1882-1961), The Inuit for mixed chorus in 6 parts. Published
London: Schott, 1912. [Kay Dreyfus (who edited the letters of Percy Grainger)
wrote: Graingers setting of the 8-line verse at the head of Kiplings story
Quiquern in The Second Jungle Book (1895).] |
Herbert |
1902 |
Victor
Herbert, Pax Americana. Suite written for the Worlds Fair, Buffalo, NY. [The work is a racial portrait of
America and opens with a musical representation of American Indians.] |
Hoffmann |
1902 |
Max
Hoffmann (words and music), Eulah! Eulah! (My Indian maid). An Indian love song. Published New York: Shapiro,
Bernstein & Co., 1902. |
Knight |
1902 |
Richard
Knight, An Indian Dance, for Pianoforte |
Kroeger |
1902 |
Ernest
Richard Kroeger (Ten) American
Character Sketches op. 53, for piano solo, nos. 7, The Indian Lament, and
9. Indian Air with Variations.
Pieces published separately, St. Louis: Thiebes-Stierlin Music,
1902. 5 pp. and 4 pp. |
Ball |
1903 |
Eric
Ball (1903-1989), Fantasy. Indian Summer.
For brass band. Rpnt,
Watford: R. Smith and Co, 1976. |
Burton |
1903 |
Frederick
Russell Burton, E-wa-yea, my little Owlet. Cradle Song for
Contralto, etc. [With accompaniment for Violin and P. F.] From the Hiawatha Cantata. |
Burton |
1903 |
Frederick
Russell Burton, When I think of my Beloved. Contralto Solo,
etc. From the Hiawatha Cantata. |
Burton |
1903 |
Frederick
Russell Burton, Hiawatha: Additions for an Indian play, for vocal soloists
and orchestra; additions to the Desbarat Hiawatha pageant apparently for its
tour to the cities. [Includes an overture with a declamatory song for bass
voice, a funeral march, a set of variations on the Ojibway song Old Shoes,
several interludes, and a finale for solo voice, chorus, and orchestra.] |
Coe |
1903 |
Saidee
Knowland Coe (1864-1905). Melodrama of Hiawatha for speaker and piano.
Published Chicago: Clayton F.Summy, 1905; 49 pp. Selections from the poem by Longfellow. Written and
dedicated to Isabel Garghill Beecher. [Score prefaced by a full page of
thematic material and well as composers introduction which discusses pros
and cons of the use of folk music.] |
Connolly |
1903 |
Charles
Mitchell Connolly, Colorow. (Indian dance). For piano solo. New York: Witmark & Sons, 1903. |
Copeland |
1903 |
Leon
Copeland, An Indian soldier's request. Published Milwaukee, WI: Scovell &
Braun, 1903 |
Cowen |
1903 |
Frederick
Cowen, Indian Rhapsody for orchestra. Published London: Boosey, 1903. Arranged for
piano by Adolf Schmid, Boosey, 1904. |
Dulmage |
1903 |
Will
E. Dulmage, The Wooing of Sha-wah-wah. Indian Two-Step Intermezzo. For piano
solo. Detroit: Stone and
Dulmage, 1903. |
Friedman |
1903 |
Leo
Friedman, Wigwam Dance. A Reservation Innovation. For piano solo.
Published New York: M. Witmark & Sons, 1903. |
Grey |
1903 |
Vivian
Grey (Mabel McKinley), Anona (Intermezzo - Two-Step). Instrumental. Published New York: Leo Feist, 134 West 37th
Street, 1903. Also published as a vocal: Anona (Indian Serenade), for voice and piano, New York: Leo Feist,
1903. First Line: In the
western state of Arizona, lived an Indian maid. First Line of Chorus: My sweet Anona, in Arizona, there
is no other maid I'd serenade. |
Hager |
1903 |
Frederick
Hager, Laughing Water: Characteristic for Piano; Instrumental. Published
Sol Bloom, New York. |
Hoyt |
1903 |
Richmond
F. Hoyt, Princess Pocahontas. March and two-step.
Arranged by Hugo O. Marks. For piano solo. Published New York,
Chicago: Windsor Music, 1903. Also published as a vocal: Princess Pocahontas. Words by Al. Trahern.
Arranged by Gus Gebert, etc. Published New York; Windsor Music, 1903. |
Johnson |
1903 |
Lee
Johnson, Ramona: Lily of the Prairie. Indian Intermezzo or two-step. For piano solo. Published London: Chappell, 1903.
Also published as a vocal: Ramona: Lily of the Prairie. Indian love song. Published London: Chappell, 1903. |
Kahn |
1903 |
Carl
Kahn, Kamona. An Indian Intermezzo.
For piano solo. |
Koninsky |
1903 |
Sadie
Koninsky, A Wigwam Courtship. Intermezzo. For piano. Published Troy, N.Y.: Edw.
M. Koninsky & Bros., 1903. Also published as a vocal: A Wigwam
Courtship: Intermezzo. Published New York; Edward M. Koninsky & Bros., 1903. |
Loering |
1903 |
Paul
Loering, Minnehaha. Danse grotesque. Also arranged as a piano solo. Piano acc.
[and orchestral parts]. Published Boston: White-Smith Music Pub. Co., 1903. |
Loomis |
1903 |
Harvey
Worthington Loomis (1865-1930), Lyrics of the Red Man, op. 76 (piano), Book 1 (5 pieces) first published by
the Wa-Wan Press, vol. 2, no. 12.
(For
Book 2, see 1904.) |
Moret |
1903 |
Neil
Moret, Hiawatha: His Song to Minnehaha. Words added to Morets 1901 piano summer
idyl Hiawatha by James ODea and published with the revised title by
Whitney Warner, Detroit, 1903. |
Morgan |
1903 |
Robert
Orlando Morgan, Indian Songs. Op. 34. For
Contralto or Baritone. Words:
anonymous Indian songs.
|
Muniz |
1903 |
Louis
G. Muniz, Be the Sunlight of my Heart. Indian love song. Words by Roy. L.
McCardell. New York: Jos. W. Stern, 1903. |
Read |
1903 |
Ezra
Read, Wild West. Descriptive Fantasia.
For piano solo. Published London: W. Paxton, 1903. |
Stewart |
1903 |
Humphrey
J. Stewart (1856-1932), Montezuma.
Grove-Play written for the San Francisco Bohemian Clubs summer
encampment. Text by L. A. Robertson. |
Van Alstyne |
1903 |
Egbert
Van Alstyne, Navajo (Navajo) (Indian
Characteristique). Lyrics by Harry H. Williams. Published New York: Shapiro,
Remick, and Co. Arranged also as
a March and Two-Step published by Shapiro, Bernstein, and Co., New York.
Arranged for military band, 1905. |
Waller |
1903 |
Henry
Waller, Dance of the Sun Feast. - American-Indian. - Arranged by the Composer. For piano
solo. New York: Boosey and Hawkes, 1903. |
Wenrich |
1903 |
Percy
Wenrich, Wenonah. An Indian Intermezzo. Published Detroit: Whitney-Warner Pub.
Co., 1903. Respectfully Dedicated to Winona Winters. |
Adams |
1904 |
Robert
J. Adams, How I Love That Man: That Kickapoo Indian Man. Lyrics by James
ODea (1871-1914). Published New
York: Shapiro, Remick & Co., 1904.
(Also London: Francis, Day, & Hunter, 1904.) |
Blake |
1904 |
Louis
Blake, My little Indian Maid. [Song.] New York: Theatrical Music Supply Co., 1904. |
Brachman |
1904 |
James
W. Brachman, My Iroquois Squaw. [Song.] Words by Arthur Trevelyan. Published
New York: T. B. Harms & Co., 1904. |
Brown |
1904 |
Raymond
A. Brown, On the Warpath. A Wild West Two-Step. Published New York: F.
B. Haviland, 1904. |
Brownhold |
1904 |
Fred
Brownhold, My Indian Queen. [Song.] Words by H. W. Hayes, etc |
Brymn |
1904 |
James
Tim Brymn, Rowena. A characteristic Indian love song. Words & music by J.
T. Brymn. |
Cadman |
1904 |
Charles
Wakefield Cadman (1881-1946), The Tryst: An Indian Night Song. Published New York:
Schuberth, 1904. Text by Nelle Eberhart. [Acc. to Perison, the poem by Nelle R. Eberhart was
superficially Indian, a love song of a brave awaiting the arrival of the
maiden, Shanewis, in an idyllic prairie setting.] |
Cole |
1904 |
Rossetter
Gleason Cole (1866-1952), Hiawathas Wooing, Op. 20, A Melodrama.
Recitation with piano accompaniment. Published Boston: Schmidt, 1904. First
performed Dec. 19, 1904 following a reading of Coles essay, Musical
Inspirations from Longfellow at the Chicago Literary Club. The 28-page
typescript of the essay and an unmarked copy of the score are at the Newberry
Library, Chicago. |
Couchois |
1904 |
G.
J. Couchois, Ogarita. Indian Intermezzo. A metrical & rhythmical
novelty. For piano solo. |
Crook |
John Crook, Indian Dance from the incidental music to J. M.
Barries Peter Pan. Duke of Yorks Theatre, London. Crooks
complete score of incidental music to Peter Pan was
published in London: W. Paxton, 1905. |
|
Dewey |
1904 |
James
G. Dewey, "Nakokus." An Indian idylle. For piano solo. |
Farwell |
1904 |
Arthur
Farwell, Navajo War Dance (unpublished). Not the same as the Navajo War Dance in From
Mesa and Plain (1905); edited by John Kirkpatrick in 1940 and published as Navajo
War Dance No. 2 (Music Press, 1947). |
Farwell |
1904 |
Arthur
Farwell, Toward the Dream (piano), Wa-Wan Press, vol 3, no. 20. |
Fischer |
1904 |
J.
Henri Fischer, Moccasin Dance: Indian characteristic. Dance piece. Published Burlington,
Iowa: Fischer Music Pub. Co., 1904. |
Friedman |
1904 |
Leo
Friedman, Song Bird. Indian love song. Words by Bartley C. Costello. |
Fry |
1904 |
William
H. Fry, Montauk Waltzes. Instrumental. Published: Sterling Piano Co., Brooklyn, New
York. |
Hartz |
1904 |
B.
Hartz, The Irish Indian. (Intermezzo.)
For piano solo. |
Johnson |
1904 |
J.
Rosamond Johnson (1873-1954), The Pretty little Squaw from Utah. Song for voice and piano. Words by
Bob Cole. Published New York: Jos. W. Stern & Co., 1904. |
Johnson |
1904 |
J.
Rosamond Johnson (1873-1954). Big Indian Chief. Two-step, Introducing "The Maid of Timbuctoo. Arr. by George Rosey. For piano solo.
Also published as a vocal: Big Indian Chief for voice and
piano. Lyrics by Bob Cole.
Published New York: Joseph W. Stern (34 East 21st St.), 1904. First Line: In
the wilds of Arizona, where the hungry coyote's shrills. First Line of
Chorus: Big Chief love um little Kick-a-poo maiden, Love um heap much
too. [Written Especially For
the 16th Annual Production of The Mask and Wig Club of the University
of Pennsylvania.] |
Kaiser |
1904 |
Joseph
J. Kaiser, Uncas, The Last of the Mohicans (Characteristic March
Two-Step); Instrumental; Dedicated to My Friend, Thomas H. Moore. Published New York: Joseph J. Kaiser
Music, 1904. |
Kenney |
1904 |
Eugene
R. Kenney, Obeja: Indian Love Serenade.
New York: Rice Music Co., 1904 |
Kroeger |
1904 |
Kroeger,
Ernest Richard. March of the
Indian Phantoms, for orchestra.
Written for the Louisiana Purchase Exposition, 1904. Published for piano solo in
1912. Also arranged for piano
four-hands (Presser, 1916), 9 pp. Indian
War Dance for piano (undated) Atala
(overture, orchestra, undated) |
Lehman |
1904 |
Samuel
Lehman, Little Indian Maid. March, Intermezzo.
For piano solo (march). Also published as a vocal: My little Indian
Maid.
Words by Maurice Stonehill. New York: T. B. Harms, 1904. |
Levi |
1904 |
Maurice
Levi, Big Indian and His Little Maid.
From Higgledy-Piggledy.
Lyrics
by Edgar Smith (1857-1938).
Published Chicago: Chas. K. Harris, 1904. Illustrated title page: Weber
& Ziegfeld present Higgledy-Piggledy. |
Liebling |
1904 |
Estelle
Liebling, Indian Love Song. [Song.] Words by Mrs. John Philip Sousa. Cincinnati: John Church, 1904. |
Lindstedt |
1904 |
Adolph
Lindstedt, Papoose Dance. Danse des Enfants. Marche Indienne. Arranged by Hugo O.
Marks. For piano solo. Published
Chicago, New York: Windsor Music Co., 1904. |
Loomis |
1904 |
Harvey
Worthington Loomis, Lyrics of the Red Man, op. 76, for piano. Book
2 (8 pieces) first published by the Wa-Wan Press, vol. 3, no.4.
(For
Book 1, see 1903.) |
Macpherson |
1904 |
Stewart
Macpherson, Six Songs based on Iroquois Melodies, arranged and edited by
Stewart Macpherson. For voice and piano. Published London: Joseph William,
1904. Text in English by M. C. Gillington and In German by Blanche
Marchesi.
|
Mark |
1904 |
Cecil
Mark (1883-1944), In a Birch Canoe.
Words by William J. Accooe.
Published New York: M. Witmark and Sons, 1904. |
Recker |
1904 |
Robert
Recker, The Whistling Squaw. Characteristic March and Two-Step. For piano solo. |
Schuch |
1904 |
Louis
Arden Schuch (composer, lyricist, arranger), Mineola, or, The Wedding of
the Indian and the Coon. A Characteristic Indian Serenade. Published Auburn, N.Y.:
Schuch and Stevens Music Publishers, 1904. |
Schuch |
1904 |
Louis
Arden Schuch, Idaho (Indian Love Song).
Lyrics by the composer.
Dedicated to The Auburn Cyclers. Published Auburn, N.Y.: Schuch
Stevens Music Publisher, 1904. First Line of Chorus: Ida Ida my Idaho, Wahoo
loves you dearly a heap much so. |
Tighe |
1904 |
Harry
L. Tighe, Nola. [An Indian love song.] Words by Fred Wayne. New York: M. Witmark and Sons, 1904. |
Tilzer |
1904 |
Harry
von Tilzer, My Kickapoo. Indian characteristic & Two-Step. For piano solo. My pretty little
Kickapoo. New York: Harry Von Tilzer Music Publishing Co., 1904. Also published as a song with words
by Andrew B. Sterling. |
Troyer |
1904 |
Carlos
Troyer, Traditional Songs of
the Zuis. For voice and piano. 1st series (4 songs) in the Wa-Wan Press, vol. 3, no.19, 2nd
series (2 songs) in vol. 3, no. 23; songs published with English and Zui
texts. Also published Philadelphia: T. Presser between 1904 and 1914.
(2nd series) The Festive Sun Dance of the Zuis, The Great
Rain Dance of the Zuis. |
Troyer |
1904 |
Carlos
Troyer, Ghost Dance of the Zuis. For Piano solo. Published 1904, Wa-Wan
Press,
vol. 3, no. 20. Reprinted in
John Gillespie, Nineteenth-Century American Piano Music (New York: Dover, 1978). |
Van Alstyne |
1904 |
Egbert
Van Alstyne, Seminole. March, Two-Step.
For piano solo. Also published as a vocal: Seminole (The New Indian Song by
the Writers of Navajo). Lyrics by
Harry Williams. Published New York: Shapiro, Remick & Co., 1904. |
Van Alstyne |
1904 |
Egbert
Van Alstyne, Tippecanoe. A Comic Indian Song. Lyrics by Harry Williams. New York: Shapiro, Remick, and Co., 1904. |
Bock |
1905 |
William
E. Bock, My Rosebud Sioux. [Song.] Words by Ed. F. Cogley Published New York: M. Witmark
& Sons., 1905. |
Bryan |
1905 |
Vincent
Bryan and Leo Edwards (words and music), Pocahontas, etc. [Song.] Published
New York: Gus Edwards Music Pub. Co., 1905. |
Bryan |
1905 |
V.
Bryan and L. Edwards (words and music), Sioux Sue. Song for voice and piano. |
Brymn |
1905 |
James
Tim Brymn, Powhatanna. Words by Billy Johnson. |
Burt |
1905 |
Benjamin
Hapgood Burt, Little Red Papoose. [Song.] Published New York: Jos. W. Stern & Co., 1905. |
Busch |
1905 |
Carl
Busch (1862-1943), Five Movements from an Indian Suite: Welcome to Hiawatha,
Chibiabos, Funeral Procession of the Omahas, 1st version of the Omaha
Indian Love Song (presumed lost), and Variations and Fugue on an Omaha
Indian Theme. [mss. remain for 4 of these.] Beautiful
is the Sun, O Strangers (from canto 24 of Longfellows Hiawatha), 1905, but later
published in Eight Indian Songs as Greetings of Hiawatha (see 1907)
Welcome to Hiawatha for string orchestra (dated ca. 1905 by Donald Lowe, Carl
Busch.) |
Coleridge-Taylor |
1905 |
Samuel
Coleridge-Taylor, Three Song Poems.
Words by T. Moore Departure.
|
Curtis |
1905 |
Natalie
Curtis (1875-1921), Songs of Ancient America: Three Pueblo Indian
corn-grinding songs. For voice and piano. Published New York: G. Schirmer,
1905. Indian lyrics, the first and third translated. [Score includes a 3-page ethnological
discussion of Indian corn-grinding songs from Laguna, New Mexico.] Also
American Indian Dances (no info).
Also
American Indian Dance Pageant (copyright, 1921; in ms. at the LC). See excerpt Deer Dance. Also
Victory Song: Words and music based on part of an original ceremonial
Indian melody of the Pawnee Indians. For chorus and mixed voices. Published:
Schirmer. |
Davis |
1905 |
Collin
Davis, My Campfire Maid. An Indian love song. New York: M. Witmark and Sons, 1905. |
Edwards |
1905 |
Gus
Edwards (1879-1945), Tammany: March and Two-Step. Also published as a vocal: Tammany. A
Pale Face Pow-Wow. Words by
Vincent Bryan. Published New York: M. Witmark & Sons, 1905. First Line: Hiawatha was an Indian,
so was Navajo. First Line of Chorus: Tammany, Tammany, Big chief sits in
his tepee. |
Ephraim |
1905 |
Ellis
R. Ephraim, Injun Gal. Novelty Indian
Song. Words by P. C. Mason.
Published New York: M. Witmark & Sons, 1905. |
Farwell |
1905 |
Arthur
Farwell, From Mesa and Plain: Indian, Cowboy, and Negro Sketches (5 pieces for piano, Wa-Wan
Press,
vol. 4, no. 28, 1905).
|
Farwell |
1905 |
Arthur
Farwell, Impressions of the Wa-Wan Ceremony of the Omahas, op. 21 (piano, Wa-Wan
Press,
vol. 5, no. 33, 1905).
|
Gray |
1905 |
Katherin
Gray, Sagawana. A Wigwam Episode. For piano solo.
Gray. Katherine 1905 |
Grey |
1905 |
Vivian
Grey (Miss Mabel McKinley), Feather Queen: An Indian Song; published: Leo Feist,
New York. |
Hoschna |
1905 |
Karl
L. Hoschna, Indian Dance. For piano solo.
New York: M. Witmark & Sons,
1905. |
Keiser |
1905 |
Robert
A. Keiser, The Squaw Man. Indian Intermezzo. For piano solo.
Published New York: Leo Feist., 1905. |
Kenny |
1905 |
Ralph
E. Kenny, Nakomis. Indian
two-step. For piano. [copy at BL] |
Loring |
1905 |
Loring,
Harold A. (1879-?). Piano pieces and songs composed for his lectures
beginning in 1905. |
Mackinley |
1905 |
Mabel
Mackinley, Feather Queen. Indian Intermezzo. March two-step. Also published as a
vocal: Feather Queen. An Indian song. |
Moho-Nali. |
1905 |
Moho-Nali. Wahoo! Indian Dance. For piano solo. New York: Century Music Publishing,
1905. |
Moret |
1905 |
Neil
Moret, Silver Heels (Melody taken from the popular Indian Intermezzo). Lyrics: by James ODea. Published by
Jerome H. Remick, New York. |
Moret |
1905 |
Neil
Moret, Silverheels (Indian IntermezzoTwo-Step). Piano solo.
Published by Jerome H. Remick, New York. Repr. 1906. |
Pabst |
1905 |
Henry
Pabst, Greenwood. An Indian suite.
For piano solo.
|
Petre |
1905 |
Torsten
Petre, An Indian Night in Twelve Sketches for the Pianoforte. |
Powell |
1905 |
W.
C. Powell, My Indian Summer Moon. [Song.] Words by James O'Dea. Detroit: Jerome H. Remick, 1905. |
Schwartz |
1905 |
Jean
Schwartz, My Irish Indian. [Song.] Words by William Jerome. New York; Shapiro, Remick,
and Co., 1905. |
Strelezki |
1905 |
Anton
Strelezki (pseud.), Minnehaha. - Laughing Water. - Dance Sketch for the
Pianoforte. Published London: E. Ashdown., 1905. |
Van Alstyne |
1905 |
Egbert
Van Alstyne, Sioux. Song for voice
and piano. Published Detroit, New York: Jerome H. Remick & Co.,
1905. |
Williams |
1905 |
Herbert
Williams, Iroquois (Characteristic March & Two-Step); Instrumental.
Published: Irving Music, New York. |
Wilson |
1905 |
Charles
Jerome Wilson, Indian Lover's Serenade. Intermezzo. For piano solo. |
Zimmerman |
1905 |
Charles
Zimmerman, Sitting Bull. Words by
Vincent Bryan. Published New
York: Vincent Bryan Music Co., 1905. First line of chorus: Sitting Bull, old
Sitting Bull, he was no fool. First line of verse: Mary Cow an Indian
maiden, married Standing Steer. |
Friedman |
1905 |
Leo
Friedman, The Sun Dance: Indian Characteristic. Published New York: Sol Bloom, n.d. |
Adams |
1906 |
Mrs.
Crosby Adams, Four Lullabies for Voice and Piano. Op. 16. Words by A. H. Woodruff.
Published Chicago: Clayton F. Summy, 1906. |
Avery |
1906 |
Stanley
Avery (1879-1967), Eskimo Love Song For voice and piano. Wa-Wan Press, vol. 5, no. 33. |
Beach |
1906 |
Amy
Marcy Cheney Beach, Eskimos, Op. 64. For piano. Published Arthur P. Schmidt, 1907; rev.
ed., 1943. Four characteristic
pieces based on Eskimo themes. Acc. to Block, all four are based on tunes
found in Franz Boass monograph, The Central Eskimo (1888).
|
Beaudry |
1906 |
Wilfrid
Beaudry, Nouhika. Indian Intermezzo Two-Step. For piano solo. |
Bendix |
1906 |
Theodore
Bendix, Nat-u-ritch. An Indian Idyll. Intermezzo from "The Squaw Man."
For piano solo. Published New York: Jos. W. Stern & Co., 1906. [Manuscript piano score and parts in
the Belasco Collection, NYPL.] |
Bliss |
1906 |
[Philip] Paul Bliss [Jr.] (1872-1933),
The Red Mans Death Chant For mens chorus. Published 1906. |
Brown |
1906 |
Arthur
L. Brown, The Pixies in the Indian Village, no. 3 in The Pixies'
Carnival
for Pianoforte Solo, Op. 32. |
Claypoole |
1906 |
Ed.
B. Claypoole, My Prairie Wildflower Sioux. Indian Song. Lyrics by Robert G. Claypoole.
Published Baltimore: Monumental Publishing Co., 2123 Cromwell St., 1906. |
Delmar |
1906 |
Bert
H. Delmar, "Iona, My Indian Star. Song. Words by the composer. London: W. Paxton, Price and Reynolds, 1906. |
Dulmage |
1906 |
Will
E. Dulmage, Strongheart. Intermezzo -
Two-Step for piano. Published
Cleveland: Sam Fox, 1906. |
Edwards |
1906 |
Leo
Edwards, Cherokee. For piano solo. Published New York: Gus Edwards Music Pub.
Co., 1906. |
Hein |
1906 |
Silvio
Hein, Pawnee. Song. Published New York: Shapiro Music Publisher, Cor.
Broadway & Thirty Ninth Street, 1906. |
Johnson |
1906 |
Charles
L. Johnson, Lola. Lyrics by James ODea. Published New York: Jerome H. Remick,
1906. |
Jones |
1906 |
Ella
Disbrow Jones, Ella Disbrow. Paxinosa. Indian song. 1906. |
Kain |
1906 |
Harry
C. Kain, Indian Summer Waltzes. For piano solo.
Published by Kain. C. Harry, 1906 |
Kmpf |
1906 |
Karl
Kmpf, Hiawatha Suite, nach der gleichnamigen epischen Dichtung von
Longfellow, fr groes Orchester, Op. 27. Published Berlin, 1906.
|
Kellogg |
1906 |
Arthur
F. Kellogg, Indian Summer. Moment musicale for the pianoforte. |
Kidner |
1906 |
Walter
James Kidner, An Indian Lullaby, words by A. K.-L. Dickson. A Quartett for male voices. |
Lloyd |
1906 |
Evans
Lloyd, You're an Indian. [Song.] Lyrics
by Jeff T. Branen. |
Morse |
1906 |
Theodore
F. Morse (1873-1924), Arrah Wanna.
An Irish-Indian Intermezzo.
For piano solo. Published New York: F.B. Haviland Publ. Co., New
Zealand Building, Broadway & 37th St., 1906. |
Morse |
1906 |
Theodore
F. Morse, Arrah Wanna: An Irish Indian Matrimonial Venture (song). [Arrah Wanna, on my honor, I'll take
care of you] Lyrics by Jack Drislane. Published
New York: F. B. Haviland, 1906 and London: Francis, Day & Hunter, 1906. |
Peel |
1906 |
Gerald
Graham Peel, Little Indian! Song, the words by R. L. Stevenson. |
Robson |
1906 |
T.
F. Robson, The Indian. Written and composed by T. F. Robson & W. Hyde. |
Rossiter |
1906 |
Will
Rossiter (1867-1954), Napanee: a song founded on actual facts. Published Chicago: Will
Rossiter, 1906 |
Sawyer |
1906 |
Henry
S. Sawyer, Os-ka-loo-sa-loo. Characteristic Indian march & two-step. For piano solo. Also published as a
vocal: Os-ka-loo-sa-loo; Indian Love Song [Oskaloosaloo, if I
could do so, Loo]. Lyrics by Jeff T. Branen. Published Chicago: Albright Music
Co., 1906. |
Skilling |
1906 |
Robert
P. Skilling, Reindeer: Indian-Eskimo song. Lyrics by James ODea (1871-1914).
Published Chicago: Victor Kremer Co., 1906. |
Stedman |
1906 |
Stedman
and Stedman, Tommy Tomahawk (A Wigwam Courtship); Published Boston, Vinton Music. |
Sullivan |
1906 |
Sullivan,
Dan J. (1875-1948). Miss
Pocahontas,
An Indian War-Whoop in two Whoops.
Comic opera. Book by R. A. Barnet and R. M. Baker. Additional musical numbers by H. H.
Luther and C. Wilmore. Published Boston: White-Smith, 1906. |
Vogt |
1906 |
Augustus
Stephen Vogt, An Indian Lullaby. Part-Song for women's voices, etc. |
Allen |
1907 |
Paul
Hastings Allen (1883-1952), The Lament of Indian Women, for voice and piano with
English text, 4 p. (privately
published) |
Burt |
1907 |
Benjamin
Hapgood Burt, Rain-In-the-Face: Comic Song. Published New York:
Jerome H. Remick. |
Busch |
1907 |
Carl
Busch, Eight Indian Songs from the "Hiawatha" of H. W. Longfellow,
with German text by H. Simon. New York: Ditson, 1907. Each song published
separately. [Published as Six Indian Songs in some sources.]
|
Busch |
1907 |
Carl
Busch, The Four Winds. - "Die vier Winde." - From the Song of
Hiawatha [by H. W. Longfellow] set to music for Soprano and Tenor Soli,
Chorus and Orchestra. The German translation by H. Simon. [Vocal Score.]. |
Busch |
1907 |
Carl
Busch, Indian Legend. For violin & piano. Published Boston: Oliver Ditson,
1907, 9 pp. Dedicated to Arthur
Hartmann. |
Busch |
1907 |
Carl
Busch, The Four Winds. Cantata using original Indian airs. Published New York:
H.W. Gray, 1907. Based on the Longfellow text for the 2nd canto of Hiawatha. |
Cadman |
1907 |
Charles
Wakefield Cadman, An Indian Camp. No. 7 in A Visit to Grandma's. For the Piano. Op. 34. Boston: Oliver Ditson, 1907. |
Cadman |
1907 |
Charles
Wakefield Cadman, The Rose of Cherokee. Song, words by J. Miller. Op. 24. No. 3.
Published Philadelphia: T. Presser, 1907. |
Collins |
1907 |
Charles
Collins, "My Wigwam just holds two." Written by Dave Hall and C.
Collins. |
Corin |
1907 |
Joel
P. Corin, My Indian Squaw, no. 3 from Two Islands. Lyrics by Felix F.
Feist. Published New York: Leo Feist, 1907.
|
Eggeling |
1907 |
Georg
Eggeling, Fang-Ball. - The Indian Juggler. - Charakterstck fr Pianoforte.
Op. 137. Boston: A. P. Schmidt,
1907. |
Farwell |
1907 |
Arthur
Farwell, Owasco Memories, op. 8 (5 pieces for piano, Wa-Wan Press, vo. 6, no. 50, 1907). |
Fitzgibbon |
1907 |
Bert
Fitzgibbon, My Yankee Doodle Indian Boy. [Song.] Words by Edgar Selden. New
York: Maurice Shapiro, 1907. |
Frain |
1907 |
Theo.
M. Frain, Saginaw the Tittabawassee Squaw. [Song.] Words by
Leontine. Published New York: Frain Publishing Co., 1907. |
Furth |
1907 |
J.
Seymour Furth, My Pocahontas for voice and piano (song Introduced in Ziegfelds Review Follies
of 1907
at the Jardin de Paris). Lyrics by Edgar Selden. Published New York: Maurice
Shapiro Music, 1907. |
Haines |
1907 |
Will
E. Haines, Minnehaha. (A Redskin romance.). Voice and piano. Words by Albert Bagley. London: Reeder & Walsh
[1907]. [copy at BL] |
Heyser |
1907 |
E.
K, Heyser, Pocahontas. [Song.] Words by Jack Roberts. Published New York: Modern
Music Pub. Co., 1907. |
Jackson |
1907 |
Frederick
W. Jackson, The Genius of KaNooNo (March-Two-Step); Dedicated to the
Mystique Krewe of KaMooNo. Instrumental. Published Syracuse, New York: F.
W. Jackson. |
Mills |
1907 |
Kerry
Mills, Red Wing. An Indian Intermezzo. For piano solo. Also published as a
vocal: Red Wing (An Indian Fable, also Famous Indian Song). Lyrics by
Thruland Chattaway. Published New York: Paull-Pioneer, 1907. |
Moret |
1907 |
Neil
Moret, Morning Star (song); Lyrics by James ODea. New York: Jerome H. Remick, 1907. |
Morgan |
1907 |
Robert
Orlando Morgan, An Indian Night. Song, words by R. Douglas, etc. (Op. 40. No.
1.). [copy at BL] |
Nevin |
1907 |
Arthur
Finley Nevin (1871-1943), Poia. Opera in three acts. Published Berlin: Frstner, 1909.
Libretto by Randolph Hartley (1870-1931), founded on legends collected by
Walter McClintock. First complete concert performance, Carnegie Hall,
Pittsburgh, January 16, 1907.
Excerpts also performed as an illustrated lecture with piano at the
White House for President Theodore Roosevelt on April 23, 1907.
Indian Lullaby. Published Boston: White-Smith Co., n.d. [Nevin was taken to a Blackfeet
Reservation in Montana by his friend Walter McClintock (an adopted member of
the Blackfeet tribe) in June, 1903 to notate Indian melodies.] |
Porter |
1907 |
F.
A. Porter, Pocahontas (March and Two-Step); published privately by the author. |
Raynes |
1907 |
J.
A. Raynes, Big Chief Smoke: Uoof, Uoof, Uoof. Song for voice and
piano. Lyrics by C. William Colb. Published New York: M. Witmark, 1907. |
Reed |
1907 |
David
Reed, The Reed Bird. The Indians Bride. Song Intermezzo Two-Step. New
York: M. Witmark and Sons, 1907. |
Reeves |
1907 |
Ernest
Reeves, Hobomoko. An Indian Romance. Arranged by Adolf Lotter. [Orchestral
parts.] |
Roma |
1907 |
Caro
Roma, O-Wee-Nee. Indian Intermezzo.
For piano solo. |
Troyer |
1907 |
Carlos
Troyer, Indian Fire Song (Uru kuru) - Turning the Firestick. - With English and Indian text,
and a description of the manner of producing fire quickly by the manual
drill. Transcribed by C. Troyer. |
Troyer |
1907 |
Carlos
Troyer, Kiowa-Apache War Dance. For piano. Published 1907, Wa-Wan Press, vol. 6, no. 45. Indian
Fire Song: Uru Kuru [Turning the Firestick] (voice and piano, 1907), Wa-Wan
Press,
vol. 6, no. 46; Hymn to the Sun (no date). |
Valentine |
1907 |
F.
L. Valentine, Mozette. (Indian Maiden.) For piano solo. |
Beresford |
1908 |
Lorena
Beresford, Indian Serenade, no. 1 of Two Songs for a high voice, with Piano
accompaniment. Words by H. G. Spencer. Arranged for quartet of womens voices
in 1910. |
Brewer |
1908 |
John
Hyatt Brewer, Indian-Summer Sketch - A Dream - for Organ |
Castling |
1908 |
Harry
Castling, "I'd be happy in a Wigwam with you." Written and composed
by H. Castling and F. Godfrey. Published London: Francis, Day & Hunter,
1908. |
Farwell |
1908 |
Arthur
Farwell, Three Indian Songs. For chorus. Published 1908. |
Gastaldon |
1908 |
Stanislao
Gastaldon, Musica Proibita. Romance and Hobomoko. An Indian Romance. By E. Reeves.
[Military band parts.] |
Haase |
1908 |
Oscar
Haase, Arizona. Indian romance. [Song.] Lyric by Mary Morrison &
Clifford J. Werner |
Henry |
1908 |
S.
R. Henry and D. Onivas [sic, actually Savino], Indianola (Instrumental novelty
and Fox trot). Published New York: Joseph W. Stern. |
Johnson |
1908 |
J.
Rosamond Johnson, The Big Red Shawl.
Lyrics by Bob Cole.
Published New York: Joseph Stern, 1908. |
Jones |
1908 |
Henry
W. Jones, Topeka (song); lyrics:
James ODea; published:
Jerome H. Remick, New York. |
Kerr |
1908 |
Harry
David Kerr, In a Little Wigwam. [Song.] Words
and music by H. D. Kerr. |
Kolar |
1908 |
Kolar,
Victor (1888-?), Hiawatha (subtitled a Dance Oriental, symphonic poem for orchestra).
Dedicated to Emil Paur. First performed Pittsburgh Orchestra, 1908 (Jan 31
& Feb 1) under conductors [composers?] baton. Performed again New York
Philharmonic under Damrosch, March 3, 1911. Indian
Scherzo
(violin and orchestra, undated). |
Mills |
1908 |
Kerry
Mills, Sun Bird. An Indian
Intermezzo. For piano solo.
Published New York: F.A. Mills, 32 West 29th Street, 1908. Also published as
a vocal: Sun Bird (An Indian Intermezzo). For voice and piano. Lyrics by
Thurland Chattaway. Published New York: F. A. Mills, 1908. |
Mohr |
1908 |
Halsey
K. Mohr, Kanawa. An Indian romance. [Song.] Words by Edgar Leslie. New York:
Gordon Music Publishing Co., 1908. |
Morse |
1908 |
Theodore
F. Morse, Minnie-ha-ha Donohue: an Irish Indian love affair. Lyrics by Jack Mahoney. Published New York: F.B. Haviland
Pub. Co., 1908. First line: Minnie-ha ha was an Indian maiden long
ago. First line of chorus:
Minnie-ha ha Donohue I love you heap much too. |
Morse |
1908 |
Theodore
F. Morse, Smiling Star (A Western Romance in Song). Lyrics by Jack Drislane. Published New York: F. B.
Haviland, 1908. |
Offenbach/Dubourg |
1908 |
Jacques
Offenbach, arr. Charles Dubourg, Valse Chaloupe (The Apaches Dance).
Grand Succs de la Revue du Moulin Rouge sure des motifs de J. Offenbach
cr e rgle par Max Dearly et Mistinguett dan La Revue du Moulin.
Published Paris: Choudens, 1936.
[Copyrighted 1908] |
Spaulding |
1908 |
George
L. Spaulding, The American Indian. Characteristic Dance.
For piano solo.
Philadelphia: T. Presser, 1908. |
Wenrich |
1908 |
Percy
Wenrich, Rainbow. (An Indian Intermezzo.) For piano solo. Also published as a
vocal: Rainbow. Lyrics by Alfred Bryan.
Published New York: Jerome H. Remick, 1908. |
Worthington |
1908 |
Amy
Titus Worthington, Scenes on the Niagara. Lyric Pieces for the Pianoforte. CONTENTS: 1. Voices of the Deep -- 2. Indian Lullaby -- 3.
Moonbeams. |
Zita |
1908 |
R.
Anthony Zita, Sleepy Eye. Indian
Intermezzo. Published New York: Jos. W. Stern & Co., 102-104 W. 38th
St., 1908. |
Alford |
1909 |
Harry
L. Alford, Song bird (Indian Intermezzo).
For piano solo, 1909.
Also published as a vocal: Song Bird. Indian song. Words by
Arthur Gillespie, 1909. |
Bennett, T |
1909 |
Theron
C. Bennett, Lovelight. An Indian serenade. [Song. In C.] Words by
C. P. McDonald. Also published Lovelight: Indian Intermezzo for piano solo. |
Burton |
1909 |
Frederick
Russell Burton. Harmonizations of Ojibway tunes recomposed as art songs in American
Primitive Music. For voice and piano. Published New York: Moffat, Yard, and
Co., 1909. |
Cadman |
1909 |
Charles
Wakefield Cadman, Four American Indian Songs, Op. 45 founded upon
Tribal Melodies. For voice and piano. Published Boston: White-Smith, 1909.
Includes From the Land of the Sky-Blue Water, made famous by operatic
soprano Lillian Nordica. Poems by Nelle Richmond Eberhart. Each song is preceded by the original
melody as transcribed. No. 1, From the Land, is from an Omaha tribal melody
collected by Alice C. Fletcher.
Daoma or Land of Misty
Water
(opera in three acts; two versions, both unperf.). Libretto by Eberhart and based on a story by Francis La
Flesche; |
Cadman |
1909 |
Charles
Wakefield Cadman, To a Vanishing Race from Three Moods for Piano, op. 40 (piano,
1909) [Cadman wrote many other works based on Indian melodies and/or subject
matter. See also his symphonic
fantasy--and later quintet--based on To a Vanishing Race (quartet publ.
Cincinnati: John Church, 1916).
An unspecified To a Vanishing Race was perf. in Seattle in July,
1916.] |
Clark |
1909 |
Peter
S. Clark, My Copper Colored Squaw. First Line: Copper Colored Squaw Know You
Who You Are. Published St. Louis: Thiebes-Stierlin Music. |
Coleridge-Taylor |
1909 |
Samuel
Coleridge Taylor, My Algonquin. Song for voice and piano on the poem by Longfellow. Published
Philadelphia: Theodore Presser, 1909. |
Edwards |
1909 |
Ed.
Edwards, Singing Bird (Indian Intermezzo). Instrumental. Published New York:
Joseph Morris. |
Ely |
1909 |
Aug.
C. Ely (after Jacques Offenbach, 1819-1880), L'amour de l'Apache; valse, motifs by J.
Offenbach. "Apache dance" arranged & introduced by Mons. G.
Molasso, the great mimic pantomimist & ballet master in his pantomime L'amour
de l'Apache
at the Moulin Rouge. Published New York: Joseph W. Stern, 1909. |
Freeman |
1909 |
Harry
L. Freeman (1869-1954, African-American), The Tryst. Tragic one-act opera,
New York, 1911; unpublished. [Supposedly involves an Indian princess (?).] |
Friedman |
1909 |
Leo
Friedman, Blue Beads (An Indian Legend). Lyrics by Beth Slater Whitson.
Dedicated to Miss Virginia Markel. Published Chicago: Frank Root. |
Godfrey |
1909 |
Percy
Godfrey, Wanderjahre. No. 2. Op. 31. Album for Piano (Wickins' Pianoforte Literature. No.
596., 1909). CONTENTS: 1. Zulu War Dance -- 2. Creole Love Song -- 3.
Indian Barcarolle -- 4. Chinese Reverie |
Hillman |
1909 |
Dora
Loucks Hillman, Guiding Star. An Indian
Intermezzo, for piano solo. Published Chicago: Miller Music, 1909. Also
published as a vocal: Guiding Star. An Indian Story, for voice and piano.
Words by Russell Webb Hillman. Published Chicago: Miller Music, 1909. |
Keane |
1909 |
Sallie
Keane, Little Papoose. [Song.] Words and music by S. Keane, etc. Chicago: Swastika Music Publishers,
1909. |
Longboat |
1909 |
Henry
Longboat, Red Man. Indian Reverie. Intermezzo. N.p, 1909. Later publication, New York: Lew. Feist, 1914. |
Magbee |
1909 |
A.
D. Magbee, "Kiss-i-mee. Indian love song Words by Ester Ruth Magbee.
Pittsburgh: Magbee Music, 1909. |
Marzo |
1909 |
Eduardo
Marzo, Indian Summer. Cantata for Three-Part Chorus of women's voices, Soprano and
Alto Soli and Piano accompaniment with Flute obbligato. Poem by M. E. Lacey. Op.
116, etc Marzo. Eduardo 1909 |
Meny |
1909 |
Ph.
R. Meny, Susquehana. Indian Intermezzo, Two-Step. - Op. 27. For piano solo. London: Francis, Day, and
Hunter, 1909. Arranged for military
band, 1912. |
Meyer |
1909 |
George
W. Meyer, My Prairie Song Bird. Words by Jack Drislane. New York: F. B. Haviland, 1909. |
Mills |
1909 |
Kerry
Mills, Lily of the Prairie (An Indian Fable). Song for voice and piano. Lyrics by the composer. Published New
York: F. A. Mills, 1909. |
Moore |
1909 |
J.
Warwick Moore, Wahketah. An Indian Romance. Two-Step. For piano solo. Published
Moore. J. Warwick 1909 |
Moret |
1909 |
Neil
Moret, Indian Summer. - A Tale of the Woods. For piano solo.
Also published as a vocal: Indian Summer. Lyrics by Earle C. Jones. Reprinted
1911. |
Morse |
1909 |
Theodore
F. Morse, Blue Feather (Indian Love Song). Lyrics by Jack Mahoney. Published New
York: Theodore Morse Music, 1909. |
Morse |
1909 |
Theodore
F. Morse, Wise old Indian. A comical conglomeration. [Song.] Lyrics by Jack Mahoney. New York: Theodore Morse
Music Co., 1909. |
Murchison |
1909 |
W.
A. Murchison, Moonlight dear. Indian Intermezzo. Words & music by
Murchison & Hodge. Montral: Delmar Music, 1909. |
Piantadosi |
1909 |
Al
Piantadosi, Big Chief Dynamite. Words by Jeff T. Branen. Published Chicago: Will Rossiter,
The Chicago Publisher, 152 Lake St., 1909. |
Pierson |
1909 |
William
T. Pierson, Go-won-go.. Indian song.. Words by Will A. Boyd. New York: M. Witmark and Sons, 1909. |
Schmid |
1909 |
Johann
C. Schmid, Moon-Bird. An Indian Love
Song. Lyrics: J. F. Dempsey. Published New York: Jerome H. Remick
& Co., 1909. |
Schmid |
1909 |
Johann
C. Schmid, Moon Bird. Indian Intermezzo; Two-step. For piano solo. Dempsey &
Schmid. [Composed by J. C. Schmid and possibly arranged by James E. Dempsey.]
Also published as a vocal: Moon-Bird (An Indian love song). Written by J. E.
Dempsey. Published Schmid. Johann C 1909 |
Sloane |
1909 |
Alfred
Baldwin Sloane (1872-1926), Lo: A Musical Comedy. Book and lyrics by O. Henry and
Franklin Pierce Adams. Published
New York: Charles K. Harris, 1909. |
Snyder |
1909 |
Ted
Snyder (1881-1965), Ogalalla (Indian Love Call). Song. Lyrics by Vincent Bryan.
Published New York: Ted Snyder Music Publishers. [On sheet music cover: As featured by Mabel Hite and Mike Donlin] |
Stover |
1909 |
Leroy
Stover, Red Fern. Lyrics by Eddie Eckels. Published Chicago: The House of
Christopher [Harold Rossiter].
[As sung by Charles Ledegar and his Nine Red Path Napanees.] |
Van Alstyne |
1909 |
Egbert
Van Alstyne, Golden Arrow [My little Golden Arrow I Love You]. Song for voice and piano. Lyrics by Harry
Williams. Published New York: Jerome H. Remick., 1909. |
Williams |
1909 |
W.
R. Williams, Pretty Little Maid of Cherokee (Id Like to Join Your
Family). Published Chicago: Will Rossiter. |
Ashleigh |
1910 |
Glenn
Wright Ashleigh, The Indian Maiden. [Song.] Words by Frederick Hamilton Green. |
Beresford |
1910 |
Lorena
Beresford (words and music), An Indian Lover's Song. Song for a low voice
with Piano accompaniment. |
Bestor |
1910 |
Donald
Bestor (1889-1970), That Indian rag: the tom-tom song. Words by Marvin Lee. Published
Chicago: Will Rossiter, The Chicago Publisher, 1910. |
Browne |
1910 |
John
Lewis Browne, Indian Dance for piano. Arranged by E. J. Biedermann for Two-Part Female
Chorus. Words by Mrs. G. Federlein. Published New York: J. Fischer &
Bros., 1910. |
Cadman |
1910 |
Charles
Wakefield Cadman, Indian Summer. For voice
and piano. Words by Nelle R.
Eberhart. |
De Costa |
1910 |
Harry
De Costa, Squaw Colleen. [Song.] Words by Joe McCarthy. Published New York: Head Music
Pub. Co., 1910. |
Erdman |
1910 |
Ernie
Erdman (1879-1946), Starlight Sioux. An Indian Idyll. Words by Aubrey
Stauffer. Published Chicago: Aubrey Stauffer & Co., 1910. |
Finzel |
1910 |
George
H. Finzel (words and music), Big Chief Penobscot. Published Detroit:
Jerome H. Remick & Co., 1910.
First line of chorus: My little paleface won't you marry me? |
Hager |
1910 |
Frederick
W. Hager, My Ramapoo: an Indian love song. Published New York: The Jos. Morris
Co., 1910. First line of chorus:
My Ramapoo, my heart I bring to you. |
Jewitt |
1910 |
Jessie
Mae Jewitt, Cradle Songs of Many Nations. [Words] By G. Graff. Jr. and [music by] J.
M. Jewitt. New York: M. Witmark
& Sons, 1910. |
Lawrance |
1910 |
Alfred
J. Lawrance, In the Land of the Sioux.. (My sweet Cherokee!) [Song.]. Written by
George Arthurs. Published London: Francis, Day & Hunter, 1910. |
Lyle |
1910 |
Thomas
J. Lyle. Papoose. Indian Intermezzo. New York: Jerome H. Remick and Co.,
1910. |
McClintock |
1910 |
Walter
McClintock, The Old North Trail; or Life, Legends and Religion of the
Blackfeet Indians. (Appendix i. Blackfeet Indian Songs. [Melodies only.]) |
Meyer |
1910 |
George
W. Meyer, Wandalola. Indian Intermezzo. New York: F. B. Haviland Co., 1910. |
Miller |
1910 |
Horace
Alden Miller (1872-1941), Melodic Views of Indian Life for piano. Published
Chicago: Clayton F. Summy, 1910, 19 pp.. Harmonization and adaptation of American Indian
Melodies. Dedicated to Theodora
Sturkow Ryder. Note on the cover: Melodies of the Paiute, Arapaho, Ojibwa,
Caddo, Kiowa. All themes taken
from the U.S. Bureau of Ethnology Reports.
Other
undated published works based on Indian themes: Indian Song, or The Sun Friend (based on a Sioux
melody) for womens chorus. Published Boston: Arthur P. Schmid. |
Miller |
1910 |
Horace
Alden Miller, Suite Amerindian in four movements for organ. Published Altadena, California:
Cornell Music Publ. Co..
|
Penso |
1910 |
Ralph
Penso, Indian maid.. (Till that bright moon shall cease from shining). Written by
Worton David. |
Puccini |
1910 |
Giacomo
Puccini (1858-1924). La Fanciulla del West. Opera. First performed
Metropolitan Opera, December, 1910. [Contains two Indian characters. Acc. to Howard, when Puccini began to
write his opera, he sent for Farwells Wa-Wan Press publications, and from
them took themes to give his opera local coloring. The miners song from the
first act is a Zui Sunrise Call from Troyer.] |
Santley |
1910 |
Joseph
H. Santley, My moonbeam An Indian serenade. Words by Ren. Shields. |
Schenck |
1910 |
Elliott
Schenck (1868-1939). Indian Overture: The Arrow Maker, from the incidental
music for orchestra to the play of the same name by Mary Austen (unpublished,
probably composed 1910). Score calls for large orchestra, tom-toms and
rattles. First performed by the New Theatre Orchestra, New York, 1910, the
composer conducting. [Score and performance information in the Fleisher Music
Collection.] |
Severn |
1910 |
Edmund
Severn, A Wild Indian, no. 1 from In Picture Land. A Suite of descriptive
Solos for young players for Violin and Piano.
|
Snyder |
1910 |
Ted
Snyder, O-ga-lal-la: Indian Intermezzo, Two-Step. Published New York: Ted Snyder
Co., 1910 |
Sousa |
1910 |
John
Philip Sousa, The Red
Man. The 1st movement of a
three-movement suite, The Dwellers in the Western World. Piano arrangement--1st
and 3rd movements only. Published Church Music Publ., 1910. Arranged for
band--complete suite, 1911; orchestra, 1916. Published in piano arr., March and Dance Album, Vol. 3. Published
Cincinnati: John Church, 1914.
[2nd movement is The White Man, 3rd movement is The Black Man.] |
Tonning |
1910 |
Gerard
Tonning (1860-1940), Leif Ericsson. Opera, Seattle; unpublished) [Part of the story involves an Indian
princess.] [Mss. at Univ. of
Washington, Seattle} |
Wenrich |
1910 |
Percy
Wenrich, Silver Bell. Words by Edward
Madden. Published New York: Jerome H. Remick & Co., 1910. |
Weston |
1910 |
Harry
Weston, Tee-na-nah: Indian rag. Published New Orleans: L. Grunewald, 1910 |
Wilson |
1910 |
Anne
Campbell Wilson, Five Indian Songs. Collected by A. C. Macleod. Accompaniments
by L. Bridges.
|
Bond |
1910 |
Rollin
Bond, Sacajawea: Indian Intermezzo. "Special arrangement for Sousa's
Band." Sacajawea Statue
Association label affixed to title page of conductor's part. |
Ayres |
1910s |
Frederic
Henry (1876-1926), The West Wind and the Daughter of Nokomis. Legend for
piano, undated; 11 pp.; a musical setting of a canto of Longfellows Hiawatha. [LC, acquired 1927; has
most of Ayres collection. [Farwell writes, 1912 (Indian and Negro), that
Ayres uses the Indian idiom, particularly in two fugues for piano. He says
Ayres is among those who feel that the Indian influence has made a permanent
entrance into American music.] |
Aletter |
1911 |
Wilhelm
Aletter, Natoya. An Indian Intermezzo.
For piano solo. 1911 |
Bergen |
1911 |
Alfred
Hiles Bergen, The Song of the Birch. An Indian Song Cycle, etc. Poem by L.
Dickinson. Chicago: Gamble
Hinged Music Co., 1911. |
Brville |
1911 |
Gaston
de Brville, The Song of the Indian Mother. A Lullaby, words by L.
W. Mitchell. London: Ascherberg,
Hopwood & Crew, 1911. |
Bucalossi |
1911 |
Brigata
Bucalossi, An Indian Melody, in G minor, for the Pianoforte. Published New York: Chappell, 1911. |
Burke |
1911 |
Joe
Burke, Love Bird [My little love
bird I hear you singing]. Lyrics by Joseph T. Dempsey. Published
Philadelphia: Welch and Wilsky, 1911. |
Converse |
1911 |
Converse,
Frederick (1871-1940). The Sacrifice. Opera. Performed Boston Opera House, 3 March 1911. Libretto
by composer and John A. Macy after a story by Lt. Henry Augustus Wise. [Mss. LC, acquired 1930.] [The
Sacrifice
is not really an Indian opera though it has one major Indian character,
Tomassa, an old servant woman who sings an aria in Act I about her people.] |
Dunning |
1911 |
A.
E. Dunning, The Old Indian Bungalow. Barn Dance. For piano solo. Cape Town,
South Africa: Darter & Sons, 1911. |
Fletcher |
1911 |
Percy
Eastman Fletcher, The Indian Bride. For womens voices (S.S.C.) with piano.
Words by George Ellerton.
London: J. Curwen & Sons, 1911. |
Geibel |
1911 |
Adam
Geibel, Indian Cradle Song. [For S.C.]
London: J. Curwen & Sons, 1911. |
Gilbert |
1911 |
Henry
Franklin Belknap Gilbert (1866-1928), Indian Scenes. Five Pieces for the Pianoforte. Adapted from the incidental music to
the musicale The Story of a Vanishing Race, an illustrated lecture by
Edward S. Curtis. Published New York: H. W. Gray, 1912. 23 pp. Includes introductory note and selected photographs used
in Curtiss lecture. The music,
according to Gilbert, is based upon Indian motifs.
[Several
other movements were supposedly included in the musical score: The Spirit of
the Indian Life (orchestral prelude), Dream of the Ancient Red Man
(suite), Evening in the Hopi Land, etc.] |
Herbert |
1911 |
Victor
Herbert (1859-1924), Natoma. Opera, Philadelphia, 1911. Published Schirmer, 1911).
Libretto by Joseph Redding. [Ms. orchestral score on microfilm at LC]. Received Bispham Medal, 1925. Herbert prepared a concert work
entitled Natoma, Act III Prelude, an adaptation of excerpts from the third
act and performed by several orchestras, eg. Chicago Symphony: Nov. 14-5,
1913 (All American concert).
The Dagger Dance from Act II was later arr. for mens chorus. See 1934, Deis. |
Herbert/Langey |
1911 |
Victor
Herbert, Grand Fantasia on the Opera for orchestra. Published New York:
Schirmer, 1911. Arranged by Otto Langey (1851, Germany-1922). This is a
beautifully conceived tone poem faithfully constructed in sequential order
from sections of the opera. This has been recorded by Donald Hunsberger and
the East-Dryden Orchestra as well as the Slovak Radio Orchestra. Langey also adapted Two Pieces from Natoma (Published Schirmer,
1917) for small orchestra. They
are 1) Dagger Dance, and 2) Indian Invocation. |
Johnson |
1911 |
Charles
L. Johnson, Silver Star [We will be dreaming by campfires gleaming]. Lyrics by
William R. Clay. Published Kansas City: J. W. Jenkins. |
Johnson-Suerken |
1911 |
Lena
Johnson-Suerken, The Apache Sun Dance for piano. Published Los Angeles: Homer
Jourje, 1911. |
Kaps |
1911 |
Karl
Kaps (pseud.), Rising Moon. Indian Intermezzo Two-Step for Pianoforte. London: E. Ashdown, 1911. |
Lehman |
1911 |
Liza
Lehman (1862-1918), Prairie Pictures. North American Indian. Song Cycle for four voices with
Pianoforte accompaniment. Words by the composer. Published New York:
Chappell, 1911; 32 pp. |
Lemon |
1911 |
Laura
G. Lemon, Sleep, My Little Papoose from Canadian Song Cycle, the words by A.
Fleming. ([No. 1.] A Song of the
Prairie. [No. 2.] The Chipmunk. [No. 3.] In old Quebec. [No. 4.] Sleep, my
little Papoose.). [copy at BL] |
Livernash |
1911 |
Will
L. Livernash, Sparkling Eyes; lyrics by the composer; dedicated: To my dear friend Mrs. D. H. Cockerton, Oakland,
California; published: Joseph M.
Daly, Boston, Mass. |
Martini |
1911 |
Ettore
Martini, My Sunbeam Sioux. Words & music by Ettore Martini. New York: Joe Morris
Music Co., 1911. |
Moore |
1911 |
Mary
Carr Moore (1873-1957). Narcissa (publishers title), or The Cost of the Empire. Opera. Performed
Seattle, 1911. Publlished New York: Witmark, 1912. Libretto by Sarah Pratt
Carr. |
Moret
|
1911 |
Neil
Moret, Indian Summer. Words by Earle
C. Jones. Published New York: Jerome Remick, 1919. |
Moritz |
1911 |
Richard
K. Moritz, WanATea (Indian Intermezzo and Two-Step); Instrumental (Revised
and arranged for the piano by Walter Rolfe); Respectfully dedicated to Miss
Florence Lawrence. Published Rumford, Maine: Walter Rolfe Music, 1911. |
Patton |
1911 |
Willard
Patton (1853-1924), Pocahontas. Opera. Concert performance: Minneapolis, January 4, 1911. |
Paul |
1911 |
John
Paul, Indian Courtship. New York: F.B.
Haviland, 1911. |
Plunkett |
1911 |
Vincent
C. Plunkett, Pretty little Rainbow An Indian love song.. Words by Robert
Levenson. Published New York: Joe Morris Music, 1911. Revised and republished
in 1919. |
Sparks |
1911 |
Lyle
Weaver Sparks, White Feather: An Indian croon. Published Kansas City, Mo.: Johnson Pub.
Co., 1911. First line of chorus: Leave tepee and come with me me, White
Feather. |
Staunton |
1911 |
Harry
Staunton and Donovan Meher (words and music), My sweet I-o-way. [A Mexican Indian
song.] London: Francis, Day, and Hunter, 1911. |
Stewart |
1911 |
Humphrey
John Stewart, Indian Love Song. [Song.] Words by J. W. Shiels. Published New York: J.
Fischer and Bro., 1911. |
Stoye |
1911 |
Paul
Stoye, Indian Summer. Op. 90. For piano solo. A simplified
edition, op. 90, no. 2, was published in 1913. |
Watson
|
1911 |
Edward
Watson, Five Characteristic Dances, composed for the Children's Pageant,
Liverpool Coronation Festivities, June 1911. Op. 14. For piano solo. Publ. Birkenhead: Weston and Co.,
1911.
|
Wenrich |
1911 |
Percy
Wenrich, In Tepee Land; Lyrics by the composer. Published Chicago: Frank K. Root, 1911. |
Ayer |
1912 |
Nath.
D. Ayer, Indian Rag. [Song.] Words by A. Seymour Brown. New York: Jerome H.
Remick, 1912. |
Becker |
1912 |
John
J. Becker (1886-1961), Symphony No. 1 (Etude Primitive). For orchestra; four
movements, Unpublished but distributed by New Music Edition. 1st movement,
An Indian Hymn, and 3rd movement, Deep Forests. Performed by the Twin
Cities Orchestra, Minneapolis, 1936.
[Manuscript in the Fleisher Music Collection.] |
Bliss |
1912 |
[Philip]
Paul Bliss [Jr.], The Feast of the Red Corn. An American Indian
Operetta for Ladies. Published Cincinnati: Willis, 1912. |
Cadman |
1912 |
Charles
Wakefield Cadman, Idealized Indian Themes for piano solo, Op. 54.
Published Boston: White-Smith, 1912. |
Coleridge-Taylor |
1912 |
Samuel
Coleridge-Taylor, Hiawatha Ballet Music, Op. 82, no. 1, and Minnehaha Ballet
Music,
Op. 82, No. 2. Both ballets were unfinished at the time of the composers
death (1912) and were arranged and orchestrated by Percy Fletcher. Suite:
Hiawatha
was published London: Hawkes and Son, 1920, and Suite: Minnehaha was published London: Hawkes
and Son, 1925.
|
Cowell |
1912 |
Henry
Cowell (1897-1965), The Tides of Mananaun. For piano solo. Published San
Francisco, 1912. An experimental work that used tone clusters but also an
Indian theme. |
Farban |
1912 |
Richard
Farban, The Wigwam. Two-Step. For piano solo. London: Ascherberg, Hopwood, and Crew, 1912. |
Findlay |
1912 |
A.
Findlay, Indian Love Song. [Song.] Words by J. T. Littleton. Chicago: Gamble Hinged
Music, 1912. |
Glenville |
1912 |
Frederick
Glenville (words and music), The Indian Maids Love. London: E. Marks and
Son, 1912. |
Jones |
1912 |
Sara
E. Jones, Three Indian Love Songs. Words by J. W.
Morgan. London: Vincent Music, 1912. |
Lawrance |
1912 |
Alfred
J. Lawrance, Hush-a-bye, my Little Papoose(An Indian Cradle
Song.). Words by Henry Carmen. |
Lieurance |
1912
|
Thurlow
Lieurance (1878-1963), By the Waters of the Minnetonka (Moon Dear) for voice and piano. Poem
by J. M. Cavaness. Published Philadelphia: Presser, 1914. For voice and
piano, with violin or flute ad lib. Included in the 1950s Victor album Twelve
Beloved American Songs, and more recently in the Dover collection St. Louis Blues
and Other Hits of 1914, ed. Sandy Marrone. This appeared in several later
editions. It was published by
Presser dedicated to Mr. Alfred Williams in 1917. It was arranged as a vocal duet in 1919 (Indian Songs, No. 9). Also listed in
Erno Rapee (1925) as a piece used for Indian scenes in silent film accompaniment. |
Merrick |
1912 |
Hope
Merrick, Two Red-Indian Love Songs. Words from Longfellow's
"Hiawatha London: Elkin
and Co.,1912. CONTENTS: 1.. Listen! 'tis my Voice you hear. 2. Though you were at a
Distance. |
Mullen |
1912 |
William
J. Mullen, Indian Summer Time. Words by George W. Sutton, Jr. Music by William J. Mullen.
New York: Jerome H. Remick, 1912. |
Murphy |
1912 |
Louise
Murphy, Little Papoose. Words by Cy Warman. Chicago: Clayton F. Summy, 1912. |
Nassann |
1912 |
William
Nassann, Wahneka. Indian Novelty Song and Intermezzo. Lyrics by J. Eugene Johnson. Respectfully
dedicated to Miss Bertha Marshall, Lewiston, Maine. Published Waterbury,
Connecticut: Johnson and
Nassann. |
Sappington |
1912 |
T.
L. Sappington, Indian days, a musical comedy in one act. Book and lyrics by the composer. Published Chicago, T.S.
Denison & Company 1912. |
Troyer |
1912 |
Troyer,
Carlos. Sunset Song: Ceremonial Thanks Offering to the Sun. For voice and
piano. Published Presser, 1912. [As is common for many of Troyers Zui
pieces, he notes that in the original version, the song was accompanied with
a Drum & Flute-trumpet.] |
Whiteley |
1912 |
Bessie
M. Whiteley, Hiawathas Childhood. Operetta in 1 act for unchanged voices. Published
C.C.Birchard & Co., 1914.
Awarded the Prize by The National Federation of Music Clubs
Competition on Sept. 1, 1912, in the operetta class. |
Wilkes |
1912 |
Robert
W. Wilkes, Indian Dance. For Pianoforte.
Op. 7. Boston: B. F. Wood, 1912. |
Braham |
1913 |
John
J. Braham, Music from Hiawatha, the Indian Passion Play in Four Parts after Henry Wadsworth
Longfellow. Musical score arranged from Ojibway Indian music and used for
the film Hiawatha by F. E. Moore (4-reel version). 11 instrumental parts. |
Brown |
1913 |
Albert
William Brown, Strongheart. Words by Harold R. Atteridge. New York: Shapiro, Bernstein, and Co., 1913. |
Burleigh |
1913 |
Cecil
Burleigh, (1885-1980). Five
Indian Sketches for violin and piano, Op. 40 (New York: G. Schirmer,
1913). Each of these was
published separately as well.
Copies at LC and UAZ. |
Busch |
1913 |
Carl
Busch, Three Songs, with Piano accompaniment. Words from Hiawatha, by Longfellow. (German
version by H. Simon.) Each
published separately. New York:
G. Schirmer, 1913.
|
Colburn
|
1913 |
George
Colburn, The Mask of Montezuma. [Publication
information unknown.] |
Cowell |
1913 |
Henry
Cowell, Savage Suite for piano. Very early set of 10 pieces (some imcomplete)
written to George Sterling.
Some of the movement titles are: Savage Dance, War Dance, Fire
Dance, Funeral March of Natives, and Savage Rhythm. Manuscript. |
Faulds |
1913 |
John
Faulds, The Indian. Grand March. For
piano solo. London: E. Marks and Son, 1913. |
Federoff |
1913 |
H.
Federoff, My Indian maid.. By H. Federoff Lyric adapted by Everett J. Evans. See this
song with different words, 1914. |
Grunn |
1913 |
[John]
Homer Grunn (1880-1944), Desert Suite, Op. 7. Five tone pictures for the piano. Published LA: Southern
California Music Co., 1913. Reprint Cleveland: S. Fox, 1929, 25 pp..
Published with each of 5 movements preceded with a poem by William Cooper
Howells and line drawings of Indians by W. E. Rollin. Later arr. for
orchestra by Tobani and publ. by C. Fischer.
|
Hanson |
1913 |
William
Frederick Hanson, (1887-1970s?). The Sun Dance (opera, Religious
ceremonial, 1913, Vernal, Utah, based on a Sioux Indian ceremony. |
Hanson |
1913 |
William
Frederick Hanson, Tm-Mn-Ncup Opera, 1913. Produced 1928 (q.v.). [Score of The Sun Dance at the LC.] |
Huntington |
1913 |
Raymond
Huntington, A Seminole Legend. A Group of four Songs for Contralto or Baritone, with Piano
accompaniment, words by J. H. Orme.
|
Kirkman |
1913 |
Merle
Kirkman, Indian Cradle Song. [Song.] The words by E. D. Barker. Chicago:
Gamble Hinged Music Co., 1913. |
Lieurance |
1913 |
Thurlow
Lieurance, [Nine] Indian Songs, collected and arranged by Lieurance. For voice and piano.
Published Philadelphia: Presser, 1913.
Score contains a substantial 5-page introduction to the legends and
contextual backgrounds to each of the nine songs.
|
Lindsay |
1913 |
John
Lindsay, Aisha: Indian Intermezzo. Published New York: Waterson, Berlin
& Snyder, 1913. |
Marzian |
1913 |
A.
F. Marzian, Tonawanda: an Indian characteristic. For voice and piano. (Described as a march.). Published
New Albany, IN: A.F.Marzian, Music Publisher, 1913. |
Miller |
1913 |
Horace
Alden Miller, Two Ojibwa Songs. 1. In the Linden Cradle, and 2. For the Golden Harvest.
Published Cincinnati: Willis, 1913. |
Pryor |
1913 |
Dague
R. Pryor, Silver Cloud. Indian Intermezzo Two-Step. London: Charles Sheard
& Co., 1913. |
Schwabe |
1913 |
Vera
May Schwabe, Two Short Pieces for piano: 1. Idyl -- 2. An Indian Dance. London: Opus Music, 1913. |
Sinclair |
1913 |
Jean
Sinclair (words and music), My little Indian Maid. London: Rossi and Spinelli, 1913. |
Smith |
1913 |
Clay
Smith (1876-1930), Imogene. Indian Wild Flower. Reverie. Published Oskaloosa, Iowa: C.L.
Barnhouse, 1913. |
Troyer |
1913 |
Troyer,
Carlos. Zunian Clown Dance
(Kor-kok-shi). Published Philadelphia: Presser, 1913. |
Van Biene |
1913 |
Auguste
van Biene, Valse Apache, for violoncello with pianoforte accompaniment. |
Violinsky |
1913 |
Violinsky
[sic]
and Mike Bernard, Apache, Intermezzo. For piano solo. Published New York: Waterson, Berlin, and Snyder,
1913. New version in 1915
without Intermezzo in title. |
Wenrich |
1913 |
Percy
Wenrich (1887-1952), Snow Deer. Indian
song. Lyrics by Jack Mahoney. Published
New York: Wenrich-Howard Co., 1913. |
Zamecnik |
1913 |
John
S. Zamecnik (1872-1953), Indian music (generic) for silent films, included in
the 2-volume publication Sam Fox Moving Picture Music.
|
Bartlett |
1914 |
Homer
Newton Bartlett, Little Indian, Sioux or Crow. Humorous Chorus for
men's voices. [Words by] R. L. Stevenson. Op. 251 Bartlett. New York: G. Schimer, 1914. |
Burleigh |
1914 |
Cecil
Burleigh, Ghost Dance. No. 3 of Four
Small Concert Pieces for violin with piano accompaniment. Op. 21. Published New York: G. Schirmer,
1914. |
Busch |
1914 |
Carl
Busch, Minnehahas Vision. Symphonic poem for orchestra. Title originally in German:
Minnehahas Traumbild; inspired by Longfellows Hiawatha. Published Leipzig: Jost
(Oliver Ditson, 1914) Reprinted: Sam Dennison, ed., American Orchestral
Music,
Vol. 11, [n.l.:] Hall, 1992).
First performed Kansas City under composer, 1916; also performed by
the Minneapolis Symphony. [Score uses an Indian drum.] |
Busoni |
1914 |
Ferruccio
Busoni (1866-1924), Indian Fantasy (Indianische Fantasie), for piano and
orchestra. Published Leipzig: Breitkopf & Hrtel, 1915. First performed in Berlin,
1914. First performance in the U.S. with Busoni under Stokowski and the
Philadelphia Orchestra on 19 February 1915. [Based on American-Indian
melodies and rhythms supplied the composer by Natalie Curtis Burlin.
(Conceived on one of the composers five sojourns in America, probably 1910,
but finished in Berlin.] CONTENTS: 1.
Fantasy, -- 2. Canzona, -- 3. Finale. |
Cadman |
1914 |
Charles
Wakefield Cadman, From Wigwam and Tepee, Op. 57. Four American
Indian Songs founded upon Tribal Melodies for voice and piano. Published
Boston: White-Smith, 1914. Lyrics by Nelle Richmond Eberhart. (Harmonized and elaborated by
Cadman.)
|
Crosby |
1914 |
Marie
Crosby, Indian Love Song, for the pianoforte. Philadelphia: Theodore Press,
1914. |
De Lamater |
1914 |
Eugene
De Lamater, Indian Trail. Intermezzo Two-Step. Indian War Dance. Chicago:
M. L. Carlson & C., 1914. |
Falknor |
1914 |
E.
Falknor, On the War-path. Indian March. For piano solo. London: Nightingale and Co.,
1914. Published for light
orchestra London: Hawkes and Son, 1916. |
Federoff |
1914 |
H.
Federoff, My Indian maid Indian Intermezzo. (Moja indianka.) - Russian title].
Words [adapted] by Marion Raybould. See this song with different words, 1913. |
Ferguson |
1914 |
Austin
Ferguson, Indian Wedding March. For piano solo.
London: West and Co., 1914. |
Gilbert |
1914 |
Henry
F. Gilbert, Indian Sketches. For piano, 1914. Version for orchestra, 1921. |
Hammer |
1914 |
Heinrich
Hammer, American Indian
Rhapsody No. 1 for large orchestra. Published Boston Music Co., 1914. Work
is subtitled Sioux Indian Sun Dance and is footnoted: Melodies collected
by Miss Frances Densmore and used with permission of The Smithsonian
Institute, Wahington, D.C.
Score indicates pantomimed instructions such as Victory over the
Sacred Pole, or Opening Song of the Sun Dance. |
Hanson |
1914 |
William
Frederick Hanson, The Bleeding Heart. Opera; libretto by E. L. Roberts;
unproduced. Borroff in American Operas says perf. Provo, UT, 1937). |
Holstein |
1914 |
Hans
von Holstein, Whippoorwill. Indian song. Words by Richard W. Pascoe. Detroit: Oxford Music Publishing,
1914. |
Keithley |
1914 |
E.
Clinton Keithley, Lost Arrow. An Indian romance. Song. By Keithley and Thompson. Chicago: Frank K. Root and Co., 1914. |
Kerrison |
1914 |
Davenport
Kerrison (b. 1843?), The Last of the Aztecs. Grand opera,
unperformed. |
Kolar |
1914 |
Victor
Kolar, Americana: Symphonic Suite. Published Schirmer, 1914. Dedicated to W. Damrosch. |
Lieurance |
1914 |
Thurlow
Lieurance, Indian Flute Call and Love Song. Recorded and
harmonized by Lieurance.
Philadelphia: Theodore Presser, 1914. |
Lieurance |
1914 |
Thurlow
Lieurance, Indian Suite (piano, 2 pp., 1914); includes introductory program
notes. Philadelphia:
Theodore Press, 1914. Drama
of the Yellowstone (opera on an Amer. Indian subject; unperformed). Score is
lost, acc. to Borroff, American Operas.] |
Loehr |
1914 |
Hermann
Loehr, Four Indian Songs from The Garden of Kama, by L. Hope. |
Mokrejs |
1914 |
John
Mokrejs. Miantowana. For voice and piano. Words by Thomas Bailey Aldrich (original
poem). Published Chicago: Clayton F. Summy Co., 1914. [Manuscript at the NYPL] |
Nevin |
1914 |
Arthur
Finley Nevin, Three Songs.
Boston: White-Smith Co., 1914.
|
Orth |
1914 |
Carl
Orth, Indian Sketches. Op. 1. For the
piano. Boston & London: Oliver Ditson, 1914.
|
Troyer |
1914 |
Carlos
Troyer, Two Zuian Melodies. For voice and piano accompaniment. Published Presser, 1914.
|
Troyer |
1914 |
Carlos
Troyer, Apache Medicine-Chant. For voice and piano. Published Presser,
1914. |
Troyer |
1914 |
Carlos
Troyer, Hunting Song of the Cliffdwellers (of North and South America). For
voice and piano, Presser, 1914. |
Waldrop |
1914 |
Uda
Waldrop (b. 1885). Nec-Natoma (Grove-Play written for the San Francisco Bohemian Clubs
summer encampment. Text by J. W. Shields. |
Zech |
1914 |
Frederick
Zech (1858-1926), Wa-Kin-Yon or The Passing of the Red Man. Opera. Performed San
Francisco, 1914. Libretto by Mary Fairweather. |
Ayer |
1915 |
Nath.
D. Ayer (words and music), Indian Moon. London: B. Feldman and Co., 1914. |
Blair |
1915 |
William
Blair, The Little Papoose [Song.] Words by C. Myall. Cincinnati: J. Church, 1915. |
Rawlings |
1915 |
Charles
Rawlings (d. 1919), Across the Prairies. Indian Ride for pianoforte. London: W. Paxton and Co., 1915. |
Busoni |
1915 |
Ferruccio
Busoni, Indianisches Tagebuch (Indian Diary,) For piano solo, Op. 47. 1st book, Vier
Klavierstudien ber Motive der Rothute Amerikas Published Leipzig:
Breitkopf u. Hrtel, 1915. Reprinted in 1999 as Indian diary, four studies on motives
by Native Americans for solo piano, Boca Raton, Fla.: Masters Music Publications,
1999. Also printed in The
Complete Elegies, the Six Sonatinas, and Other Original Works for Piano (Mineola, NY: Dover,
1996). |
Converse |
1915 |
Frederick
Converse, The Peace Pipe. Cantata for baritone, mixed chorus, and orchestra. Text from
Longfellows Hiawatha. Published Boston: Birchard, 1915. In 7 sections. Performed at Chautauqua, Chalmers Clifton;
Boston and many other choral performances (Reis, 1932). |
Goldmark |
1915 |
Rubin
Goldmark, From the Old Mission. Third movement of Prairie Idylls, a Suite
of Four Pieces for the Piano. Published New York: G. Schirmer. |
Hatzan |
1915 |
A.
Leon Hatzan (words and music), When the ocean shall cease to roll.. An Indian love song.
Toronto: Empire Music and Travel Club, 1915. |
Jerome |
1915 |
M.
Kay Jerome, IndiAna (Indian Intermezzo). Instrumental. Published Waterson,
Berlin & Snyder, New York. |
Ketlby |
1915 |
Albert
William Ketlby, Silver-Cloud. An Indian maiden's song - Intermezzo. London: J. H. Larway, 1915. |
Lieurance |
1915 |
Thurlow
Lieurance, At the Sundown. From the Red Willow Pueblos. Indian Song for voice and piano.
Published Presser, 1915. 5pp. |
Lieurance |
1915 |
Thurlow
Lieurance, The Sacrifice. An Indian Mourning Song for voice and piano.
Adapted from The Children of the Sun by J. M. Cavaness. Published: Presser,
1915. |
Miller |
1915 |
Horace
Alden Miller, From the Forest: Three Ojibway Indian Songs. Published Los Angeles: Musician
Publishing Co., 1915. |
Otterstrm |
1915 |
Thorvald
Otterstrm (1868-1942), Indian Song. One of 12 pieces for piano solo called Moods. Ms. only at Newberry Library. Other
pieces are Old Danish Song, Oriental Sketch, Bashkir Lullaby, Russian
Dance, etc.. |
Patterson |
1915 |
Harry
Patterson, Indian Summer. For three-part Chorus of Women's voices. Op. 42 Hopkins |
Skilton |
1915 |
Charles
Sanford Skilton (1868-1941), Two Indian Dances for string quartet.
Published New York: Carl Fischer, 1917. Dedicated to the Zoellner Quartet and
first perf. by them in Jan., 1916.
Orchestrated that summer (1916) while the composer was in
residence at the MacDowell Colony in Petersboro, N.H. First performed in that version in
October 1916 by the Minneapolis Symphony under Emil Oberhoffer. Notes in
portfolio at New York library: According to native melodies furnished by R.
R. [sic, H.?] de Poe, Chief of the Rogue River Tribe. Later included the two
orchestral dances as Part 1 of Suite Primeval (see 1921). Arranged for chamber orchestra by
Charles J. Roberts, for military band by M.L Lake, and also for theatre
orchestra. Two versions exist for solo piano, one of them from 1919 titled
Three Indian Sketches, q.v. (Deer Dance and War Dance arr. Carl
Preyer). Deer Dance arranged for violin and piano by R. Czerwonky.
Published New York: C. Fischer, 1923.
|
Venth |
1915 |
Carl
Venth (1861-1938), Indian Prologue [or Prologue to an Indian Drama.] For
orchestra, 1915. Performed in 1915 by the Fort Worth Symphony Orchestra under
the composer. [Another undated work on Indian subjects may be the same
piece: The Son of the
Winds--Prologue to an Indian Drama (ms.).] |
Allen |
1916 |
Paul
Hastings Allen, The Last of the Mohicans. Opera, 1916. Florence,
Italy. Published Ricordi as Lultimo dei mohicani. Based on the novel by
J. F. Cooper adapted by Zangarini. Performed Florence, Politico Fiorentino. |
Bliss |
1916 |
[Philip]
Paul Bliss [Jr.], The Mound-Builders (An American Cantata for Chorus, Soprano,
Alto and Bass. Published Cincinnati: Willis Music, 1916. |
Bornschein |
1916 |
Franz
Carl Bornschein (1879-1948), The Phantom Canoe (Indian Suite for Symphony
Orchestra in five parts, unpublished. First performance in entirety in Nov.
1916, Baltimore Symphony under Gustav Strube. [Manuscript is in the Fleisher
Collection.] In five parts.
|
Bornschein |
1916 |
Franz
Carl Bornschein (1879-1948), Onowa, a Legend of the Iroquois Cantata for soprano
solo, chorus, and orchestra. Words by Frederick H. Martens. Published Newark,
N.J.: Festival Publishing Co., 1916.
50 pp. |
Busch |
1916 |
Carl
Busch, The Song of Chibiabos. Symphonic poem for orchestra. From the Song of Hiawatha by
Longfellow. Begun 1903, Ms. dated 1914. Published Copenhagen: W. Hansen,
1924. 37 pp.. First performed Kansas City under the composers direction,
1917. |
Busch |
1916 |
Carl
Busch, Indian Lullaby for voice and piano. Published Ditson, 1916. Undated
Ditson publication also exists for an Indian Lullaby for chorus with
baritone solo. |
Cadman |
1916 |
Charles
Wakefield Cadman, Thunderbird. Music for the Drama by Norman Bel Geddes, Op. 62. The play
was never performed. In ms only. Full score and parts in Cadman Collection at
Pennsylvania State University. Piano Suite arr. 1917 (q.v.). [Geddess idea
was conceived after a 3-month visit to the Blackfoot Indian Reservation in
Montana in the summer of 1912.] |
Eames |
1916 |
Henry
P. Eames (1872-1950), The Sacred Tree of the Omahas. Pagaent. Libretto by
Hartley Burr Alexander. Produced five times in June, 1916, at Lincoln,
Nebraska. Music excerpted also as an orchestra suite and performed at St.
Louis and Chicago. See article in Musical America 24 (June 3, 1916): 40. |
Eckhardt |
1916 |
Rudolf
Eckhardt, March of the Indian Chieftains, for pianoforte. Op. 20.
Boston: B. F. Wood Co., 1916. |
Goldmark |
1916 |
Rubin
Goldmark, The Call of the Plains. No. 1 of Four Compositions for Violin
with Piano Accompaniment. Dedicated to Mischa Elman. Published Boston and New York:
Carl Fischer, 1916. |
Goodwin |
1916 |
Walter
Goodwin, Yo-Kum-Kee.. (My Indian maiden.) Words by Clyde Hager. New York: Tell Taylor, 1916. |
Grunn |
1916 |
Homer
Grunn (1880-1944), Indian dance: a dance of the desert: for the piano, [op. 22,
no. 2] Published Chicago: Pallma, 1916 |
Grunn |
1916 |
Grunn,
Homer. Song of the Mesa: Tone
Picture of the Desert for piano, Op. 22. Published Los Angeles: Southern California
Music, 1916. 5pp.. |
Hager |
1916 |
Frederick
W. Hager, Mulberry moon: an Indian tango. Published New York: Joe Morris Music Co.,
1916. |
Hardy |
1916 |
G.
E. Hardy, An Indian Love Song.. Words by M. England. London: West and Co., 1916. |
King |
1916 |
Karl
King, Passing of the Red Man. Indian Characteristic. Written for Buffalo Bills Wild
West shows and dedicated to my esteemed friend Col. Wm. F. Cody. See Michael Mastersons dissertation
on the Wild West shows, pp. 179-88 and the music on p. 319. |
Lake |
1916 |
M.
L. Lake, Scalp Dance from Cherokee and Apache Melodies. For piano or
theater orchestra and intended for accompaniment to silent film. Published
New York: Carl Fischer.
Indian Love Song, for piano and intended, like Scalp Dance, as silent
film music. |
Lieurance |
1916 |
Thurlow
Lieurance, A Sioux Serenade. Indian song for voice
and piano with flute ad. lib.
Poem by Alfred Fletcher. Presser, 1916. |
Lieurance |
1916 |
Thurlow
Lieurance, By the Weeping Waters for voice and piano; To Watahwaso. Presser, 1916. Rainbowland. Indian Song for voice
and piano. Published Presser, 1916. |
MacMeekin |
1916 |
J.
A. MacMeekin, Tomahawk. Indian Intermezzo. San Francisco: J. A. MacMeekin,
1916. |
Motzan |
1916 |
Otto
Motzan, The Passing Show of 1916. The lyrics by Harold Atteridge.. The music by Otto Motzan
[Sigmund Romberg and George Gershwin] The passing show of 1916. 1. Vocal
selections. Vocal score. |
ONeill |
1916 |
Norman
ONeill, Dramatized scenes from Longfellows Hiawatha by Valrie Wyngate, with
music by Norman ONeill. Published London: K. Paul Trench, Truber, and Co.,
1916. 95 pp. |
Rogates |
1916 |
Pascual
de Rogates, Net Zhuacoyotl Huemac. Opera based on Carlos Saintanegos story of
the 7th-century Chichemchan priest. Performed Buenos Aires, 1916. |
Romelli |
1916 |
Teresa
Romelli, Indian Moon. Written by Leonard Cooke. London: Francis, Day, and Hunter,
1916. |
Rosey |
1916 |
George
Rosey, Sachem. Indian Intermezzo (One-Step). New York: George Rosey Publ.,
1916. For Light Orchestra. Conductor and set of parts. |
Stamper |
1916 |
David
Stamper, Ziegfeld's Midnight Frolic. Lyrics by Gene Buck. Music by Dave
Stamper Ziegfeld's midnight frolic. 1916. 1. Vocal selections. |
Steele |
1916 |
Herbert
Steele, Indian Morn. Intermezzo Romance. For piano solo. London: Francis, Day, and Hunter, 1916.
|
Van Lynden |
1916 |
Clari
van Lynden, Snowbird. [Song.] Indian
Reminiscences. Theodore B.
White. St. Louis: Buck and Lowney, 1916. |
Venth |
1916 |
Carl
Venth, An Indian Pipe, No. 6
of Seven Miniatures for Piano at MacDowells Resting Place. Written at the
MacDowell colony in Peterborough, N.H., 1916. [Score at Univ. of Texas at
Autin.] |
Ward |
1916 |
Ernest
M. Ward, My Manitou Lou. [Arr. by Madeline Howard] Chicago: Ward-Howard Music Co., 1916. |
Bimboni |
1917 |
Alberto
Bimboni, (1882-?). Songs of the American Indians. Published New York: G.
Schirmer, 1917. English and Indian works for the first 2 songs.
|
Busch |
1917 |
Carl
Busch, Two songs from Longfellows Hiawatha published separately by
Oliver Ditson, 1917.
|
Cadman |
1917 |
Charles
Wakefield Cadman, Thunderbird Suite. Piano solo. Published Boston: White-Smith,
1917. Arranged from the
incidental music to Bel Geddess play (see 1916). Note in score: With the
exception of the first 2 selections, the music is based upon Blackfeet Indian
(Montana) tunes.
|
Eppert |
1917 |
Carl
E. Eppert (1882-1961?), Kaintuckee. Opera. Performed 1917, North Yakima,
Washington. Libretto by F. A. Churchill. |
Grunn |
1917 |
Grunn,
Homer. Zuni Impressions Indian Suite, Op.
27. for piano. Published Boston
Music Company, 1917.
|
Guion |
1917 |
David
Wendell Guion, Hopi Indian Cradle Song. Song, the words by L. Untermeyer. Arranged
for womens chorus (SSA) by G. Shackley, 1942. |
Hadley |
1917 |
Hadley,
Henry. Azora, Daughter of
Montezuma. Opera, performed Chicago, 1917. Text
by David Stevens. Published New
York: G. Schirmer, 1915. |
Harling |
1917 |
W.
Franke Harling (1887-1958). The
Death of Minnehaha, Indian Pastorale. Choral composition. First performed by
the Choral Club of Hartford, Connecticut--sometime between 1917 and 1920 when
it was cited in Broves--under director Ralph Baldwin and later by the
Mendelssohn Club of Chicago. |
Hartmann |
1917 |
Arthur
Martinus Hartmann, An Indian Cradle Song. For three-part female
chorus with piano accompaniment (ad lib), op. 30a. Published Chicago: Clayton
F. Summy Co., 1917. Words anon. |
Honegger |
1917 |
Arthur
Honegger (1892-1955), Le chant de Nigamon. A tone poem concerning the fate of
an American Indian chief who is burnt at the stake. Published Paris:
ditions Maurice Senart, 1927.
Recorded: Erato/Warner Dig. 2292 45862-2 Monte Carlo PO, [Marius?]
Constant. |
Lieurance |
1917 |
Thurlow
Lieurance, At the Foot of the Mound. Scene characteristic from the American
Indian, for soprano with flute ad libitum. Words by Flred Fletcher. Published
Philadelphia: Theodore Presser, 1916. |
Lieurance |
1917 |
Thurlow
Lieurance, Hymn to the Sun God. Indian song
for voice and piano. Words by
Alfred Fletcher. Published Philadelphia: Theodore Presser, 1917. |
MacDonald |
1917 |
Wilson
MacDonald (words and music), Song of the Carnival. |
Miller |
1917 |
Horace
Alden Miller, Indian Legend. [Organ.] In the
collection St. Cecilia Series of Compositions for the Organ. New York: H. W. Gray, 1917. |
Miller |
1917 |
Horace
Alden Miller, Four Indian Themes for piano solo. Published New York: Breitkopf & Hrtel,
1917.
|
Miller |
1917 |
Horace
Alden Miller, Indian Legend. Organ. Published Novello, 1917. (Another
source says published New York: H. W. Gray) |
Moore |
1917 |
Edna
Moore, Lullaby of an Ojibway Squaw. [Song.] Words by Mrs. F. B. Crofford.
London: Collard Moutrie, 1917. |
Noyes-Greene |
1917 |
Edith
Rowena Noyes-Greene (1875-?), Osseo (Romantic grand opera in 3 Acts.
Performed Maud Freshels Theater, Brookline, Mass., 1917. Libretto by Lillie
Fullter Mirriam based on historic Indian episodes relating to the Hiawatha
legend. (Also called Waushakum, a pageant-opera.)
Also performed Copley-Plaza Theater, Boston, 1920 and at Jordan Hall, Boston,
9 May 1922 with piano and a few instruments, the composer at the
keyboard. |
Otterstrm |
1917 |
Thorvald
Otterstrm, Musical Pictures of Chippewa Indian Life. Otterstrm
also wrote a series of 27 tribal songstitle unknownarr. for piano with
scenario by Alice Gerstenberg. |
Smith |
1917 |
Hannah
Smith, Five Characteristic Pieces for the piano. Boston: G. Schirmer, 1917. |
Stocker |
1917 |
Stella
Prince Stocker (1858-1925). Sieur du Lhut a play with music. Published
Duluth, MN: Huntley Printers, 1917; 46 pp. The
Marvels of Manabush, an Indian pantomime in 3 acts (unpublished, n.d.) both make
liberal use of Indian themes (1928 Grove American
Supplement). [Stocker lived
among the Ojibways and lectured on Indian music and legends in America and
abroad. See the 1928 Grove American Supplement, p.
375 and biography in Cohen, International Encyclopedia of Women Composers] |
Thomas |
1917 |
Blanche
M. Thomas, Indian Lament. For orchestra, piano, and harmonium. Arranged by Otto Langey (1851-1922).
Published New York: G. Schirmer, 1917.
Schirmers Special Series, no. 17. |
Tonning |
1917 |
Gerald
Tonning, Blue Wing. Opera. Performed 1917, Seattle, WA. Libretto by Cyril Arthur Player. |
Troyer |
1917 |
Carlos
Troyer, Apache Chief Geronimos
Own Medicine Song (O-ha-hal-leh-ley) (Hear me Great Spirit) with Drum
Imitation accompaniment. Published San Francisco: Grobe, 1917, 5 pp.. Melody taken from Curtiss The
Indians Book. |
Burleigh |
1918 |
Cecil
Burleigh, Five sketches for violin and piano. Opus 14. New York: G. Schirmer, 1918.
|
Busch |
1918 |
Carl
Busch, Four separately published works for string orchestra--3 based on
themes from Frances Densmore, and 1 from Fletcher--often referred to as Four
Indian Tribal Melodies, or Indian Suite (not to be confused with the earlier Indian Suite of 1905),
or Four North-American Legends. For string orchestra. Published New York:
C. Fischer, 1918). CONTENTS:
1. A Chippewa Vision, -- 2. A Chippewa Love Song -- 3. A Chippewa
Lullaby, -- 4. Omaha Indian Love Song. 1,
2, and 3 are based on Densmores Chippewa Music, American Ethnography
Bulletin No. 45. Densmore also wrote introductions to each of the published
scores. No. 4 is based on a
theme from Fletchers Study of Omaha Indian Music. [Sibley M1145.B977I]
|
Cadman |
1918 |
Charles
Wakefield Cadman, The Robin Woman (Shanewis). Opera. First performed
New York Metropolitan, 1918. Published Boston: White-Smith, 1918. 2nd edition
revised and enlarged, 1926. Libretto by Nelle Richmond Eberhart. |
Carpenter |
1918 |
John
Alden Carpenter (1876-1951), Little Indian from Two Pieces for Piano.
Published New York: G. Schirmer, c.1918. |
Cole |
1918 |
Rossetter
Cole, Pioneer (1818-1918), op. 34. Overture for orchestra. Performed March 14-15, 1919 by Chicago Symphony, composer
conducting. Written in
celebration of the Illinois state centennial. |
Griffes |
1918 |
Charles
Tomlinson Griffes (1884-1920), Two Sketches for String Quartet on Indian
Themes.
Published New York: G. Schirmer, 1922.
1919 version revised from Two Pieces for String Quartet (1918). First performed by the Flonzaley
Quartet in at the MacDowell Gallery in New York, 2 April 1919. [Griffes did not look kindly on
adaptations of Indian music such as Cadmans which he saw as mere
popularized melodic settings.] |
Langey |
1918 |
Otto
Langey, Indian Wail, an adaptation of the slow movement of Dvoks Sonatina, 1894 (see
above). No. 1 of two pieces for piano accompaniment to silent film. Published
New York: G. Schirmer. |
Langey |
1918 |
Otto
Langey, Indian Agitato for piano accompaniment to a silent film. Dramatic excitement for Indian
emotioanl scenes, rivalry, jealousy, expectancy, apprehension, etc. Published New York: G. Schirmer. |
Lieurance |
1918 |
Thurlow
Lieurance, Where my Papoose Swings. For voice and piano. Published Presser,
1918.
|
Loomis |
1918 |
Harvey
Worthington Loomis, Three Indian Songs harmonized by H. W. Loomis. English text
by Loomis. Boston: Oliver Ditson, 1918. |
Miller |
1918 |
Horace
Alden Miller, Indian Idyll for organ. Published Novello. Not the same as Indian
Legend, 1917,
above. (Another source says
published New York: H. W. Gray). |
Orem |
1918 |
Preston
Ware Orem (1865-1938), American Indian Rhapsody for piano. Published
Presser, 1918, 15 pp.. Also arranged for orchestra and supposedly performed
by J.P.Sousa with great success. [This work reportedly incorporates themes
recorded and suggested by Thurlow Lieurance. Called by Chase probably the most far-out Indianist
composition ever written (liner notes).] |
Oskenonton |
1918 |
Oskenonton,
Mohawk Indian hunting song. One page of
manuscript score. 1918. |
Savino |
1918 |
Domenico
Savino, Indianola [Me hear cannon roar, me help Yank win war.] Lyrics by
Frank H. Warren. Published New York: Joseph W. Stern. |
Stearns |
1918 |
Stearns,
Theodore. Indian Suite. An
unfinished Hiawatha opera. |
Stephens |
1918 |
Ward
Stephens, In the Dawn of an Indian Sky. Song, words by O. Petrova. Philadelphia:
Theodore Press, 1918. |
Strong |
1918 |
[George]
Templeton Strong Jr. (1856-1948), Au pays des peaux-rouge (In the Land of the
Redskin). Piano suite. Composed in Geneva, Switzerland. Published Geneva:
Edition Ad. Henn, 1918. |
Troyer |
1918 |
Carlos
Troyer, Midnight Visit to the
Sacred Shrines: A Zuian Ritual, a monody for two flute-trumpets of high
and low pitch. A traditional chant of melodic beauty, and Parting Song on
Leaving the Shrines. With English
and Indian text. Parting Song
for voice and accompaniment. Published Presser, 1918. |
Waldrop |
1918 |
Uda
Waldrop, The Bubble Girl. Words by Henry Blossom. |
Ahlert |
1919 |
Fred
E. Ahlert (1892-1953), Who Played Poker with Pocahontas? [Song.] Words by Sam M. Lewis &
Joe Young. New York: Waterson,
Berlin, & Snyder, 1919. |
Bingham |
1919 |
Seth
Bingham (1882-1972), Pioneer America. Suite for orchestra in 4 movements.
Unpublished. 1st movement, Redskin Rhapsody. Performed by the Columbia University Orchestra, New York,
1924, under Douglas Moore.
[Manuscript in the Fleisher Music Collection.] |
Borch |
1919 |
Gaston
Borch (1871-1926), Indian Lament: for pathetic or solemn Indian scenes. Published Boston: O. Ditson,1919. Ditsons Music for the Photoplay,
no. 30. Silent Film Music. For orchestra, piano, and organ. In WFAA collection. |
Dutton |
1919 |
Thodora
Dutton, A Summer Day in the Mountains. Six easy pieces for the piano. New York & Boston: G. Schirmer,
1919. |
Gottler |
1919 |
Archie
Gottler (1896-1959), The Heart of Wetona.
Words by Sidney D. Mitchell.
Published New York: Leo Feist, Inc., 1919. First Line: Far off on an Indian Reservation, lived a
Princess loved by all her nation.
Cover: "Inspired by and dedicated to Norma Talmadge." |
Greentee |
1919 |
W.
J. Greentee, Indian Legend. Op. 77. No. 2.
For Pianoforte, Left hand alone.) Publihed Greentree, W. J., 1919 |
Herbert |
1919 |
Victor
Herbert, Indian Summer (An
American Idyll). For piano. Published New York: Harms, 1919. Also arranged for orchestra. |
Huertner |
1919 |
Charles
Huertner (1885-?). An Indian
lament. No. 3 from [Four]
Songs by Charles Huerter for voice and piano. Setting of a poem by Herbert J. Brandon.
Published New York: Harold
Flammer, 1919. [5 pp.; dedicated
to Dr. O. P. Jacob] |
Lane |
1919 |
Eastwood
(Lane, 1879-1951). The Powwow (An Indian Reminiscence), No. 5 of Five
American Dances. For piano.
Published New York: J. Fischer, 1919. |
Lieurance |
1919 |
Thurlow
Lieurance, A Rose on an Indian Grave. Indian Song. Philadelphia: Theodore Presser,
1919. |
Lieurance |
1919 |
Thurlow
Lieurance, Dying Moon Flower. Indian Song. Philadelphia: Theodore Presser, 1919. |
Lieurance |
1919 |
Thurlow
Lieurance, From an Indian Village. Song. For flute and chorus ad lib. Philadelphia: Theodore
Presser, 1919. |
Lieurance |
1919 |
Thurlow
Lieurance, Indian Spring Bird. Ski-bi-bi-la. Indian Song. Words by
Alfred Fletcher. Philadelphia:
Theodore Presser, 1919. |
Lieurance |
1919 |
Thurlow
Lieurance, Indian Spring Song.. [Words by] Alfred Fletcher. Arranged by Lieurance. Philadelphia: Theodore Presser,
1919. |
Lieurance |
1919 |
Thurlow
Lieurance, Nine Indian Songs for voice and piano, 1919. Eight Songs from the
Green Timber for voice and piano, 1922. The Spirit of Wanna (Published
Presser, 1919) and several other song cycles (Under Northern Skies). |
Lieurance |
1919 |
Thurlow
Lieurance, Pakoble the Rose.. [Words by] Karl Jones. Arranged from a Cheyenne flute
melody. Philadelphia: Theodore Presser, 1919. |
Lieurance |
1919 |
Thurlow
Lieurance, The Spirit of Wanna. Indian Song. (Translation by Medicine Moon.). Also arranged for violin and piano.
Philadelphia: Theodore Presser, 1919. |
McHugh |
1919 |
Edwin
McHugh and C. Perillo, Jr, Indian Blues.
Arranged by Charles M. Smith.
Published New York: The Joe Morris Music Company (145 W. 45th St.),
1919. First Line: Out in the
West, Where the sun is at rest, sits an Indian warrior grand. |
Paldi |
1919 |
Mari
Paldi, Masquerade. Little suite for the pianoforte. Boston: A. P. Schmidt, 1919. |
Skilton |
1919 |
Charles
Sanford Skilton, Three Indian Sketches forpiano. Published New York: C. Fischer,
1919. 17 pp. On tribal melodies
supplied by George La Mere, a Winnebago Indian. Score includes introductory
program notes. Dedicated to
Harold Henry. 1st mvt. arranged
for string trio and published in Norfleet Trio Album. Published New York: Carl
Fischer, 1928. 2nd mvt. arranged for violin and piano by Richard Czerwonky.
Published New York: C. Fischer, 1924.
|
Strong |
1919 |
[George]
Templeton Strong. Invocation des Peaux-Rouge for two pianos. Composed in Geneva. |
Webbe |
1919 |
William
Y. Webbe, Indian Lullaby. Song. Words by Charles Myall. New York: H. W. Gray, 1919. Also arranged for two-part chorus (same publisher). |
Beach |
1920 |
H.
H. A. Beach (1867-1944), Theme and Variations for Flute and String Quartet,
op. 80. Reprint of 1920 edition
with an introduction by Adrienne Fried Block. Published Bryn Mawr, PA:
Hildegard Publishing, 1996. This
work is based on Beachs part-song An Indian Lullaby. Block edition also includes the
lullaby in the original edition by Bryan and Taylor, 1895. |
Burlin |
1920 |
Natalie
Burlin, Victory Song: Pawnee Indian.
For Chorus of mixed voices, etc. [Words and music based on part of an
original ceremonial Indian melody.] |
Cadman |
1920 |
Charles
Wakefield Cadman, The Sunset Trail.
Settings of Gilbert Moyles texts for mixed voices. Published Boston:
White-Smith, 1920. First
performed Denver, December 5, 1922. Later expanded as a cantata in 1925
(q.v.). |
Cadman |
1920 |
Charles
Wakefield Cadman, Thunderbird. Orchestral Suite.
Arranged from the 1916 incidental music for an Indian drama by
Norman-Bel Geddes, Op. 63.
London: Boosey & Hawkes, 1920. |
Campbell |
1920 |
John
P. Campbell, Pocahontas (opera).
Libretto by Mary Mitchell Brown.
[Photocopy of ms. at the LC.] |
Coleridge-Taylor |
1920 |
Samuel
Coleridge-Taylor (arranged posthusmously by Percy Fletcher), Hiawatha:
Suite. See Coleridge-Taylor, Hiawatha
Ballet Music, 1912 above. |
Dvok |
1920 |
Antonin
Dvok, Indian Wail. Arranged for
organ by Firmin Swinnen for Silent Film accompaniment. New York: G. Schirmer,
1920. |
Lieurance |
1920 |
Thurlow
Lieurance, Canoe Song. Indian Love.
With flute ad lib. Philadelphia: Theodore Presser, 1920. |
Lieurance |
1920 |
Thurlow
Lieurance, From Ghost Dance Canyon. Indian Song. Philadelphia: Theodore
Presser, 1920. |
Lieurance |
1920 |
Thurlow
Lieurance, Sioux Scalp Dance for the pianoforte for four hands. Arranged by P. W.
Orem. American Indian Rhapsody.
Philadelphia: Theodore Presser, 1920. |
Lieurance |
1920 |
Thurlow
Lieurance, Songs of the North American Indian. For voice and piano. All published
separately between 1914 and 1920, but collected together for this volume by
Presser in 1920. |
Lieurance |
1920 |
Thurlow
Lieurance, The Ghost Dance. For piano
solo. Also published as From
Ghost Dance Canyon: Indian Song with words by Fred Hopkinson. Philadelphia: Theodore Presser, 1920. |
Logan |
1920 |
Frederic
Knight Logan (1871-1928), Pale Moon. An Indian love song. Voice and
piano. Lyrics by Jesse G. M.
Glick. Also a free transcription for violin & piano by Fritz Kreisler.
Published Chicago: Forster Music Publ., 1920. |
Mac Meekin |
1920 |
J.
A. Mac Meekin, Pocahontas. Lyrics by Cyril J. Mac Meekin. Published New York: J. A. Mac
Meekin. [Includes a Rattle Snake Dance.] British Library. Uncatalogued. |
Metcalf |
1920 |
John
W. Metcalf, Jibiwanisi. Ojibway Indian Love Song, poem by B. A. Watson. New York: A. P. Schmidt, 1920. |
Meyer |
1920 |
George
W. Meyer, Hiawathas Melody of Love. Lyrics by Alfred Bryan & Artie
Mehlinger. Published New York: Jerome H. Remick [Operatic edition] |
Samuels |
1920 |
Joseph
Samuels, Wigwam: Indian fox-trot. Arranged for dance orchestra by Harold Sanford. Published
New York: Belwin Inc., 1920. |
Skilton |
1920 |
Charles
Sanford Skilton, American Indian Fantasie for organ. Published New
York: J. Fischer, 1926. Composed for and dedicated to the illustrious
Organist and Composer Pietro Alessandro Yon. An unpublished version of this work (adapted from
American Indian Fantasie) was made for cello and full orchestra in 1929
for the cellist Engelbert Roentgen, who, according to the heading assisted
in preparing the cadenza. This
version was first performed at Interlochen, Michigan in Aug. 1932 with a
different cellist as soloist.
[Manuscript score and parts for the latter in the Fleisher Music
Collection as well as a 46pp. ink ms. at the NYPL. This latter score is singed and dated: H. Boessemoth,
Minneapolis, Minnesota, Mar. 12, 1929. Skilton also adapted this as American
Indian Fantasie for Viola Solo (ms. undated).
|
Skilton |
1920 |
Charles
Sanford Skilton, Sioux Flute Serenade for orchestra. Published New York:
Carl Fischer, 1920. Later incorporporated into Suite Primeval (see 1921). |
Austin |
1921 |
Ernest
Austin, An Indian Pipe-Dance, for the pianoforte. Published London: Elkin adn Co., 1921. |
Baron |
1921 |
Maurice
Baron (1899-1964), An Indian legend. Lgende indienne. Published New York: G.Schirmer, 1921. |
Bauer |
1921 |
|
Beach |
1921 |
H.H.A.
Beach, Quartet for Strings, Op. 89 on Eskimo themes. Written between 1921 and 1929;
originally unpublished.).
Printed by MUSA (Music in the United States of America), vol. 3, ed.
By Adrienne Fried Block. |
Bliss |
1921 |
James
A. Bliss, Hiawatha Songs, op. 10 for voice and piano, after Longfellow.
Published Minneapolis: the author, 1921.
|
Busch |
1921 |
Carl
Busch, A Chant from the Great Plains for concert band. Published Carl
Fischer, 1921. Based on a melody from Alice Fletcher. Winner of the Goldman
Band Competition (May, 1920) under judges Victor Herbert and Percy Grainger.
Became a concert band staple for over 10 years. Transcribed for orchestra ca.
1924. |
Curtis |
1921 |
Natalie
Curtis [Burlin], American Indian Dances: a Pageant. [Negative photoprint of
ms. at the LC]. |
Edwards |
1921 |
Leo
Edwards, Im an Indian. Lyrics by Blanche Merrill. [Made famous by Fanny Brice and recorded by her in
1921.] Published New York: Mills
Music, 1923. |
Friend |
1921 |
Cliff
Friend, Wanna (When I WannaYou No Wanna). Lyrics by the composer.
Published New York: Jack Mills.
[Featured in Eddie Cantors Midnight Rounders] |
Gilbert |
1921 |
Henry
Franklin Belknap Gilbert. Indian Scenes (not the same as the 1911 piano
work). [See Boston Symphony program, March 4, 1921.] Hadley conducted at the Philharmonic
Society of New York, 1920-1925 under the title Indian Sketches.
|
Herberigs |
1921 |
Robert
Herberigs (1886-1974), Le
Chant dHiawatha: poeme
symphonique dapres Longfellow . Symphonic suite, ms. dated 1921. Reproduced from holograph
and published, Bruxelles:
CeBeDeM, 1958. |
Ives |
1921 |
Charles
Ives (1875-1954), The Indians. Song for voice and piano, published in 114
Songs. |
Jenkins |
1921 |
D.
Cyril Jenkins, Song of Indian Women. [Song.] From "The Bridal of
Pennacook." London: Goodwin & Tabb, 1921. |
Lehmer |
1921 |
Derrick
Norman Lehmer, Down the Stream and Other Indian Songs. For voice and piano. Published
Berkeley, California: the author, 1927. Arranged by Lehmer for voice, flute,
and piano, 1927.
|
Lieurance |
1921 |
Thurlow
Lieurance, Sioux Indian Fantasie, for flute and piano.
Philadelphia: T. Presser Co., 1921. |
Moreland |
1921 |
Fred
L. Moreland, Injun Jazz: Foxtrot. Published Adrian, Michigan: F.L. Moreland, 1921. Arranged by Harry L. Alford. Nine
orchestral parts for film accompaniment. |
Moret |
1921 |
Neil
Moret, Cherry Cherokee. Lyrics by Louis Weslyn. Published New York: Waterson, Berlin & Snyder, 1921. |
Rea |
1921 |
Florence
P. Rea, Yakima (Indian story). For piano. Published Chicago: C. F. Summy Co., 1921. |
Skilton |
1921 |
Charles
Sanford Skilton, Suite Primeval on Tribal Indian Melodies in 2 parts for orchestra.
Published New York: Carl Fischer, 1921.
Part 1 comprises the Two Indian Dances for Orchestra of 1916. The last movement, Moccasin Game, is an
orchestration of the Winnebago Revel of Three Indian Sketches for piano of 1919. The
5th mvt., under the title Sioux Flute Serenade, had been published
separately in 1920. Mvts. 3 and 4 are new. [In the published preface, the composer writes: The
tribal melodies have all been obtained from the [unspecified] Indian students
of Haskell Institute, a government school near the University (of Kansas).]
Sunrise Song arranged by the composer for flute or violin, cello and harp
(ms.). Gambling Song arranged by the composer for 3 trombones, tuba, and
piano or organ (ms.). Sioux Flute Serenade arranged by the composer for
string trio and published in Norfleet Trio Album, C. Fischer, 1928.
Arranged for violin and piano by R. Czerwonky (Carl Fischer, 1924) and flute
and piano by George Barrre (C. Fischer, 1928). CONTENTS: [Two Indian Dances, see
above.] 3. Sunrise Song, 4. Gambling Song, 5. Flute Serenade, and 6.
Mocassin Game. |
Stark |
1921 |
Robert
Stark, Lalawana lullaby, for voice, piano and chorus. Words by Allen White. Published
New York: Edw.B. Marks Music Co., 1921. |
Wright |
1921 |
N.
Louise Wright (1879-?), American Indian sketches: for the pianoforte: op.
63. Published Cincinnati: Willis Music Co., 1921. |
Baron |
1922 |
Maurice
Baron, Indian Wedding Festival.
Written for orchestra as accompaniment to silent film. Dedicated to
the Capitol Theatre Orchestra, New York City. Published New York: G.
Schirmer, 1922. |
Beach |
1922 |
H.
H. A. Beach, From Blackbird Hills: An Omaha Tribal Dance, Op. 83 for piano.
Published Schmidt, 1922. Pedagogical work based on a theme from Fletchers
Omaha melodies. |
Benatzky |
1922 |
Ralph
Benatzky (1884-1957), Loves Last Day (Valse Apache). Chappell's Army Journal. no.497. Published London: Chappell, 1922. |
Busch |
1922 |
Carl
Busch, Indian Rhapsody (orchestra; ms.). An adaptation of the 1905 work, Variations
and Fugue on an Omaha Indian Theme for string orch. (see 1905). Never
published. Retitled in 1939 with
the more Classical title: Introduction, Theme, Variations, and Fugato. |
Farwell |
1922 |
Arthur
Farwell, The Hako (string quartet, 1922, in ms.) Performed in 1923 by the
Zoellner Quartet at the Ojai California Music Festival. [Ms. score and parts at the LC].
Composed at the suggestion of Joseph Zoellner and dedicated to the Zoellner
Quartet. |
Gottler |
1922 |
Archie
Gottler, Oogie Oogie Wa Wa (Means I Wanna Mama to an Eskimo). Lyrics by Grant Clarke
& Edgar Leslie. Published New York: Mack Stark & Ruby Cowan Music
Publishers, 1922. [Featured by Margaret Young] |
Herbert |
1922 |
Victor
Herbert (1859-1924), Dream On (An Indian Lullaby). Words by B. G. DeSylva.
Published New York: Harms, 1922. |
Kelley |
1922 |
Edgar
Stillman Kelley (1857-1944). New England Symphony . Published C.C. Birchard, 1922. |
Lane |
1922 |
Eastwood
Lane. A Dirge for Jo Indian in Adirondack Sketches, a Suite for Piano.
Published New York: J. Fischer, 1922. [Description of movement and of Jo on
inside cover of score.] |
Logan |
1922 |
Frederic
Knight Logan, Fallen leaf: an Indian love song. Voice and piano. Lyrics by Virginia K.
Logan. Published Chicago: Forster, 1922. |
Metcalf |
1922 |
John
W. Metcalf, Niawasa. An American Indian Idyl, words by G. G. Davis. |
Moore |
1922 |
Mary
Carr Moore, The Flaming Arrow, (Indian Intermezzo.) Performed San Francisco, March 27,
1922. |
Nelson |
1922 |
Eithel
Allen Nelson, Melody: adapted from American Indian fancies for orchestra for
violin and piano. Published: Paris: B. Roudanez, 1922. |
Read |
1922 |
Angelo
McCullum Read, Indian Legends, for the pianoforte. (Op. 22. CONTENTS: 1. The calumet of peace 2. Tirawa's vengeance. |
Skilton |
1922 |
Charles
Sanford Skilton, Sonatina for Violin and Piano. Published Rockford, Ill.:
Ogren & Uhe, 1923. Also called Shawnee Indian Hunting Dance. Later incorporated as the third
movement into the unpublished Sonata No. 2 in G Minor for violin and piano.
Arranged for small orchestra as Shawnee Indian Hunting Dance and performed
1923 by the Kansas City Little Symphony. Arranged for full orchestra in 1929 and performed by the
Detroit Symphony Orchestra under Ossip Gabrilowitsch. Also a version for
piano solo in 1929. Published Rockford, IL: Ogren and Uhe, 1929; 7 pp. Also
arranged for violin, cello, and harp (ms.). |
Smith |
1922 |
Edgar
Belmont Smith, Indian Summer Idyl.
Melody for organ. New
York: G. Schirmer, 1922. |
Bliss |
1923 |
[Philip]
Paul Bliss [Jr.], Mon-Dh-min (Corn), American Indian Legend. Cantata for
treble voices. Published Philadelphia: Presser, 1923. |
Eugene |
1923 |
Adrian
Farner Eugene, The White Buffalo Maiden, a Western Indian Music-Play. Published
Boise, Idaho, April 26, 1923. Libretto by Alfred Grubb. |
Friml |
1923 |
Rudolf
Friml (1879-1972), Moondawn. Piano solo. Published in Etude magazine. Etude 41 (April 23). |
Grunn |
1923 |
Homer
Grunn (1880-1944), Songs of Song-ah-tah; four American Indian songs. Words by C. O.
Roos. Published Cleveland: Sam Fox Pub. Co., 1923. |
Grunn |
1923 |
John
Homer Grunn, Indian Love Song. [Song.] Lyric by J. E. Roos and C. O. Roos. Los Angeles: Southern California
Music Co., 1923. |
Grunn |
1923 |
John
Homer Grunn, When the Dark Mist Curtains the Doorway. Indian Song. (K.
Bainbridge.) New York: G.
Schirmer, 1923. |
Grunn |
1923 |
Homer
Grunn, When the Dark Mist Curtains the Doorway. Indian song for medium voice and
piano. Published New York: G. Schirmer, 1923, 5 pp. |
Grunn |
1923 |
Homer
Grunn, California Idylls. For piano. Published LA: Southern California Music, 1923, 17
pp.). 3 mvts. CONTENTS: Place of the Sycamore, Deserted Adobe, and To
the Sierras. |
Hoschke |
1923 |
Frederick
Albert Hoschke, Indian. Op. 21. No. 1. For piano. Published New
York: Composers' Music Corporation, 1923. |
Luening |
1923 |
Otto
Luening (1900-), Wisconsin Symphony.
[Sketches and source material used by Otto Luening in composing his
Wisconsin symphony]. |
Baron |
1924 |
Maurice
Baron, Indian Plaint, an
adaptation of the slow movement of Dvoks American quartet,
for orchestral accompaniment to silent film. Published New York: G.
Schirmer. 7 pp. |
Blakeslee |
1924 |
S.
Earl Blakeslee, The Legend of Wiwaste (Wee-wah-ste). Opera. Performed Pomona,
California, 1924, and again--with more newspaper coverage--in Ontario,
California, 1927 with Tsianina Redfeather in the title role. [Based on a
Decotah legend and is set in the Rocky Mountain region before the coming of
the white man. Blakeslee did
extensive research into Native American musical sources and, in preparation
for his opera, made several visits to Navajo, Hopi, and other reservations.] |
Cardin |
1924 |
Fred[erick]
Cardin (Pejawah), Cree War Dance. On an Indian melody recorded by Thurlow
Lieurance, for violin and piano. Published New York: Carl Fischer, 1924.
Cardin was a Native American violinist from the Miami tribe. Lieurance called him the greatest
violinist of the race. |
De Leone |
1924 |
Francesco
Bartolomeo De Leone, (1887-1948). Alglala, also titled Alglala: A Romance of the Mesa. Buckeye Opera in 2
acts; set in Arizona. Published New York: G. Schirmer, 1925. Libretto by
Cecil Fanning. First performed
Akron, Ohio, May 23, 1924; also Cleveland (14/15 Nov. 1924) and Carnegie
Hall, New York (same year). Received Bispham Medal 1924. |
Dolin |
1924 |
Max
Dolin and Glenhall E. Taylor, Weeping Willow: an Indian love song
in fox trot rythm. For voice and
piano. Published San Francisco: Florintine Music Pub. Co., 1924. |
Friml |
1924 |
Rudolf
Friml (1879-1972) and Herbert Stothart, Totem Tom Tom and Indian Love Call from Rose-Marie. Lyrics and Otto Harbach
and Oscar Hammerstein II. Published New York: Harms, Inc., 1924. First Line:
Long ago there used to be a tribe of Indian smarties. First line of refrain: When my
grand-pa, Chief Chickeekotem took grand-ma out to a totem tom-tom. |
Friml |
1924 |
Rudolf
Friml, Indian Love Call (from the operetta/musical comedy Rose Marie). Lyrics by Otto Harbach
and Oscar Hammerstien II. Published New York: Harms Inc., 1924. Published as Indian Love Call:
Foxtrot. Harms, 1936. Arranged for violin and
piano by H. Korschak, 1927. |
Grunn |
1924 |
Homer
Grunn (1880-1944), From
Desert and Pueblo: 5 Authentic Navajo and Tewa Indian Songs (song cycle for low
voice and piano). Lyrics
(English and Indian words) based on the Indian text by Elizabeth Willis de
Huff (1892-?), the Indian melodies transcribed and harmonized by Homer Grunn.
Published Boston, Oliver Ditson, 1924. Illustrations and cover design by
Nah-ka-voh-ma (Fred Kabotie) of the Hopi tribe. Cover illustrated by Fred Kabotie of the Hopi tribe.
In
the Lodge of the Sioux (no information) |
Harris |
1924 |
Cuthbert
Harris, In an Indian Village. Suite for pianoforte. Published London: Warren &
Phillips, 1924. |
Jacobi |
1924 |
Frederick
Jacobi, (1891-1952). String
Quartet No. 1 on American Indian Themes. Published New York: G. Schirmer,
1926 . [Jacobi, a student of R. Goldmark,
studied the music of the Pueblo Indians in Arizona and New Mexico about 1918.
This supposedly furnished him with materials for his string quartet.] Performed Zrich festival of the
Intern. Soc. for Contemp. Music; Corporazione delle Nuove Musiche, Rome and
Milan; League of Composers, New York; Boston; Chicago; San Francisco; and
other cities. |
Jeancon |
1924 |
Jeancon,
Jean Allard. "Moon
Dance" from Indian Song Book. |
Lehmer |
1924 |
Derrick
Norman Lehmer (1868-1938), Seven Indian songs from the Yosemite valley. Published Berkeley,
Calif.: published under the auspices of the National Society of Colonial
Dames resident in California: D.N. Lehmer, 1924. CONTENTS.--Lullaby -- The dawn -- Serenade -- My love is far
-- The harvest of pine-nuts -- As down from the mountain I go -- Come back to
Ahwahnee. |
Lieurance |
1924 |
Thurlow
Lieurance, A Sioux Maiden's Dream. Sioux Indian Song. (Text in Sioux.) Philadelphis: Theodore Presser, 1924. |
Lieurance |
1924 |
Thurlow
Lieurance, Ghost Pipes. Indian Idyl for violin and piano, with 'cello ad lib. by
Lieurance-Cardin. Philadelphia: Theodore Presser, 1924. |
Lieurance |
1924 |
Thurlow
Lieurance, Winnebago Lament. Indian Song.
Words and music by Lieurance. Philadelphia: Theodore Presser, 1924. |
Loomis |
1924 |
Harvey
Worthington Loomis, Montezuma comes! A Tribal Ritual for mixed voices.
English text by the composer. From Zui Indian Music, arr. by H. W.
Loomis. Boston: C. C. Birchard
and Co., 1924. |
Rapee |
1924 |
Erno
Rapee and William Axt. Indian
Orgy, accompanimental music to silent film from the Capital Photoplay Series
(For Indian gatherings, uprisings, dances, and festivals). Published New
York: Robbins Music Corporation.
For piano or organ. 5 pp.
|
Schoenefeld |
1924 |
Henry
Schoenefeld, Atala, or The Love of Two Savages. Opera in three acts. Libretto by Bernard
McConville after Chateaubriand.
Unperformed. |
Serrano |
1924 |
Jose
Serrano, (1873-1941), Danza de apaches. No info. |
Stringfield |
1924 |
Lamar
Stringfield (1897-1959). Indian Sketches for flute and string quartet. Based on
North Carolina Cherokee Indian themes. Performed San Francisco Chamber Music
Society on tour and Boston Flute Players Club.
|
Stringfield
|
1924 |
Lamar
Stringfield, Indian Legend, Op. 23, no. 1 for flute and string quartet. Orchestrated in
1924; unpublished. Awarded the Isaac Newton Seligman Prize (?), given by the
Institute of Musical Art, New York. First performed in New York by the Sunday
Symphony Society under Josiah Zuro, 1927. [Stringfield organized the
Institute of Folk Music at the Univ. of North Carolina which collected, among
other thinks, Cherokee Indian music.] |
Watson
|
1924 |
Fredric
Watson (arr.) after Christian Sinding, Indian Love Moon. Lyrics by J. McKenna. Published New
York: Benton and Haskins, 1924. |
Wilson |
1924 |
Ira
B. Wilson, Childhood of Hiawatha. Cantata for soprano, alto, and bass after Longfellow.
Published Dayton, Ohio: Lorenz Publishing Co., 1924. 32 pp. |
Zamecnik |
1924 |
J.S.
Zamecnik, Indian Dawn. Song with violin & cello obligato. Poem by Charles O.
Roos. Published Cleveland: Sam Fox Publ., 1924. |
Alexander |
1925 |
Hartley
Burr Alexander, (1873-1939). Manito Masks. Musical dramatizations
of American Indian legends. Published New York: Popular Library, 1925, 209
pp.. [Alexander was an enthusiast of Indian culture. He published several
books on Indian ceremonies and rites. His lecture on Indian Themes in
American Art (Aug. 11, 1926) was published. Was also librettist for Henry
Eames pageants (see 1916). |
Berg |
1925 |
Irne
Berg (1867-1926), Indian dance; for scenes of Indian gatherings, ritual
dances and ceremonial proceedings. Orch. scored by Ed. Turkisher. Published New York:
Robbins-Engel, 1925. |
Bloch |
1925 |
Ernest
Bloch, (1880-1959). America,
an Epic Rhapsody in Three Parts fororchestra. Published New York: C.C. Birchard, 1928. [1st
movement of this 3-mvt. work is titled I, 1620 and subtitled The Soil--The
Indians--(England)--The Mayflower--The Landing of the Pilgrims. Themes are
credited to Frances Dinsmore [sic], author of Mandan and Hidatsa Music and
Chippewa Music. This work was composed in response to a competition given
by the Natl Federation of Music Clubs ($2000) for a piece on the history of
music in America from the Indians to the present.] |
Boothroyd |
1925 |
Frederick
Boothroyd, Songs of the Red
Man for voice and piano. Published Lander, WY: Coolidge Publ. Co., 1925, 19
pp.. Texts are by Porter Byron Coolidge, in part translated from Dakota. The
first two works are adaptations of traditional Indian songs, the second two
are original compositions in Indian style.
|
Cadman |
1925 |
Charles
Wakefield Cadman, The Sunset Trail.
An operatic cantata depicting the struggles of the American Indians
against the edict of the United States Government restricting them to
prescribed reservations. Poetic settings of Gilbert Moyle. First performed
San Diego. Published Boston:
White-Smith, 1925. Expanded from a series of pieces for mixed choir under the
same title. (See 1920) |
Dobson |
1925 |
E.
Aldrich Dobson, Sons of Manitou. American Indian song cycle for soprano or tenor.
Published Boston: A. P. Schmidt.
|
Gamble |
1925 |
Louis
Gamble, Blue Indian. Words by
Raymond B. Egan. Richard A.
Whiting. Published New York: Jerome H. Remick & Co., 1925. |
Kappey |
1925 |
Cecil
Kappey, Indian reverie. Published New York: Belwin, 1925. |
Loomis |
1925 |
Harvey
Worthington Loomis, Hurakan, the West Wind for womens voices. Words by H. W. L.
Vancouver and Navajo Indian Tunes, harmonized by H. W. Loomis. |
Shepherd |
1925 |
Horace
Shepherd, Redhawk. Indian Intermezzo. London: M. de Wolfe, 1925. For Light
Orchestra. Set of parts. |
Stringfield |
1925 |
Lamar
Stringfield, Indian Legend (symphonic poem for orchestra) based on Cherokee Indian
themes. Squaw
Dance
(orchestra); based on North Carolina Cherokee Indian themes. |
Whithorne |
1925 |
Whithorne,
Emerson (1884-1958). Tribal Ritual.
First movement of Sooner or Later, a satirical ballad on civilization.
First performed at the Neighborhood Playhouse, New York, 1925. |
Bauer |
1926 |
Marion
Bauer. Sun Splendor. For Piano, later orchestrated. |
Bimboni |
1926 |
Alberto
Bimboni (1882-1960), Winona (All Indian opera,) Performed Portland, Oregon, November
11, 1926). Libretto by Perry S. Williams.
[Ms. on microfilm at the LC.] This work was championed by President Warren
Harding (see Howard, OAM, p. 452) and is based on a Sioux-Dakota legend. Acc. to Howard, the music is based
on hunting songs, war songs, moccasin songs, a Chippewa lullaby, Indian flute
calls, and Chippewa and Sioux serenades. Bimboni was careful not to violate
Indian tradition. All of the choruses are presented in unison; there is no
part singing. Most of this opera was completed by 1918. |
Blair |
1926 |
Hugh
Blair, Minnehaha. Laughing Water. Cantilena for Viola & Piano. |
Blair |
1926 |
J.
Jamieson Blair, Two Silhouettes for Piano, op. 5. Published
London: A. Hammond and Co., 1926. CONTENTS: 1. Dawn, -- 2. Pipe Dance. |
Busoni |
1926 |
Ferruccio
Busoni. Indianisches Tagebuch (Indian Diary), Op. 47, 2nd book, Gesang vom Reigen der
Geister; Studie fr 6 Blasinstrumente und 1 Pauke. Subtitle: Canto della
Ronda degli spiriti. Published Leipzig: Breitkopf u. Hrtel, 1926. |
Cadman |
1926 |
Charles
Wakefield Cadman, Shanewis (The Robin Woman). A revision of the 1918
opera. Performed at the Hollywood Bowl. Score revised, enlarged, and
reprinted. Published Boston: White-Smith, 1926. |
Freer |
1926 |
Eleanor
Everett Freer (1864-1942), The Chilkoot Maiden. Commissioned by the
town of Skagway, Alaska.
Libretto by the composer. [Was slated for production in 1927, but
plans apparently failed and the opera was never produced.] |
Held |
1926 |
Paul
Held, Indian Flute (Yo) For organ. Published H. W. Gray, 1926. |
Jacobi |
1926 |
Frederick
Jacobi, String Quartet on Indian Themes. New York: G. Schirmer, 1926. Reissued, 1935. |
Lester |
1926 |
[Thomas]
William Lester (1889-1956). Land of Souls, Op. 80a. Cantata. An
Indian Legend for soprano, tenor, and baritone solo and SATB chorus with
piano or orchestra accompaniment. From a poem by Frederick Martens. Published
New York: J. Fisher, 1926. 50
pp. |
Reid |
1926 |
James
Reid, The Navajo warrior: Indian character dance for piano. Published Fort Worth, TX:
J. Reid, 1926. |
Smith |
1926 |
Robert
Elmer Smith (1868-?), Indian Songs.
Voice and piano.
Published Visalia, Calif.: Great Western Music Co., 1926.
|
Stept |
1926 |
Sam
H. Stept, LoNah. Lyrics by Bud Green. Published New York: Shapiro, Bernstein
& Co. |
Strong |
1926 |
George
Templeton Strong, An Indian Chiefs Reply. For voice and piano.
Text by the composer. Published Geneva and New York: dition Henn--Fine Arts
Importing Corp., 1926. Copy at
the Bancroft Library. |
Benkman |
1927 |
Siegfried
Benkman, Silver Fawn. An Indian Love-Song, (Words by C. Wright.) New York: G. Schirmer, 1927. |
Cadman |
1927 |
Charles
Wakefield Cadman, O Maid of my Hunting. An Indian Love Song. Words by L. W. Spencer. Chicago: H.
T. FitzSimons, 1927. |
Converse |
1927 |
Frederick
Shepherd Converse, Indian Victory Dance from California: Festival Scenes. For orchestra. Published C. C.
Birchard, 1928. [Converse said this was his impression of an Indian ceremony
he witnessed in Arizona.] |
Crisp |
1927 |
Laura
Mason Crisp, A tepee just for two: Indian love song. Published Rochester, N.Y.: Don Santos,
1927 |
Donald |
1927 |
H.
A. Donald, Hiawatha Dramatized. Longfellow's poem arranged in tableau, recitation and
dance, and set to music for ladies' voices. Published London: J. Curwen; U. S. A.: Curwen, Germantown,
Pa., 1927. |
Fairchild |
1927 |
Blair
Fairchild (1877-1933), Some Indian songs and dances. Twelve short pieces for piano solo.
Published Mainz, B. Schott, 1927. Dario Mller, who recorded these pieces,
says theyre not based on any themes but written in the character of Indian
music. |
Grever |
1927 |
Maria
Grever, Jacalito. My Indian Cottage. A Song of Reminiscence, etc. Words and
music by M. Grever. English version by F. H. Martens. New York: G. Schirmer,
1927. |
Leslie |
1927 |
Edgar
Leslie, Henry Lodge, and Billy Stone, Indian Butterfly (Naomi). Published New York: Edgar Leslie,
1927. |
Skilton |
1927 |
Charles
Sanford Skilton, Kalopin. Serious opera in 3 acts, written 1927. Libretto by Virginia
Armistead Nelson Palmer. Unpublished. Given a concert performance in
Nashville, TN. Received the
Bispham medal in 1930. |
Venuti |
1927 |
Joe Venuti, Hiawathas Lullaby. Popular jazz piece written
sometime between 1927 and 1934 by the violinist/conductor from the Whiteman
band who formed his own group in 1932. Original recording re-issued on The
Golden Age of Jazz of the 30s. |
Wayne
|
1927 |
Mabel
Wayne, Indian Cradle Song.
For-Trot Lullaby. Published New
York: Leo Feist, 1927. |
Willan |
1927 |
Healey
Willan (1880-1968) arranged, Jesous Ahatonhia. The first Christmas
Carol sung in Ontario, 1642. Indian words by Father Jean de Brebeuf, and Ou`
s'en vont ces gais bergers? Old French Noel. English translations by J. E.
Middleton. |
Burleigh |
1928 |
Cecil
Burleigh, Westward. Song for
low or medium voice and piano. Poem from Longfellows Song of Hiawatha. Published New York: G. Schirmer, 1928. (Seven)
Indian Songs (voice and piano; ms. at the LC; undated; received 1945). |
Cadman |
1928 |
Charles
Wakefield Cadman, The New Trail. Indian Duet.
Words by Nelle R. Eberhart.
Boston: White-Smith, 1928. |
Converse |
1928 |
Frederick
Shepherd Converse, Bright Angel Trail from American Sketches, symphonic suite for
orchestra. Published Edwin F. Kalmus, 1933. [Depicts the Hopi legend of creation.] |
De Leone |
1928 |
Francesco
B. De Leone, In the Days of the Iroquois. An Indian Love Song,
words by F. H. Martens. Boston: White-Smith, 1928. |
Donaldson |
1928 |
Walter
Donaldson, Song of the Setting Sun. From the Boradway musical Whoopie!. Lyrics by Gus Kahn. Produced by Florenz Ziegfeld. New
York: Donaldson-Douglas & Gumble, 1928. |
Hanson |
1928 |
William
F. Hanson, Tam-Man-Nacup (see 1913). First performed Provo, Utah, May 3, 1928. Based
on Unitah Indian Ceremony. |
Jacobi |
1928 |
Frederick
Jacobi, Indian Dances. For orchestra, 1928. Published Leipzig & Vienna:
Universal Editions, 1931. First performed Boston under Koussevitzky. |
Knowlton |
1928 |
Bruce
E. Knowlton (1875-1941), Wakuta. Opera in 4 acts, performed Portland, Oregon, October 14,
1928. Libretto by the composer. |
Leigh |
1928 |
Norma
Leigh. Pearl Feather. Indian Intermezzo. Boston: Walter Jacobs, 1928. |
Luening |
1928 |
Otto
Luening (1900-1996), Evangeline. Three-act opera based on Longfellow with a narrative for an
Indian woman in Act III. |
Pochon |
1928 |
Alfred
Pochon (1878-1959), Indian Suite for string quartet, based on tribal themes of the American
Indians. Published New York: Carl Fischer, 1928. |
Riesenfeld |
1928 |
Hugo
Riesenfeld (1879-1939), Ramona. Piano-Conductor score to silent film. Manuscript original at
the LC. [Copy at Loeb Music Library, Harvard University] |
Skilton |
1928 |
Charles
Sanford Skilton, Kickapoo Social Dance and Sioux Flute Serenade. Rpnt. in Ten Modern Trios for Violin,
Cello, and Piano. Written for
and Edited by the Norfleet Trio with biographical and explanatory notes.
Published New York: C. Fischer, 1928. |
Skilton |
1928 |
Charles
Sanford Skilton, The Sun Bride or Bluefeather. Radio opera, 1928. Broadcast NBC Radio, New York, 17 April
1930; unpublished. Libretto by
Lillian White Spencer. [Howard
says based on the sun-worshipping beliefs of the Pueblo Indians of
Arizona.] The opera was
published in 1999 as The Sun Bride: A Pueblo Indian Opera and edited by Thomas
Warburton. Published Madison, Wis.: A-R Editions, 1999. |
Austin |
1929 |
Ernest
Austin, The Last Trail. Indian Elegy. [Song.] Words by B. Sayers. London: Elkin
and Co., 1929. |
Baldwin |
1929 |
Anita
M. Baldwin, Indian Fantasie: a symphonic suite for piano solo. Published United States:
s.n., 1929. Copy at UAZ. |
Bantock |
1929 |
(Sir)
Granville Bantock, Little Papoose Lake. Song, the poetry by P. B. Coolidge. New
York: Boosey and Hawkes, 1929. |
Barton |
1929 |
E.
Theodora Barton, A Queen's Sacrifice. A Play based on an Indian legend by E. T.
Barton with Indian music. |
De
Leone |
1929 |
Francesco
De Leone (1887 - 1948), Beneath the Palms. Songs for high voice and piano. Words by Charles O. Roos. Published
Cleveland, OH: Sam Fox Pub. Co., 1929. |
Farwell |
1929 |
Arthur
Farwell, Two Indian Poems for Voice and Piano, Op. 69. Words by C. O. Roos. CONTENTS: 1. The ravens are singing 2. A dawn song. |
Halle |
1929 |
Roger
Halle, Black Hawk Waltz. Indian Waltz. For Violin and Piano. Published New York: G.
Lipskin & Son, 1929. |
Harris |
1929 |
Cuthbert
Harris, Indian Camp Scenes. For piano duet.
Published Boston, New York: A. P. Schmidt Co., 1929. |
Jacobi |
1929 |
Frederick
Jacobi, Yebiche, Variations on an
American Indian theme (orchestra, 1929), in LC.
|
Zamecnik |
1929 |
J.
S. Zamecnik, Redskin (Theme Song of the Paramount Picture Redskin). Lyrics by Harry D.
Kerr. Published Cleveland: Sam Fox, 1929. |
Braine |
1930 |
Robert
Braine (1896-1940). The Song of Hiawatha. Orchestral suite in 4
movements. Ms.. Performed NBC Symphony on radio under Walter Damrosch. |
Burck |
1930 |
Henry
Burck, Indian legend: for violoncello with piano accompaniment. Published 1930. |
Carpenter |
1930 |
John
Alden Carpenter (1876-1951), Young man, chieftain!: an Indian prayer. For
voice and piano. Poem by Mary Austin. Published New York: G. Schirmer, 1930. |
De
Leone |
1930 |
Francesco
De Leone, Pocahontas for 2-part womens voices and piano. Published Cleveland; Sam
Fox, 1930. Text by Frederick H. Martens. |
Donaldson |
1930 |
Walter
Donaldson, Song of the Setting Sun. Samuel Goldwyns film version of Whoopee with song with exended
dance number by Busby Berkeley.
(See 1928) |
Lester |
1930 |
William
Lester, The Bird-Woman (Sacajawea), a legend of the Trail to the West.
Cantata for soprano, contralto, and baritone solo, chorus and orchestra.
Published Chicago: Gamble Hinged Music, 1930. Vocal score includes an
explanatory foreward. Text by Evangeline Close. |
Loomis |
1930 |
Harvey
Worthington Loomis, The Sun Worshippers. Tribal Ritual Tune of the Zuni Indians.
Harmonized by H. W. Loomis.
English text by the composer.
Boston: C. C. Birchard, 1930. |
Luening |
1930 |
Otto
Luening, Indian Maiden's Song from Evangeline. (See 1928.) Based on the poem by Henry Wadsworth Longfellow.
Published separately. New York: C. F. Peters, 1930. |
Milhaud |
1930 |
Darius
Milhaud, Christophe Colomb. Opera in two parts and 27 tableaux. Text by Paul Claudel.
Published Vienna: Universal, 1930. |
Skilton |
1930 |
Charles
Sanford Skilton, From Forest and Stream. For womens chorus. Published New York: C.
Fischer, 1930. 12 short choruses, one or two based on Indian subjects, i.e.,
Ghost pipes, etc. |
Densmore |
1931 |
Frances
Densmore, Indian action songs: a collection of descriptive songs of the
Chippewa Indians; with directions for pantomic representation inschools and
community assemblies. Published Boston: Birchard, 1931. |
Farwell |
1931 |
Arthur
Farwell, Mountain Song, A Symphonic Song Ceremony of the High Sierras. For orchestra with
chorusin five movements, in ms.). First performed St. Paul, 1949. |
Gaul |
1931 |
Harvey
Barlett Gaul (1881-1945). From an Indian Long House. Suite for string
orchestra and Indian percussion instruments. Composed 1931. Published by
Birchard, 1936. First performed by the String Symphony Ensemble of
Pittsburgh, April 1935. CONTENTS: 1. Seneca Condolence Dirge 2. Tuscarora
String-Bean Dance. |
Grunn |
1931 |
Homer
Grunn, Indian Nocturne. For piano, violin, and cello. Published New York: C.
Fischer, 1931; 5 pp.. |
Lehmer |
1931 |
Derrick
Norman Lehmer, Indian songs from the northland. Published Berkeley, CA: D.N. Lehmer,
1931. |
Lester |
1931 |
Thomas
William Lester, Hiawatha, opera after Longfellow, libretto by Francis Neilson.
Performed Chicago, 17 Feb., 1931.
|
Moore |
1931 |
Mary
Carr Moore, Los Rubios. 3-act opera. Los Angeles, September 10, 1931. Libretto by
Neeta Marquis. (Contains an Indian prologue). Manuscript vocal score, LC. |
Revueltas |
1931 |
Silvestre
Revueltas (1899-1940), Cuanahuac. Work for symphonic orchestra drawn from ancient Mexican
folklore. Uses native Mexican
Indian instruments. |
Venth |
1931 |
Carl
Venth, Hiawathas Wooing, A Cantata for Chorus and Four Solo Voices with
Accompaniment for Piano or Orchestra (unpublished). Words compiled by Henry
Earl Hard after Longfellow.
Performed 7 April 1931 at Fort North Texas by Hazel Post Gillette.
[Score at Univ. of Texas at Austin.] |
Busch |
1932 |
Carl
Busch. A Chippewa Lament For symphonic band, Boston: Ditson, 1932. |
Cadman |
1932 |
Charles
Wakefield Cadman, Indian Love-Charm. An Amerindian Choral Work for Soli and
Chorus of Mixed Voices. Text by S. G. Clark. Published Cincinnati: Willis Music, 1932. May also be performed as a pantomime
ballet. Stage instructions in score. Copy at UAZ. |
Caesari |
1932 |
E.
Herbert Caesari, Alknomock. The Death Song of the Cherokee Indians. The music says
wordswere written in 1790 by P. Freneau who lived intimately for 9 years
with the Cherokee Indians. The
text is actually by Anne Home Hunter.
|
Perl |
1933 |
Lothar
Perl, The Last Mohican, A Syncopated Dance for piano Published London: Schott &
Co., 1933. |
Philipp |
1933 |
Isidore
Philipp (1863-1958), Ghost Dance (Menomenee Indians). Published Philadelphia: T. Presser, 1933
|
Philipp |
1933 |
Isidore
Philipp, Love song (Cheyenne Indians). Published Philadelphia: T. Presser, 1933 |
Philipp |
1933 |
Isidore
Philipp, Medicine song (Sioux Indians). Published Philadelphia: T. Presser, 1933 |
Philipp |
1933 |
Isidore
Philipp, Prayer to the rain god (Crow Indians). Published Philadelphia: T. Presser, 1933 |
Rasbach |
1933 |
Oscar
Rasbach (1888-1975), Dawn Boy. Indian Operetta in two acts and three scenes, book and
lyrics by Cecily Allen. Published New York. G. Schirmer, 1933. |
Roberts |
1933 |
Helen
Heffron Roberts, Form in Primitive Music.:An analytical and comparative
Study of the Melodic Form of some ancient Southern California Indian Songs. |
Strickland |
1933 |
Lily
Strickland (1887-1958). White Hawk: a Legend of the Shawnee Indians. Dramatic song cycle--or
cantata--for soli, reader, and chorus. Text by the composer. Published
Philadelphia: T. Presser, 1933. |
Deis |
1934 |
Carl
Deis, Dagger Dance from Victor Herberts Natoma. Arranged for mens
chorus with text borrowed from Lorraine Noel Finley. Published New York:
Schirmer, 1934. |
Gaul |
1934 |
Harvey
Bartlett Gaul, Choruses from The Masque of Niagara. Words by T. W. Stevens. CONTENTS: 1. Thunder of Waters. S. A. T. B. 2. Indian River
Song. S. S. A. 3. Chorus of Pioneers. S. A. T. B. 4. The Tree of Law. S.
A. T. B The Masque of Niagara. |
Williams |
1934 |
Ralph
Vaughan Williams, Tobacco's but an Indian Weed. Old English Air for T. T.
B. B. Arranged by R. V. Williams. |
Engels |
1935 |
Peter
Joseph Engels (1867-1945?). Minnehaha (opera). Won Bispham medal. |
Erickson |
1935 |
Earl
Erickson, Minneopa: an Indian song. Quartet for piano, 2 clarinets and saxophone. Published
Chicago, IL: Gamble Hinged Music Co., 1935. |
Gould |
1935 |
Morton
Gould (1913-1996), Indian Nocturne: Americana, Mood sketches, no.2. For piano solo.
Published New York: C. Fischer, 1935. Arranged for orchestra in 1947. Published New York: Carl Fischer,
1947. |
Miller |
1935 |
Horace
Alden Miller. Barbaric
Splendor
from Three Pieces from the Indian World for pipe organ. Published Mt. Vernon, Iowa:
Cornell College, 1935, 5 pp. |
Ring |
1935 |
Justin
Ring, No. 3 of Variations on Three Blind Mice For Piano. Published New
York: Edward Schuberth & Co., 1935. |
Venth |
1935 |
Carl
Venth, La Vida de la Mision (opera, San Antonio, Texas). Intended for the Texas Centennial Exposition of 1935. |
Chvez |
1936 |
Carlos
Chvez (1899-1978), Sinfonia India.
Symphony no. 2. Published New York: G. Schirmer, 1950. |
Green |
1936 |
George
Hamilton Green (1893-?), An Indian story. Published New York: Carl
Fischer, 1936. |
Offenbach/Glickman |
1936 |
Jacques
Offenbach, arranged by Mort H. Glickman, Apache Dance for piano solo.
Published Chicago: Calumet Music, 1936. |
Scarmolin |
1936 |
Anthony
Louis Scarmolin (1890-1969), The Tellico Scarf: Cherokee Love Song. Part-song for mens voices. Words by
Frederick H. Martens (1874-1932). Published Boston: B.F.Wood Music, 1936. |
Thayer |
1936 |
Patrick
Thayer, Snowbird. A north American Indian song of the Great Lakes, words by
Bruce Sievier. London: Ascherberg,Hopwood, and Crew, 1936. |
Andrews |
1937 |
Mark
Andrews, Indian Summer. Voice and piano.
Lyrics by R. Kelso. New York: Carl Fischer, 1937. Arr. by the composer as a chorus for
mens voices T. T. B. B. (also Carl Fischer, 1937). |
Burke |
1937 |
Carleton
Burke, Symphony Iroquoian. Symphonic poem for orchestra. Published Rochester Music and
Science Center, 1937. On themes
transcribed by the author. |
Farwell |
1937 |
Arthur
Farwell, The Mother's Vow. For Eight-part Chorus of Mixed Voices with Soprano Solo a
cappella. Omaha Indian Melody recorded by A. C. Fletcher. Op. 102. No. 4. |
Farwell |
1937 |
Arthur
Farwell, Four Songs for [double] A Capella Chorus on Indian Themes. Published New York:
Schirmer, 1937. Written for the
Westminster Choir of Princeton, New Jersey. Adapted from earlier piano works. |
Gaul |
1937 |
Harvey
Bartlett Gaul, Appalachian Mountain Melodies. Arranged for Mixed
Voices by H. Gaul. |
Grunn |
1937 |
John
Homer Grunn, Chant of the Four Hills. Indian Song, with ad lib. Violin and Cello,
words by C. O. Roos. |
Hayden |
1937 |
F.
Francis Hayden, Indian slumber song. Lyrics by Joseph Mendelsohn. Published
Chicago: Braun Organization, 1937. First Line: Lo! the night is falling, now
is slumber calling. |
Cadman |
1938 |
Charles
Wakefield Cadman, American Suite for String Orchestra. Published New York: Composers Press,
1938. Version for full orchestra published Composers Press, 1944. |
Childers |
1938 |
Lemuel
Childers, Pictures from Hiawatha. Suite for violin
with piano. Published New York:
Carl Fischer, 1938. |
Cowell |
1938 |
Henry
Cowell. Amerind Suite. Unpublished.
[Manuscript at Stanford Univeristy, Stanford, CA.] |
Farwell |
1938 |
Arthur
Farwell, Indian Fugue Fantasy for piano (ms., 1938). Revised from an earlier unfinished
work, the Fugue Fantasy for string quartet on an Omaha theme (begun 1914). |
Noble |
1938 |
Ray
Noble (1903-1978), Cherokee (Indian Love Song). Published New York: Shapiro, Bernstein
& Co., 1938. This song was the basis of many jazz arrangements, including
Charlie Parker and Dizzie Gillespies Ko-Ko and Charlie Barnets Big
Band arrangement (Smithsonian Collection of Big Band). It can also be heard
on the Bud Powell collection. It was published for jazz ensemble in an
arrangement by Mark Taylor in Milwaukee: Jenson Publications, 1990. |
Skilton |
1938 |
Charles
Sanford Skilton, String Quartet in B minor. Unpublished manuscript. Composed in
Vienna, Austria, while on sabbatical.
Fourth mvt. based on theme Indian Hunting Dance. |
Carter |
1939 |
Elliott
Cook Carter (1908-), Pocahontas. Ballet-legend in one act; unpublished. Depicts Indian ambush
of John Smith and his rescue by Princess Pocahontas. Commissioned by the
Ballet Caravan, 1939. First performed by them in conjunction with the
American Lyric Theatre and the League of Composers. A Suite from
Pocahontas, consisting of 4 excerpts from the ballet was published by Kalmus
and received the Juilliard Publication Award, 1940. [Score in the Fleisher Music Collection.] This orchestra suite was finally
published in 1972. A Pavana (Despedida de Pocahontas) from the ballet was
arranged for piano solo and published in 1941. |
Donald |
1939 |
H.
A. Donald, At the Door, on Summer Evenings, etc Hiawatha
Dramatized. London: J. Curwen and Sons, 1939. |
Lieurance |
1939 |
Thurlow
Lieurance, Medicine Dance. - Menominee Indians. - Three or Five-part
Mixed Chorus with Tom-Toms - Indian Drums - Bass Drum, Gong - or Cymbals -
with Piano accompaniment. Based
on traditional Indian Melodies adapted and arranged by Lieurance. |
Sodero |
1939 |
Cesare
Sodero (1886-1947), Moonlight on the Lake: An Indian Idyl for violin and piano.
Published New York: Carl Fischer, 1939. |
Treiber |
1939 |
Harry
Euler Treiber, Indian river. Words by Pauline Sager. Published New York: White-Smith
Music, 1939. Title page: "Lullaby and lament of the river for its
vanished child the Red Man. |
Noble |
1940 |
Ray
Noble (1903-1978), Comanche War Dance: from Indian Suite: Fox-Trot. For dance
orchestra. Published New York: Shapiro and Bernstein, 1940. Available in set of 14 parts. |
Evans |
1940s |
Lee
Evans (arr.), Cherokee (Indian love song). Published in Big Band Swing, Milwaukee: Hal Leonard,
1995. |
Albertson |
1941 |
Ruthella
Marjorie Albertson, The American Indian and his song. Published Moscow, 1941.
|
Gaul |
1941 |
Harvey
Bartlett Gaul, Christmas Dance of the little Animals. For Organ solo. Hopi
Indian, from the Isliter Reservation, New Mexico. Freely arranged by H.Gaul. |
Levenson |
1941 |
Boris
Levenson (1884-1947), (harmonized and freely transcribed), Hopi Indian
Lullaby.
Puwuch tawis (Sleep, Sleep). For high or medium Voice. Indian folk song
harmonized and freely transcribed by the composer. English text by Princess
Neioma Whitecloud. Published New
York: H.W. Gray, 1941. |
Stewart |
1941 |
Frank
Graham Stewart (1920-), Suite for Piano Based on American Indian Songs. Published Cleveland, Ohio, Composers
Autograph Publications 1949.
Currently: American Music Center. |
Castelnuovo-Tedesco |
1942 |
Mario
Castelnuovo-Tedesco, Indian Songs and Dances on American Indian
themes, Op. 116. For grand orchestra, unpublished. Manuscript at the LC,
dated 1942. First performed Los Angeles Philharmonic under Sir John
Barbirolli, 1943. |
Egk |
1942 |
Werner
Egk. Columbus: Bericht und Bildnis. Words and music by Egk. Published Mainz: B.
Schott, 1942. |
Kaufmann |
1942 |
Walter
Kaufmann (1907-), Six Indian Miniatures for Orchestra. Published Toronto: Canadian
Music Centre, 1942. |
Campbell |
1944 |
Marion
Campbell, Osceola. One-act opera. Performed National American Indian League, Los
Angeles. Based on the life of
the Seminole Chief (1804-1838). |
Stringfield |
1944 |
Margaret
Stringfield, Occoneechee, Fair Maid of the Forest, a Cherokee Indian
operetta in three acts. Libretto based on the poem of the same title by
Robert Frank Jarrett. Arranged by John D. Jones. (Performance Waynesville, N.C. 1948?) |
Carmichael |
1945 |
Hoagy
Carmichael, Doctor, Lawyer, Indian Chief. From the Paramount film The Stork
Club.
Lyrics by Paul Francis Webster.
New York: Burke and Van Heusen, 1945. |
Gaul |
1945 |
Harvey
Bartlett Gaul (1881-1945), Corn Planter's Woman's Song: three-part song for
women's voices (AAS) and piano. From the Corn Planter Indian Reservation,
Upper Allegheny. Published Philadelphia: O.Ditson, 1945. |
Guthrie |
1945 |
Jack
Guthrie and Woody Guthrie, Oklahoma Hills. Published New York: Michael H.
Goldsen, Inc., 1945. First line: Many months have come and gone. First line
of chorus: Way down yonder in the Indian nation. |
Hewitt |
1945 |
Harry
Hewitt (1921-), Indian suite. Unpublished
manuscript In CBS collection, Eastman School of Music. |
Jong |
1945 |
Marinus
de Jong (1891-1984), Symphonisch Heldendicht Hiawatha, Op. 36 (after
Longfellow). Four solo voices, chorus, and orchestra. First performed,
Brussels, 1949. [Also called Hiawathas
Lied.] |
McPhee |
1945 |
Colin
McPhee (1900-1964), Iroquois Dances.
For chamber orchestra with maracas and tom-tom. In the introduction to the score,
McPhee states: The Four Iroquois Dances were written at the request of the
Instituto Indigenista Inter-Americano of Mexico City for broadcast to
Latin-America. Published: New
Music 18 (July 1945). |
Berlin |
1946 |
Irving
Berlin (1888-1989). Indian excerpts from Annie Get Your Gun. Broadway musical about
Annie Oakley, Buffalo Bill Cody, and Chief Sitting Bull.) Features Indian Chant, the song
Im an Indian, Too, and the Indian Dance. New York: Irving Berlin Music
Corporation, 1946. Reissued 1967
with revised arrangements. |
De Lamarter |
1946 |
Eric
De Lamarter (1880-?), From the Long Room of the Sea. For organ solo, based
on an American Indian Melody. Published
New York: M. Witmark, 1946; 7 pp. |
Farwell |
1946 |
Arthur
Farwell, Two A Capella Choruses in 8 parts (privately printed, 1946). Written for the Westminster Choir of
Princeton, New Jersey; based on two earlier works. |
Strickland |
1946 |
Lily
Teresa Strickland, Laughing Star of Zuni. An Operetta in two acts,
one scene. Book and lyrics by
Theodosia Paynter. Cincinnati:
Wills Music Co., 1946. |
Robb |
1947 |
John
Donald Robb (1892-?), Pictures of New Mexico for piano solo. Published
New York: Associated Music Publishers, 1947. |
Jolivet |
1948 |
Andr
Jolivet (1905-1974), Hopi Snake Dance for two pianos. |
McPhee |
1948 |
Colin
McPhee, Broken Arrow. Music for a
radio documentary. May 22, 1948,
CBS radio. Original title:
Arrows in the Dust. For orchestra. Music is lost. |
Kilpatrick |
1949 |
Jack
Frederick Kilpatrick, Cherokee Autumn Dance. For piano solo.
Published Chicago: C. F. Summy, 1949. |
Rapoport |
1949 |
Eda
Rapoport (1900-?), Indian legend [for] woodwind quintet (Flute, oboe, Bb clarinet, F horn,
bassoon). Published Associated Music Publishers, 1949. Copy at UAZ. |
Partch |
1950 |
Harry
Partch (1901-1974), Cloud Chamber Music: Intrusions #11. |
Getz |
1950s |
Stan
Getz, Indian Summer. |
Williams, Ha |
1950s |
Hank
Williams (country singer), Kaw-Li-Jah. [Song about a wood Indian who falls
in love with another cigar-store maid.] |
Westervelt |
1951 |
Marie
Westervelt (1917-?), Cowboys and Indians. Illustrations by Jane
Flory. Published Cincinnati, Ohio: Willis Music Co., 1951. CONTENTS: The streets of Laredo--Little Mohee--Great
Grand-Dad--The gal I left behind--Goodbye, Old Paint--Indian tom-toms--Little
Joe--The warring Comanches--The trail to Mexico--Red River Valley--Indian war
dance--Whoopee-ti-yi-yo--Bury me not. |
De Rose |
1952 |
Peter
De Rose (1900-1953), Wooden Indian: from the Warner Bros. picture About
Face. Words
by Charles Tobias. Published New York: M. Witmark & Sons, 1952. First
Line: Hail! Hail! Hail to the Wooden Indian. |
Hofmann |
1952 |
Charles
Hofmann, (1914-, compiled and edited), War whoops and Medicine Songs. Illustrations by
William T. Walls. Published Boston: Boston Music Co., 1952. Includes a list of phonograph records
of American Indian music. |
Kremenliev |
1953 |
Boris
Kremenliev (1911-88). Cherokee Fire Dance, second movement from Wilderness
Road for
symphonic band. [Kremenliev
Collection, Eastman School of Music] |
Lieurance |
1955 |
Thurlow
Lieurance, Fantasia on American Indian Themes for violin and piano.
Published New York: Schirmer, 1955. |
Partch |
1955 |
Harry
Partch, The BewitchedA Dance Satire. First performed, Urbana, IL, 26 March 1957. |
Bacon |
1956 |
Ernst
Bacon (1898-1990), Great River (the Rio Grande), Symphony No. 3, narrator
and orchestra. Text and
narration by Paul Horgan from Great River: The Rio Grande in North
American History (1954). Composed
1955-56. First performance Dallas, Texas, 11 February 1957, Dallas Symphony
Orchestra, Walter Hendl conductor. Score unpublished. |
Gold |
1956 |
Ernest
Gold (1921- 1956), Three Songs on American Indian Lyrics. New York: Lawson-Gould Music
Publishers, 1956. |
Childers |
1957 |
Lemuel
Childers, The Indian flute. Published Saint Louis: Art Publication Society, 1957 |
Glanville-Hicks |
1957 |
Peggy
Glanville-Hicks (Australian, 1912-1990), Prelude and Presto for Ancient
American Instruments. [Publication
information unknown.] |
Morel |
1957 |
Jean
Morel and Ignace Strasfogel (after Offenbach), A Spaniard knows. (The Soldier and the
Indian Maid,) from the Metropolitan Opera version of La Prichole, in English. Lyrics by
Maurice Valency. New musical version by Jean Morel and Ignace Strasfogel La
Prichole. (L'Espagnol et la jeune indienne.) |
Still |
1957 |
William
Grant Still (1895-1978), Four indigenous portraits: for string quartet and
flute. Published Mission Viejo, CA: WGS Music, 1957. |
Diemer |
1959 |
Emma
Lou Diemer, Symphony no. 2 on American Indian Themes. Unpublished. First performance
Rochester, New York, 23 March 1959, Eastman-Rochester Symphony Orchestra,
Howard Hanson conductor. Second movement (under the title Night Song) won second prize in the
Contest for Tranquil Music [!], 1959. |
Finlayson |
1960 |
Walter
Finlayson, Sketches: for piano. Illustrations by Winfield H. Scott. Publshed
NewYork: E.B. Marks, 1960. A set of teaching pieces. Includes an Indian
Prayer. |
Dawley |
1961 |
Muriel
Dawley, American Indian Songs. Collected and adapted by Muriel Dawley and Roberta
McLaughlin. Unaccompanied melodies; words in native languages, some with
English translations. Includes rhythm indications for drum accompaniment.
Published Hollywood, CA: Highland Music, 1961. Reprinted Van Nuys, CA: Alfred
Publishing, 1990. |
Niehaus |
1961 |
Lennie
Niehaus, Indian Chant and Dance. (Based on American Indian themes). Arranged by L. Niehaus and V. Leidig, etc. |
Beach Boys |
Beach
Boys, Ten Little Indians.
Written Brian Wilson and Gary Usher. Released on their album Surfin
Safari. Song begins: Ten little Indian boy;
The first little Indian gave squaw pretty feather; (Little Indian boy). |
|
Crook |
1962 |
Peter
Crook, Indian Summer. A piano solo. |
De Falla |
1962 |
Manuel
de Falla (1876-1946), Atlantida. Scenic cantata
in a prologue and three parts on a poem by Jacinto Verdguer and adapted by de
Falla. Music posthumously
completed by Ernesto Halffter.
Published Milan: Ricordi, 1962. |
Cox |
1963 |
David
Cox (1916- 1963), Indian Ritual Dance, etc. For piano solo. London: G. Ricordi, 1963. |
Dungan |
1963 |
Olive
Dungan, Little Brown Papoose. Indian lullaby. (S. A.) Words by
Harriet Lyon Leonard. |
Morgenstern |
1963 |
Sam
Morgenstern, El Canto del caminante. The Wanderer's Song. (Mexican Indian.) For
mixed voices (S. A. T. B.) by S. Morgenstern. Span. & Eng. |
Brussels |
1964 |
Iris
Brussels, Tone Pictures for piano solo.
New York: Southern Music, 1964 |
Cash |
1964 |
Johnny
Cash, Bitter Tears (Ballads of the American Indian). Album. CONTENTS: As Long as the Grass Shall Grow Apache Tears --
Custer The Talking Leaves The Ballad of Ira Hayes -- Drums White Girl
The Vanishing Race. |
Sessions |
1964 |
Roger
Sessions, Montezuma. Opera in three acts. Published New York: Marks Music Corp.,
1962. Performed in Boston by the Boston Opera Company and directed by Sarah
Caldwell, 1976. |
Pados |
1965 |
Virginia
Bogdan Pados, Mass of the Mighty Spirit for unison voices. Based on American
Indian airs. |
Ballard |
1966 |
Louis
Ballard, Scenes from Indian life. Score in manuscript only [1966]. |
Blakeslee |
1966 |
S.
Earle Blakeslee, Red Cloud: an American Indian opera. Libretto by Florence H. Blakeslee ahd Henry Reese, 1966. |
Graetzer |
1966 |
Guillermo
Graetzer (b. 1914), Altindianische Tnze aus Sd- und Mittelamerika. Fr Blockflten,
Gitarre (Laute) und Schlagwerk; Bass ad lib. Published Mainz: Schott,
1966. Copy at UAZ. |
Kohs |
1966 |
Ellis
B. Kohs, Three Songs from the Navajo. For mixed chorus (SATB) with optional
piano. Published New York: Mercury Music, 1966.
|
Mackay |
1967 |
George
Frederick Mackay, Indian Summer. For three-part chorus of women's voices with piano
accompaniment. [Words by] Emily Dickinson. |
Brubeck |
1968 |
Dave
Brubeck, Indian Song. In the album Dave Brubeck Trio with Gary Mulligan.
Published
in Dave's Diary: a collection of Dave Brubeck piano solos. Published Miami, FL:
Warner Bros, 1995. |
Ballard |
1969 |
Louis
W. Ballard, Ritmo Indio: a study in American Indian rhythms: for woodwind quintet.
Published New York: Bourne Co.; Chappell Music, sole selling agent,
1969. "In second movement
oboist doubles on the Sioux Indian flageolet or substitute soprano
reforder." |
Ballard |
1970 |
Louis
Ballard, The American Indian sings.
Arrangements of authentic tribal songs with original piano
accompaniment & percussion & guitar chords. Published Santa Fe, NM:
Ballard Music Co., 1970. Second
edition, 1976. Copy at UAZ. |
Roberts |
1970 |
Ruth
Roberts, The Legend of the Twelve Moons: a choral pageant of the American Indian. Text by Leonard De Paur. Published
Port Chester, NY: Michael Brent Publicaions, 1970. |
Zuckert |
1970 |
Leon
Zuckert (1904-), Indian lullaby. Poem by Ella
Bobrow. For voice, violin,
bassoon or cello, and piano. Published Toronto: International Music Sales,
1970. |
Anon |
1970s |
Composer
unknown for Chers Cherokee Woman and Half Breed. Songs written by? |
Avshalomov |
1971 |
Jacob
Avshalomov (b. 1919), Praises from the Corners of the Earth. For mixed chorus (SATB),
organ, and percussion (3 players). Published New York: Duchess Music Corp.,
1971. Texts by John Donne, Chief Joseph Strongwolf, E.E. Cummings, and the
Koran. |
Pasch |
1971 |
Silvio
Pasch, The gift of the sun: a play with music based on North American Indian
folklore. Words by Irene Pasch.
Juvenile operetta. Published
Waterloo, Ont.,Canada: Waterloo Music, 1971. |
Blumenthal |
1973 |
Ted
Blumenthal, Indian Echoes. |
Shapiro |
1973 |
Michael
Shapiro (1951-), Teton Sioux from Walt Whitmans Song of Myself. For bass voice and
piano. Published Chappaqua, NY: Paumanok Press, 1973. |
Hoey |
1974 |
Fred
Hoey, Yaqui Indian Suite for percussion ensemble (xylo marimba, temple blocks,
maracas, bongos, tambourguiro, roto toms, cowbell with wood striker, congas,
snare drum, timbales, timpani, triangle). Published Melville, NY: Belwin
Mills, 1974. |
Parfrey |
1974 |
Raymond
John Parfrey (1928-), Indian Lament, mov. 2 in Trio for oboe, clarinet, and
bassoon. CONTENTS: 1. Italian madrigal -- 2. Indian lament -- 3.
Chorale -- 4. Irish jig. |
Selig |
1974 |
Robert
Selig (1939-1984), Pometcomet: 1676.
For wind symphony orchestra.
Based on the subject of Philip, Sachem of the Wampanoags, d.
1676. Unpublished ms. score. Cambridge, Massachusetts, 1974. |
Younger |
1974 |
John
B. Younger, 'Twas in the Moon of Wintertime. S. A. T. B. [Flute, recorder,
hand drum and organ or P. F.] |
Ballard |
1975 |
Louis
W. Ballard, Incident at Wounded Knee, for chamber orchestra. Published New York:
Belwin Mills, 1975. |
Beglarian |
1976 |
Grant
Beglarian, To Manitou!, for soprano and chamber orchestra. Text based on American Indian poems and ritual
orations. Published?,
1976.
|
Cage |
1976 |
John
Cage, Apartment house 1776: materials for a "musicircus" for any number of
musicians, in observance of the Bi-Centennial of the U.S.A., to which are to
be added, live or recorded, Protestant, Sephardic, and American Indian songs,
and Negro calls and hollars, to be played with or without Renga. Published
New York: Henmar Press, 1976. |
Henderson |
1976 |
Alva
Henderson, The Last of the Mohicans. Opera in three acts
after Cooper. Librettos by J.
Lewis. Performed Wilmington, Delaware, Bloomington Opera House, 1976.
|
Jennings |
1976 |
Frances
Densmore, American Indian songs for mixed chorus (SATB) and piano. Settings of poetry by
Frances Densmore. Published Dayton,
OH: Walton Music Corp., 1976. |
Norby |
1976 |
Erik
Norby, The rainbow snake: A Symphonic Poem Based on an Indian Legend. Published
Kbenhavn: W. Hansen musik-forlag, [1976] "Wilhelm Hansen edition, no. 4304." |
Smit |
1976 |
Leo
Smit, At the corner of the sky: for men and boys choir and solo flute and oboe; poems of
North American Indians translated by Jerome Rothenberg. Published New York,
NY: C. Fischer, 1976. |
Urner |
1976 |
Catherin
Murphy Urner, Two traditional American Indian songs. Arr. for the organ by Catherine
Urner. Manuscript, 1976. CONTENTS: Corn grinding song -- Sun dance. |
Giles |
1977 |
Martha
Mead Giles (1932- ), A synthesis of American Indian music as derived from
culture:examination of style, performance practices, and aesthetics for music
education.
Published Norman: [s.n.], 1977. |
Hiller |
1977 |
Lejaren
Arthur Hiller (1924-), Ponteach, Melodrama for narrator and piano (1977). After the play by Robert Rogers
(1731-95) about Pontiac, the 18th-century Ottawa chief. Published
Philadelphia: Kallisti Music Press, 1992. 27 pp. |
Stockhausen |
1977 |
Karlheinz
Stockhausen (1928-), "Am Himmel wandre ich ... " (Indianer Lieder.)
Fr 2 Singstimmen. 1972. Werk Nr. 361rs2/rs22. |
Amram |
1978 |
David
Amram, Native American portraits. Trio for
violin, piano and percussion (frame drum, tom-toms, bass drum, tambourine,
rattle, triangle, sleigh bells, scraper, and marimba). Based on traditional
Indian themes. Published New York: C.F. Peters, 1978. Reproduced from
manuscript. |
Cope |
1978 |
David
Cope, Requiem for Bosque Redondo. [An Indian
Reservation] Work for 4
Trumpets, 4 Horns, and 4 Trombones using extended techniques. Composed in 1978. Published Clifton,
NJ: Published for the American Society of University Composers by European
American Music, 1988. |
Sverud |
1978 |
Harald
Sverud (1897-1992), Pastorale: "Indian summer": cello solo, opus 54.
Published Oslo: Musikk-Huset, 1978. |
Becker |
1979 |
Bob
Becker (arr.) or George Hamilton Green, An Indian story. For xylophone solo and
four marimbas. Published Laval, Que.: Musica Enrg. - A. Pelletier,
1979. [An arrangement of a work
by Green written and published in 1936.] |
Ferris |
1979 |
William
Ferris, Indian Summer. For mixed chorus and piano. Poem by Emily Dickinson. |
Forsberg |
1979 |
|
Singer |
1979 |
Jeanne
Singer, American Indian song suite: based on traditional Indian songs. For
mixed chorus (SATB) and piano with solos for tenor and mezzo. [S.l. s.n.], 1979. |
Tull |
1979 |
Fisher
Tull (1934-), An Indian Prayer. |
Block |
1980 |
Steven
D. Block (1952-), Darkness songs: five tone-poems based on American Indian
poetry. Sextet for piano, flute/piccolo/alto
flute, oboe/English horn, percussion, cello, double bass with optional
narrator. Published New York, NY: American Composers Alliance, 1980. |
Gillock |
1980 |
William
Gillock, Two Indian dance for piano solo. Published Cinncinnati, Ohio: Willis Music,
1980. |
Selig |
1980 |
Robert
Selig (1939-1984), Symphony No. 2.
Earth Colors: Seven Portraits for Orchestra. Inspired by the life of the Shawnee
chief, Tecumseh [1768-1813]. MS. score. [Copy at New England
Conservatory] |
Adolphus |
1980s |
Milton
Adolphus (1913-1988), String quartet no. 16: "Indian": op. 69.
Published New York, NY: American Composers Alliance, [198-?] |
Goemanne |
1981 |
Nol
Goemanne, An Indian prayer for S/A, baritone solo, piano, or ensemble of large and small
drums, flute, tonebells/handbells Published Garland, TX: Choristers Guild,
1981. |
Lepin |
1981 |
Anatoli
Akovlevich Lepin (1907-), Suita iz baleta Pesnia o Gaivate (Suite from the ballet Song
of Hiawatha). For full symphony orchestra.
Published Moscow: Sov. Kompozitor, 1981. |
Anon. |
1981 |
Hiawatha:
traditional American Indian songs. Published London: Valentine Music Group, 1981. |
Blake, R |
1982 |
Ran
Blake, Indian Winter. Published Newton Centre, MA: Margun Music, 1983, c1982. |
Schafer |
1982 |
R.
Murray Schafer, Wizard Oil and Indian Sagwa for clarinet and
speaker. No. 3 from Patria. Published Bancroft,
Ontario: Arcana Editions, 1982. |
Van Eps |
1982 |
Robert
Van Eps, American impressions: a suite for piano. Published Pacific, MO: Mel Bay
Publications, 1982. |
Gann |
1983 |
Kyle
Gann (1955-), Cherokee Songs, S, perc, 1983.
[An early fascination with the music of Ives developed his interest in
polyrhythmic music and led to study of the music of the Hopi, Zuni and Pueblo
Indians, which in turn informed the rhythmic language of his own compositions
(notably in Snake Dances, 1991-5).] |
Ballard |
1985 |
Louis
Ballard, Four American Indian Piano Preludes. Published Santa Fe,
N.M.: New Southwest Music Publications, 1985. Dedicated to Darius Milhaud and Ruth Dor. |
Olson |
1986 |
Lynn
Freeman Olson, Indian celebration. Published Van Nuys, CA: Alfred Pub. Co.,
1986 |
Bernstein |
1987 |
Seymour
Bernstein, The Old Indian in Moodscapes: Ten Recital Pieces
(intermediate piano). Published New York: G. Schirmer, 1987. |
Mobberly |
1987 |
James
Mobberly, Songs of Native North America for soprano, tenor, and chamber ensemble.
Unpublished; score in manuscript. |
Smith |
1987 |
Julia
Smith (1911-), American Indian Dances from the opera Cynthia Parker. Transcribed for piano
four-hands. Published New York: Mowbray and Bryn Mawr, PA: T. Presser, 1987.
[The dances are based on melodies from The Indians Book by Natalie Curtis.] Copy
at UAZ. |
Cacioppo |
1988 |
Curt
Cacioppo, Echoes Returning to Song. Melodies from a New England powwow. For voices and percussion. Nos. 1-8 were sung during the circle
dances at the 2nd Annual Chaubunagungamaug Nipmuc Powwow in Oxford Mass.,
Sept. 11, 1982; no. 9 at the Indian Spiritual and Cultural Training Council
2nd Annual Event, July 10, 1982. Published Bryn Mawr, Pa.: Orenda Press,
1988. |
Raph |
1988 |
Pierre
Raph, Indian Prayer in Colour jazz: 6 pices pour quintette de cuivres. For 2 trumpets, horn
(or trombone), trombone, tuba (or bass trombone). Published Paris: G.
Billaudot, 1988. |
Bialosky |
1989 |
Marshall
Bialosky, A Prologue and Three Songs to Words of American Indian Chiefs for baritone, flute,
alto flute, two bassoons, and percussion. Published Palos Verdes Peninsula,
CA: Sanjo Music, 1989. |
Havana Black |
1989 |
Havana
Black, Indian Warrior. Song on the album Indian Warrior. Capitol label. Hair and power ballads |
Lentz |
1989 |
Daniel
K. Lentz (1942-), Apache Wine. For chamber orchestra, 1989. |
Schmidt |
1989 |
William
Schmidt (1926-), The White Sun Lady.
Variations on a Seminole Medicine Chant for solo trumpet. Published
Greeley, Colorado: WIM, 1989. |
Bouchard |
1990 |
Linda
Bouchard (1957-), March: Chant de Qute.
Commissioned by the Fieldston High School, Riverdale, NY, April
1900. The melodic material
used in this piece was taken directly from a native American Indian song from
Qubec. [Unpublished.] |
Chazanoff |
1990 |
Daniel
Chazanoff (1923-), Music of the Native North American for the Flute or
Recorder. Published Brasstown, NC: Susato Press, 1990. "Illustrations
from: Eva Wilson, North American Indian designs for artists and craftspeople.
Dover Publications, Inc., New York" |
Kitzke |
1990 |
Jerome
P. Kitzke (b. 1955), Box Death Hollow. Text and music by Jerome Kitzke. American
Composers Alliance, 1990. For solo voices (male and female) men's chorus (12
Bar) with percussion, harmonicas, and instrumental ensemble: pedal steel
guitar, oboe clarinet, trumpet, trombone violin double bass, and percussion
(2 players). At end: Moon of
the Frosted Lodge (January 1, 1990) to Moon when the Ponies Shed (May 26,
1990) Mitakuye Oyasin. Premiered by Present Music Oct. 21, 1990 as part of
the composer's NEA residency with the group at St. Paul's Episcopal Church,
Milwaukee, Wis. Written to acknowledge the centennial of the massacre of Big
Foot's Miniconjous Sioux by U.S. troops near Wounded Knee Creek on South
Dakota's Pine Ridge Reservation, December 29, 1890. |
Anon. |
1990 |
Anonymous,
Two Native American songs as Sung by Libana (Musical Group). Neesa
(Native American) and Now I Walk in Beauty (Hopi Indian). Sources unknown.
Published Durham, NC: Ladyslipper, 1990. [Published with songs of other cultural and ethnic
groups]. |
Chang |
1991 |
Debra
Wei Kwen Chang, Songs of the Wind. DMA Thesis,
University of North Texas, 1991.
[ A composition for reader, chamber choir (SATB), and chamber
orchestra. Texts are American Indian songs and chants and a fragment of the
Aztec Song of Quetzalcoatl in English translation, and two American
Indian-inspired poems by Hartley Burr Alexander (1873-1939).] |
Gann |
1991 |
Kyle
Gann, Snake Dance no.1, for percussion quartet, 1991. |
Lockwood |
1991 |
Annea
Lockwood, The Angle of Repose. Songs for
baritone, alto flute and khaen (Thai) or sho (Japanese). The second section
uses an Ojibwa Indian text quoted by Peter Mattheissen in his book Nine
Headed Dragon River. In manuscript
only. |
Moore, G |
1991 |
Gerald
L. Moore, Native American Tunes, in three- and four-part settings for SAT and SATB, for
recorders or flutes. Published Brasstown, NC: Susato Press, 1991. |
Ward |
1991 |
Robert
Ward (b. 1917), Bath County Rhapsody, for string quartet and piano. Boston: E. C.
Schirmer, 1991. |
Glass |
1992 |
Philip
Glass, The Voyage. Opera. Produced
at the Metropolitan Opera, New York. |
Ho |
1992 |
Fred
Wei-Han Ho, Beyond Columbus and Capitalism. Woodwind quartet for 4 saxophones.
Published U.S.A.: Transformation Art Publisher, 1992. |
Hutchison |
1992 |
Warner
Hutchison (1930-), Death-Words from the Cherokee. For mezzo-soprano and chamber
orchestra (woodwinds, strings, guitar, 3 percussionists, and electronic
tape). Published New York: Seesaw Music Corporation, 1992. The final words of dying young
Cherokee Indian Christians as recorded by one Ani:lage:yv Ugi:dahl(i),
Cherokee Baptist minister. From fragments found in the ruins of a Cherokee
Baptist Church in Georgia following the forced migration of the Cherokees by
the U.S. government. Translated from the original Sequoyah calligraphy by
Anna G. and Jack F. Kilpatrick. From Kilpatrick & Kilpatrick, Shadow
of the Sequoyah [sic], (Norman,
Okla.:1965)--P. [2]. |
Chazanoff |
1993 |
Daniel
Chazanoff (1923-), Native American Music, in seven volumes, for the flute or
recorder with drum/rattles ad lib.
Published Brasston, NC: Susato Press, 1993. (Susato Press folk series)
|
Thompson |
1993 |
Clyde
Thompson (1947-), A-Waniki. DMA Thesis
composition. University of
Missouri-Kansas, 1993. Texts of Indian ceremonies and rituals set to music.
For mixed chorus and orchestra. |
Tollin |
1994 |
Robert
Tollin (1947-), American Variations for Flute, Violin, and Guitar. Published
Toronto, Ont.: Acoma-Nambe Editions, 1994. |
Young |
1994 |
Neil
Young, Pocahontas, in Neil Young: Unplugged, arranged by Jesse
Gress. (Authentic guitar-tab
edition). Published Miami, FL: Warner Bros. Publications, 1994. |
Gann |
1995 |
Kyle
Gann, Snake Dance no.2, for percussion quartet, 1995. [Publication information
unknown.] |
Menken |
1995 |
Alan
Menken, Pocahontas. Music to the
Disney film. Lyrics by Stephen
Schwartz. Piano-vocal selection
published Walt Disney Music Co.
Milwaukee: Distributed by Hal Leonard, 1995. |
Schafer |
1995 |
R.
Murray Schafer, Miniwanka. For mixed choir (SA or SATB). Published Indian River,
Ontario; Arcana Editions, 1995. |
Bauer |
1996 |
Ross
Bauer, Ritual Fragments for soprano, flute (piccolo, alto), clarinet (bass clarinet),
violin, violoncello, percussion, and piano. Published New York: C.F.Peters,
1996. English words from The magic world: American Indian songs and poems (ed. William Brandon) ;
words printed also as text preceding score. CONTENTS: Paiute: ghost dance song -- Ojibwa: spring song --
Omaha: the rock (fragment of a ritual) -- Quechuan fragment -- Pima: a
dancing song -- Dakota: song -- Osage: from a legend -- Navaho: from the
night chant (nocturne) -- Mescalero Apache: dawn song (from the Gotal
ceremony). |
Stuart |
1996 |
Paul
Stuart (b. 1956). Kill Bear Comes Home. Opera in two acts,
adapted from an Iroquois legend.
Libretto by Sally M. Gall.
Orchestra of seven musicians. Produced by the Opera Theatre of
Rochester, 1996. Published V M
Music, P.O. Box 298, Pittsford, NY. |
Kitts-Turner |
1997 |
John
S. Kitts-Turner, Eight Ceremonial Songs, Based on Music of the Omaha
Indians,
for woodwind trio. Published Brasstown, North Carolina (199 Waldroup Rd.,
Brasstown 28902): Susato Press Edition, 1997. Note(s): "The upper voices in these trios are Native
American themes derived from Alice C. Fletcher's field work with the Omaha
Indian tribe at the end of the nineteenth century" CONTENTS: Peace and fellowship: simple setting -- Peace and
fellowship: figured setting -- Paint my face -- Approach of the warriors --
The gods decree our fate -- I am the wolf -- My sister -- Song of war. |
Lieberson |
1997 |
Peter
Lieberson, Ashokas Dream. Opera. Libretto by Douglas Penick. Produced Santa Fe, New Mexico. Published New York: G. Schirmer, 1997. |
Gann |
1998 |
Kyle
Gann, Custer and Sitting Bull. Electronic opera.
For voice and electronics, 1995-98. |
Bogdanovic |
2000 |
Dusan
Bogdanovic (1955-), Like a String of Jade Jewels: Six Native American
Songs. Published Saint-Nicholas, Quebec,
Canada: Les ditions, 2000. |
McLean |
2005 |
Don
McLean, The Three of Us. A
song about native American land. |
Stevens |
2005 |
Sufjan
Stevens, The Black Hawk War from Illinois. Review (Amanda
Petrusich): The colossal "The Black Hawk War" cartwheels slowly
into a climax of strings and horns, gurgling and pushing, ostensibly
signifying (with much aplomb) the violent return of the Sac and Fox Indians
to Illinois. Stevens may be deploying state propaganda, or validating Black
Hawk's push home, but no matter how grave its reality, the moment still lands
like a giant, neon-cased WELCOME TO ILLINOIS billboard. Trumpets blare,
submission looms, our eyes widen, it makes sense: Illinois. Is. The.
Greatest. State. Of. All. TIME! |
Zender |
2005 |
Hans
Zender, Chief Joseph. Music theatre piece in 3 acts. Berlin, Deutsche Staatsoper
(Unter den Linden), June, 2005. Libretto by the composer. Based on the speech
given by Chief Joseph before the American Congress in 1876. |
Alphabetical
List of Composers
Abram.
1894
Adam, A.
1837
Adam, L.
1912
Adams, C.
1906
Adams, R.
1904
Adolphus.
1980s
Ahlert. 1919
Albertson.
1941
Aletter.
1911
Alexander.
1925
Alford.
1909 (2)
Allen.
1907, 1916
Amram.
1978
Andrews.
1937
Arne. 1782
Arnold.
1787, 1790
Ashleigh.
1910
Auber.
1854
Austin.
1921, 1929
Avery.
1906
Avshalomov.
1971
Ayer.
1912, 1915
Ayres.
1910s
Bach. 1776
Bacon.
1956
Baker,
B.F. 1846
Baker, J.
1841, 1845
Baldwin,
A. 1929
Baldwin,
R. 1892
Ball. 1903
Ballard.
1966, 1969, 1970, 1975, 1985
Bantock.
1929
Barker.
1876
Barnett.
1876
Baron.
1921, 1922, 1924
Bartlett.
1914
Barton.
1929
Bauer, M.
1921, 1926
Bauer, R.
1996
Baumer.
1865
Bayly.
1830
Beach
Boys. 1962
Beach.
1895, 1906, 1920, 1921, 1922
Beaudry.
1906
Becker, B.
1979
Becker, J.
1912
Beglarian.
1976
Bellsted.
1891
Benatzky.
1922
Bendix.
1906
Benkert.
1859
Benkman.
1927
Bennett,
T. 1909
Bennett,
W. 1880
Beresford.
1908, 1910
Berg. 1847
Berg.
1925
Bergen.
1911
Berlin. 1946
Bernardini.
1791
Bernstein.
1987
Berton.
1799
Bestor.
1910
Bialosky.
1989
Bianchi.
1787
Bimboni.
1917, 1926
Bingham.
1919
Bishop.
1812, 1923 (2)
Blair, H.
1926
Blair, J.
1926
Blair, W.
1915
Blaise.
1751
Blake, L.
1904
Blake, R.
1982
Blakeslee.
1924, 1966
Blewitt.
1805
Bliss.
1906, 1912, 1916, 1921, 1923
Bloch.
1925
Block.
1980
Blockley.
1857 (2)
Blumenthal.
1973
Boatwright.
1898
Bock. 1905
Bogdanovic.
2000
Bond.
1910s
Boothroyd.
1925
Borch.
1919
Bornschein.
1916 (2)
Bott. 1891
Bouchard.
1990
Boyce.
1765
Brachman.
1904
Braham.
1913
Braine.
1930
Bray. 1808
Brville.
1911
Brewer.
1808
Bristow.
1872 (2), 1893
Brown, Al.
1913
Brown, Ar.
1906
Brown, F.
1844
Brown, R.
1904
Browne, J.
1910
Browne, R.
1901
Brownhold.
1904
Brubeck.
1968
Brussels.
1964
Bryan.
1905
Brymn.
1904, 1905 (2)
Bucalossi.
1911
Burck.
1930
Burke, C.
1937
Burke, J.
1911
Burleigh.
1913 (2), 1914 (2), 1918, 1928 (2)
Burlin.
1920
Burt.
1905, 1907
Burton.
1893, 1989 (2), 1902 (2), 1903, 1909
Busch.
1905 (3), 1907 (3), 1913, 1914, 1916 (2), 1917, 1918, 1921, 1922, 1932
Busoni.
1914, 1915, 1926
Butera.
1851
Cacioppo.
1988
Cadman.
1904, 1907 (2), 1909 (3), 1910, 1912, 1914, 1916, 1917, 1918, 1920, 1925, 1926,
1927, 1928, 1932, 1938
Cady. 1857
Caesari.
1932
Cage. 1976
Cambini. 1789
Campbell, J. 1920
Campbell, M. 1944
Candeille.
1785
Capel.
1861
Cardin.
1924
Carmichael.
1945
Carpenter.
1918, 1930
Carter.
1939
Cash. 1964
Caspari.
1869
Castelnuovo-Tedesco.
1942
Castling.
1908
Castro.
1900
Cesti.
1667
Chang.
1991
Chavez.
1936
Chazanoff.
1990, 1993
Childers.
1938, 1957
Cimarosa.
1791
Clark, J.
1855
Clark, P.
1909
Clay. 1875
Claypoole.1906
Coe. 1903
Coerne.
1893
Coffin.
1621
Colburn.
1913
Cole.
1904, 1918
Coleridge-Taylor.
1896, 1898, 1905, 1909, 1912, 1920 (posth.), 1925 (posth.)
Collins.
1907
Commuck.
1845
Connolly.
1903
Conterno.
1894
Converse,
C. 1856 (2)
Converse,
F. 1911, 1915, 1928
Cope. 1978
Copeland.
1903
Corder.
1885
Corin.
1907
Couchois.
1904
Cowell, A.
1840
Cowell, H.
1912, 1913
Cowen.
1892, 1903
Cox. 1963
Cramer.
1824
Crisp.
1927
Crook, J.
1895, 1904
Crook, P.
1962
Crosby.
1914
Culwick.
1897
Curtis.
1905 (3), 1921
Cyr. 1866
Dalayrac.
1786
Darondeau.
1802, 1815
David.
1844
Davis.
1905
Dawley.
1961
De Costa.
1910
De Falla.
1962 (posth.)
De
Lamarter. 1946
de Lotz.
1892
De Rose.
1952
Debillemont.
1875
Deis. 1934
De Koven.
1891
De
Lamater. 1914
De Leone.
1924, 1928, 1929, 1930
Delius.
1888
Delmar.
1906
Dempster.
1846, 1848
Densmore.
1931
Dewey.
1904
Dibdin.
1788, 1789, 1790
Dielman.
1836
Diemer.
1959
Distin.
1868
Dittersdorf.
1795
Dobson.
1925
Dodworth.
1844
Dolin.
1924
Donald.
1927, 1939
Donaldson.
1928, 1930
Dubourg.
1908 (Offenbach)
Dulmage.
1903, 1906
Dungan.
1963
Dunning.
1911
Dutillieu.
1789
Dutton.
1919
Dvok. 1893, 1894, 1920
(posth.)
Eames.
1916
Eaton.
1856
Eckhardt.
1916
Edwards,
G. 1905
Edwards,
L. 1906, 1909, 1921
Eggeling.
1907
Egk. 1942
Ely. 1909
Emery.
1863
Engels.
1935
Ephraim.
1905
Eppert.
1917
Erdman.
1910
Erickson.
1935
Eugene.
1923
Evans, G.
1900
Evans, L.
?
Fairchild.
1927
Falknor.
1914
Farban.
1912
Farwell.
1900, 1902 (3), 1904 (2), 1905 (2), 1907, 1908, 1922, 1929, 1931, 1937 (2),
1938, 1946
Faulds.
1913
Federoff.
1913, 1914
Ferguson.
1914
Ferris.
1979
Fillmore.
1890, 1894
Findlay.
1912
Finlayson.
1960
Finzel.
1910
Fischer.
1904
Fitzgibbon.
1907
Flment.
1859
Fletcher.
1911
Foote.
1886
Forsberg.
1979
Frain.
1907
Frances.
1876
Freeman.
1909
Freer.
1926
Friedman.
190?, 1903, 1904, 1909
Friend.
1921
Friml.
1923, 1924
Fry. 1904
Fuller.
1879
Fumi. 1862
Furth.
1907
Gaggs.
1891
Gagnon.
1858
Gallignani.
1876
Galuppi.
1772
Gamble.
1925
Gann.
1983, 1991, 1995, 1998
Gastaldon.
1908
Gaul.
1931, 1934, 1937, 1941, 1945
Gay. 1729
Geibel.
1911
Gene.
1878
Gerl. 1795
Gilbert,
E. 1856
Gilbert,
H. 1890, 1911, 1914, 1921
Giles.
1977
Gillock.
1980
Giordani,
G. 1783
Giordani,
T. 1795
Gladstanes.
1830
Glanville-Hicks.
1957
Glass.
1992
Gleason.
1885
Glenville.
1912
Glickman.
1936 (Offenbach)
Glover.
1869
Godfrey.
1909
Goemanne.
1981
Gold. 1956
Goldmark.
1896, 1915, 1916
Gomes.
1892
Goodwin.
1916
Gottler.
1919, 1922
Gould.
1935
Graetzer.
1966
Grainger.
1902
Gram. 1791
Graun.
1855
Gray. 1905
Green.
1936
Greentee.
1919
Gregory.
1857
Grethen.
1888
Grtry.
1768, 1770
Grever.
1927
Grey.
1903, 1905
Griffes.
1918
Grobe.
1874
Grunn.
1913 (2), 1916 (2), 1917, 1923 (5), 1924 (2), 1931, 1937
Guglielmi.
1884
Guion.
1917
Guthrie.
1945
Guylott.
1845
Haase.
1908
Hadley.
1898, 1909, 1917
Hager.
1903, 1910, 1916
Haines.
1907
Halvy.
1863
Halle.
1929
Hamilton. 1891
Hammer.
1914
Hanson.
1913 (2), 1914, 1928
Hardy.
1916
Harling.
1917
Harris, C.
1924, 1929
Harris, J.
1821
Hartmann.
1917
Hartz.
1904
Harvey.
1859
Hatton.
1856, 1869
Hatzan.
1915
Havana
Black. 1989
Hayden.
1937
Hein. 1906
Heinrich.
1861, 1934, 1937, 1940s, 1945 (3), 1947, 1849, 1859
Held. 1926
Hendricks.
1886
Henry.
1908
Henschel.
1900
Herberigs.
1921
Herbert.
1902, 1911 (2), 1919, 1922
Hewitt, H.
1945
Hewitt,
Ja. 1794, 1797
Hewitt,
Jo. 1852
Hewitt, P.
1892
Heyser.
1907
Hill. 1856
Hiller.
1977
Hillman. 1909
Ho. 1992
Hoey. 1974
Hoffmann,
M. 1902
Hofmann,
C. 1952
Holmes.
1850
Holstein.
1914
Honegger.
1917
Hook. 1786
Hrger.
1834
Horn. 1835
Horrocks.
1899
Horsley.
1815
Hoschke.
1923
Hoschna.
1905
Hosmer.
1850
Howard, F.
1848 (2)
Howard, H.
1762
Howard, W.
1861
Hoyt. 1903
Huertner.
1919
Hummel.
1825, 1830
Humphrey.
1675
Huntington.
1913
Hutchinson.
1846
Hutchison.
1992
Insanguine.
1780
Ives. 1921
Jackson.
1907
Jacobi.
1924, 1926, 1928, 1929 (2)
Jadin.
1797
Jeancon.1924
Jenkins.
1921
Jennings.
1976
Jerome.
1915
Jewitt.
1910
Johnson,
C. 1906, 1911
Johnson,
Ja. 1871
Johnson,
JR. 1904 (2), 1908
Johnson,
L. 1903
Johnson-Suerken.
1911
Jolivet.
1948
Jones, E.
1906
Jones, J.
1908
Jones, S.
1912
Jong. 1945
Jost. 1866
Kahn. 1903
Kain. 1906
Kaiser.
1904
Kmpf.
1906
Kappey.
1925
Kaps. 1911
Karst.
1858
Kauer.
1798
Kaufmann.
1942
Kaun. 1901
Keane.
1909
Keiser.
1905
Keithley.
1914
Kell. 1894
Kelley.
1922
Kellogg.
1906
Kelly.
1799, 1800
Kenney.
1904
Kenny.
1905
Kerr. 1908
Kerrison.
1914
Ketlby.
1915
Kidner.
1906
Kilpatrick.
1949
King, K.
1916
King, M.
1811
Kirkman.
1913
Kitts-Turner.
1997
Kitzke.
1990
Knapp.
1890
Knight, A.
1843
Knight, R.
1902
Knowlton.
1928
Kohs. 1966
Kolar.
1908 (2)
Koninsky.
1903
Kremenliev.
1953
Kroeger.
1898, 1902, 1904 (4)
Krtzinger.
1782
Lake. 1916
(2)
Lane.
1919, 1922
Langey.
1911, 1918 (2)
Lasser.
1801
Lawrance.
1910, 1912
Le Brunn.
1898
Lee. 1847,
1851
Lefolle.
1817
Lehman, L.
1911
Lehman, S.
1904
Lehmann.
1911
Lehmer.
1921, 1924, 1931
Leigh.
1928
Lemon.
1911
Lentz.
1989
Leonard.
1896
Lepin.
1981
Lester.
1926, 1930, 1931 (2)
Levenson.
1941
Levi. 1904
Lieberson.
1997
Liebling.
1904
Lieurance.
1912, 1913, 1914 (3), 1915 (2), 1916 (2), 1917 (2), 1918, 1919 (8), 1920 (5),
1921, 1924 (3), 1939, 1955
Lindsay.
1913
Lindstedt.
1904
Linley.
1781
Livernash.
1911
Lloyd.
1906
Lockwood.
1991
Loder.
1840
Loehr, H.
1914
Loehr, R.
1893
Loering.
1903
Logan.
1920 (2), 1922
Longboat.
1909
Loomis.
1903, 1904, 1918, 1924, 1925, 1930
Loring.
1905
Lover.
1847, 1849, 1858
Lucas.
1857
Luening.
1923, 1928, 1930
Lully.
1657, 1658, 1669, 1685
Lumbye.
1860
Lyle. 1910
Mac
Meekin. 1920
Maccartney.
1889
MacDonald.
1917
MacDowell.
1887, 1895, 1896, 1901
Mackay.
1967
Mackinley.
1905
MacMeekin.
1916
Macpherson.
1904
Maddison.
1825
Magbee.
1909
Magruder.
1854
Majo. 1765
Mark. 1904
Martin,
1857
Martin.
1850
Martini.
1911
Marzian.
1913
Marzo.
1909
Mascall.
1876
Masters.
1846
Mayr. 1803
Mazzinghi.
1797
McClintock.
1910
McHugh.
1919
McLean.
2005
McPhee.
1945, 1948
Mhul.
1791
Mellon.
1845
Meneses.
1869
Menken.
1995
Meny. 1909
Merrick.
1912
Metcalf.
1920, 1922
Meyer.
1909, 1910, 1920
Miersch.
1896
Miguel.
1852
Milhaud.
1930
Miller.
1910 (2), 1913, 1915, 1917 (3), 1918, 1935 (2)
Mills.
1907. 1908. 1909
Mobberly.
1987
Moho-Nali.
1905
Mohr. 1908
Mokrejs. 1914
Molloy.
1880
Monica.
1882
Moon. 1920
Moore, E.
1917
Moore, G.
1991
Moore, J.
1909
Moore, M.
1911, 1922, 1931
Moore, T.
1840
Moorehead.
1802
Morel.
1957
Moreland.
1921
Moret.
1903, 1903, 1905, 1907, 1909, 1911, 1921
Morgan.
1903, 1907
Morgenstern.
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Moritz.
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Morse.
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Motzan.
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Murchison.
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Murphy.
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Mysliveczek. 1771
N.a. 1608, 1609, 1614, 1620, 1626, 1641, 1658, 1659, 1777, 1781,
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Naumann.
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Nelson.
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Nevin.
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Noble.
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Nolcini.
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Norby.
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Offenbach
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Otterstrm.
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Owen. 1845
Pabst.
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Pados.
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Paisiello.
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Paldi.
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Panseron.
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Parfrey.
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Partch.
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Pasch.
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Pasquini.
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Patterson.
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Patton.
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Pelissier.
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Penso.
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Perl. 1933
Peticolas.
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Pfennig.
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Phelps.
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Philips.
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Piantadosi.
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Piccini.
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Pierson.
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Pike. 1850
Plunkett.
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Pochon.
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Porter.
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Poussard.
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Prescott.
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Pridham.
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Prior.
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Puccini.
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Rameau.
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Romelli.
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Root. 1854
Rossiter.
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Rousseau.
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Rubenstein.
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Russell.
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Samuels.
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Sanderson.
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Santley.
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Scarmolin.
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Schafer.
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Schultz-Beuthen.
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Schwabe.
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Schwartz.
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Schweitzer.
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Sebastiani.
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Seidl.
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Selig.
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Serrano.
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Severn.
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Sverud.
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Shrivall.
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Sinclair.
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Singer.
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Skilton.
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Sousa.
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Sparks.
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Stamper.
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Storace.
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Tipton.
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Tivolie. 1873
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Tonning.
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Treiber.
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Troyer.
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Van
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Weigl.
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Wenrich.
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Westervelt.
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Weston.
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Whitaker.
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Whiteley.
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Whithorne.
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Wilkes.
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Williams,
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Williams,
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Williams,
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Wilson, A.
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Wilson, I.
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Winner.
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Wood, D.
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Wood, F.
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Woodbury.
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Woodman.
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Woolcott.
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Work. 1868
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Wrede.
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